Architecture Commons^™

Difficulties With The Interordinal Laws Of Cultural Property As Applied In The United States, And Proposed Solutions, Jeffrey John Miles

Jeffrey John Miles

This paper evaluates the interordinal web of international cultural property law as applied in the United States. The work explores problematic areas where law fails to adequately protect against illicit trade in cultural property from art to artifacts. The complexity in this area stems from the often opaque movements of cultural property and the overlapping legal regimes of foreign nation states and domestic federal and state laws. After evaluating the structure of these laws as applied in the United States, I propose solutions to improve coverage where lacunas exist.

Not-I/Thou: The Other Subject Of Art And Architecture, Gavin W. Keeney

Gavin W Keeney

Not-I/Thou: The Other Subject of Art and Architecture is a series of essays delineating the gray areas and black zones in present-day cultural production with, in Part One (The Gray and the Black), an implicit critique of neoliberal capitalism and its assault on the humanities through the pseudo-scientific and pseudo-empirical biases of academic and professional disciplines. Initially surveying the shift from Cultural Ecology to Cultural Studies to Cognitive Capitalism, the essays of Part Two (What is “Franciscan” Ontology?) return to certain lost causes in the historical development of modernity and post-modernity, foremost the recourse to artistic production as both a …

Black Success Is Never Simple: An Interview With Architect Curtis J. Moody, Koritha Mitchell

Koritha Mitchell

An interview with the principal designer and CEO of the largest "minority"-owned architecture firm in the world.

The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier

Carol Bier

No abstract provided.

"Else-Where": Essays In Art, Architecture, And Cultural Production 2002-2011, Gavin W. Keeney

Gavin W Keeney

“Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real (denoted over the course of the studies as the “Real-Irreal” or “Else-where”).

The essays collected in “Else-where” cross various disciplines, inclusive of landscape architecture, architecture, and visual art, to develop a nuanced critique of an emergent formal regard in the arts that is also an …