Digital Commons Network^™

Autoridad Y Poder En Tres Obras Del Siglo De Oro Español: "El Cerco De Numancia" (C. 1580), De Miguel De Cervantes, "Arauco Domado" (C. 1604), De Félix Lope De Vega, Y "Amar Después De La Muerte" (C. 1627), De Calderón De La Barca, Antonio Jesus Rubio Martinez

Theses and Dissertations

En el siguiente trabajo, pretendemos analizar la representación de la autoridad y el poder en tres obras del Siglo de Oro español que tristemente no han recibido toda la atención que desde luego ameritan: la "Numancia", de Miguel de Cervantes; "Arauco domado", de Lope de Vega; y "Amar después de la muerte", de Calderón de la Barca. Los tres textos se desarrollan en contextos bélicos y proponen diversos acercamientos a la cuestión, cuya relevancia se relaciona con el gran debate intelectual que se daba en la Monarquía hispánica del siglo XVII sobre la idea de Estado. Nos referimos a los …

Content Considerations In High School Musical Theater Show Selection, Mark David Lefeber

Theses and Dissertations

Many high schools present musical theater productions annually. In some cases, high school students present material that could be considered controversial or uncomfortable for performers, their directors, or audiences. The purpose of this study was to examine content issues of musicals that high school theater directors must consider when selecting a show for high school performance. Topics analyzed included: sexualization of characters and sexism, references to sexual activities including kissing and simulation of sexual acts; profanity, racially-defined Black, Indigenous, People of Color (BIPOC) roles, racism, LGBTQ characters, gun violence, the use of alcohol and drugs, domestic violence, direct religious messaging …

The Merit Of Adaptation: An Exploration Of Adaptation In Regard To Sophocles’ Theban Plays And The Role Of Antigone Within The Story, Hogan T. Holt

Theses and Dissertations

The creation of an adaptation is extremely challenging and time-consuming, but with the right tools and inspiration, that task of creation can be eased. By looking at three different adaptations of the Theban plays, the goal of creating a new adaptation of this series of plays can be achieved. At the same time, this adaptation can achieve a goal of highlighting an important character from the original set of plays, Antigone, and give her a role that elevates her to the main protagonist across all three plays, thus allowing the Theban plays to become a more feminine piece that works …

Sense Make Before Book, Bradley Sinanan

Theses and Dissertations

“Sense Make Before Book” is an Indo-Caribbean turn of phrase which refers to common sense being more important than book smarts. My sister sent me a post the other day on Instagram of an Trinidadian woman using this phrase, saying it was one of Indo-Caribbean origin. I was interested and asked my mom about it. My mom says that when she was younger my grandpa said it often around their house in Princes Town, Trinidad and Tobago. This adage feels charged thinking about the history of indenture and its effects on the Indo-Caribbean diaspora.

The written word of archival history …

Dancing Mi Cultura: The Production Of Ethnic And National Identity In Midwestern Mexican-Americans Through The Performance Of Ballet Méxicano Folklórico, Katrina J. Frank

Theses and Dissertations

This thesis studies how Mexican Americans living in the northwest suburbs of Chicago produce connections to their Mexican heritage and culture through the performance of ballet Mexicano folklórico. Through ethnographic interviews of current and former folklórico dancers, as well as participant observation of adult folklórico dance practices, I contextualize the experiences of the interviewees using the anthropological theories of habitus, continuous and discontinuous selves, double-consciousness, liminality, and collective effervescence, as well as the works of Simone de Beauvoir, Michel Foucault, and Frantz Fanon, with the discussion of folklórico as an art, and the concept of institutional use of dance as …

Keeping Both History And Magic Alive: Judson Dