Digital Commons Network^™

Volume 19, Number 03 (March 1901), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musical Socieites in Smaller Towns

Rules for Young Composers

How I Teach Piano

As to Tradition in Music

Industry of Genius

False Alarm

Qualities of a Superior Pianist

Making the Most of It

Self-Control

Fable for Graduates

Ear-Training

How to Manage a Teacher

Way to Make the American People Musical

Successful Teacher

Purposeful Doing

Ludwig Schytte

Technical Practice

Pseudonyms of Musicians

Genuine Enthusiasm in Teaching

Some Elements in a Musical Education

Habit in its Relation to Student Life

Old Industries

Law of Student Life

Faults of American Students

Volume 18, Number 11 (November 1900), Winton J. Baltzell

The Etude Magazine: 1883-1957

Slow Practice

Difference in Fractions

Teaching: Its Purpose and Its Influence upon Music at Large

Ideas for Teaching Children

True Basis of Teaching

Playing or Non-Playing Teachers

Mental Attitude of Teacher and Pupil

Letter to a Young Composer

Primary Teaching, Part 2

How to Begin the Study of Bach

Teacher's Fertility

Home-Circle Critics

Some Points of Success

Talking Lessons Not All

Rapid Memorization of Key Signatures

Art of Holding Pupils

Look up to Bach

Volume 17, Number 03 (March 1899), Winton J. Baltzell

The Etude Magazine: 1883-1957

Loving-Cup to Dr. Mason

What a Composition Means

Education and Its Demands Upon the Modern Teacher

People to Cultivate

Training of the Ear

Popularity of Vocal Over Instrumental Music

Common-Sense Chat

Good Teacher Versus Good Player

Transformation of a Genius from a Musician's Diary

Opposition to the Violin for Girls

How to Get People to Attend Pupils' Recitals

Teaching as a Specialty

Status of Music-Study in America

Rubinstein's Theory of Practice

Curved Thumb

How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)

Matter of Temperament

On Special Editings and Annotations

Some Salient Points in Leschetitzky's Teaching

Concerts …

Volume 16, Number 09 (September 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

John Comfort Fillmore (obit)

Frivolous Pupils

Scherzoso

Capacity for Teaching

Musical Taste

Why?

Minor Scales

Conservatory the Public School of Music

Twelve Business Maxims

New Teaching Season

How to Buy a Piano

Reading at Sight vs. Artistic Playihg

Mechanical Aids to Piano Study

Another Teaching Ability

Modernizing Classics

How to Understand Music

Parental Interference

Value and Practice of Advertising Among Professional Musicians

Pedalmania

Time Brings Changes

Teaching the First Piece

Anton Rubinstein

Rubinstein as I Knew Him

On Selecting a Teacher

Introspect

Principles of Musical Pedagogy

Self-Criticism

True Music Teachers vs. Pin-Money-Makers

Charlatanism in Music

Aimlessness Among Musicians

Inspiration

Song …

Volume 16, Number 08 (August 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Cultivate the Love of Nature

The Subjective Player

Music and Progressiveness

Rusting and Rusticity

Culture: A Suggestion for Summer

The Teacher Not Everything

Pioneer American Pianist: Gottschalk—His Work, Artistic Standing, and Financial Circumstances; A Statement as to His Poverty Corrected

Letter from Sousa

Value and Practice of Advertising Among Professional Musicians

Professional Courtesy

Environment as an Educational Factor

Encores

Individuality in Art

Teaching a Necessity

Present and Abiding Duty for the Music Teachers

Rhythm the Basis of Melody

Gladstone's Interest in Music

Prize Medal System

Two Schools of Organ Playing

How to Make Music Studios Attractive

Studio Experiences

Advantages for …

Volume 16, Number 02 (February 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

How to Make a Living

American Student

Principles of Musical Pedagogy

Life of a Pianoforte—How to Preserve It

Musical Listener

Children and Music

Music Teacher Analyzed

Thumb

How a Composer Works

Stumbling Blocks

In My Easy Chair

Romantic Side of Bach

How to Work up Concerts in the Smaller Cities

Mental Technic: A Suggestion

Key-Character a Fallacy

Ear Training

Advantages for Music Students in Various European Centers

Pen Picture

Crime Against Art

Open Your Eyes

How to Maintain Pupils' Interest

Happy Medium

Old Italian Method

Study of Musical Literature

Listening Well

Professional Code

Volume 16, Number 12 (December 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Comments by Emil Liebling

Danger of Premature Introduction of Classical Music

Some Thoughts on Teaching the Pianoforte

Great Players and Great Teachers

Don'ts

Symposium: Is the Teaching Season Growing Shorter?

Origin of the Baton

Critical Comment

Factors in a Teacher's Success

Behind the Scenes in Art-Life

Violins and Girls

Hearing Music as a Factor in Musical Education

Attempting the Impossible

Technic and Emotion

Sin Against Good Taste

Writing of the Requiem: The Story of Mozart's Masterpiece

Originality Impossible

Good Advice

Nervousness Before Appearing in Public

Methods and Results

Eclecticism in Music

Home Influence on Pupils

Memorizing is Such Hard Work …

Volume 14, Number 09 (September 1896), Theodore Presser

The Etude Magazine: 1883-1957

Liszt's Pen-Picture of Chopin

Music and Money

Our Trials

Illustrated Music Lessons

M. Saint-Saëns

My Piano Teacher Criticised

How to Interest Beginners

How Shall We Interest Our Pupils?

Musical Thief

New Chapter of Touch

Male and Female Teachers

To One About to Enter the Profession

Analysis of Bach's Prelude and Fugue in C Major and C Minor

Class Work in Musical Criticism

Some of the Pupils We Meet With

1894 Minutes Of The Kings Mountain Baptist Association, Kings Mountain Baptist Association

Kings Mountain Baptist Association Minute Books

The 1894 meeting of the Kings Mountain Baptist Association took place at Shelby Church (First Baptist Church of Shelby) in Shelby, NC. The opening scripture and prayer was delivered by Dr. Mitchel and introductory sermon delivered by A. C. Irvin. The Committee on Baptist Orphanage requests that each church in the Association take up one collection per year, and each Sunday School take up a collection on the first Sunday of every month, for the orphanage. The Committee on Ministerial support recommends that churches pay their pastors 80 cents per capita.

Volume 12, Number 03 (March 1894), Theodore Presser

The Etude Magazine: 1883-1957

Dvorak's Lessons

Truth

To Practice a Song

Piano Playing Can't Be Stopped

Von Bülow Dies

Summer School in Prospect

Read! Read! Read!

Questions about Scales

Shall All Children Learn Music

Concise Chronological History of the Chief Musicians and Musical events from A.D. 1380-1885

I've Hear Him Once

Musical Pharisees

Some Errors as We Find Them in Pupils

Failure in Music

Why Woman Cannot Compose

Looking Backward

Puff Direct

Missed Lesson

Pupils [from] the Teacher's Standpoint

Quality, Rather than Quantity

Regarding Certain Pianists

Shall We Teach Cause or Effect?

Presumptuous Sins

Art and Money

Mozart on His Manner of Composing

More …

Volume 11, Number 06 (June 1893), Theodore Presser

The Etude Magazine: 1883-1957

Ear Training

Method

Heart, Brains, and Fingers

Liszt and Contemporary Composers

Some Deductions from Paderewski's Playing

Ladies' Piano Club

Reading Music Mentally

Beethoven

Congress of the American College of Musicians

Wasted Piano Practice

Pedal

Popular Outline of Musical Literature

Music Teacher's Duty From the Standpoint of an Intelligent Pupil

Exercise in Counting Intervals

On Thorough and Artistic Study

Scale-Playing

Collateral Reading

Volume 10, Number 02 (February 1892), Theodore Presser

The Etude Magazine: 1883-1957

What is Romantic Music?

Secret of Rapid Progress

Four-Hands Playing

Requisites for Voice Teachers

Value of Analysis for Pupils

One of a Music Teacher's Perplexities

Some Useful Pieces

Pen and Pencil Sketch of Beethoven

What is Musical Life?

Home Influence Upon the Pupil's Progress

Study of Rhythm

Faults and Their Remedies

University Extension, for the Systematic Home-Study of Music

Varieties of Legato Touch

How to Learn a Piece

How to Study—How to Tecah

Musical Analysis and Phrasing

European Conservatory in St. Louis

Volume 09, Number 07 (July 1891), Theodore Presser

The Etude Magazine: 1883-1957

Diversity of Taste

Professional Versus Amateur Music Teachers: Or Low Tuition Fees and How to Raise Them

Piano-Forte Teaching

Life-Rests

Elegant Design For a Piano Cover

Minnie Hauk's Music Lesson

Education of Pianists

Careless Beginners

Committing Music to Memory

Paying the Price

Melody and Pedantry

Expression and Its Conditions

Music as a Bread Winner for Girls

Man Created Music

Volume 07, Number 02 (February 1889), Theodore Presser

The Etude Magazine: 1883-1957

Individuality in Pupils

Herr Moriz Rosenthal, Pianist

Traumeri

Course of Study for the Pianoforte

Current Phases of Piano Teaching

Leading Thoughts

Fingering in History

Estimation of the Musical Profession by College Presidents

Certain Educational Aspects of Technical Development

Reforms in Music Teaching

Volume 04, Number 03 (March 1886), Theodore Presser

The Etude Magazine: 1883-1957

Etudes or Pieces

Thalbergian Method

Some Hints Concerning Piano Teaching

American Versus Foreign Fingering

Fingering of the Scales

Simplicity of Technic

Open Letter to the Piano-Forte Student

Technic Again

Retrospective and Prospective

Our Girls as Piano Players

Printing Music for Children

What to Teach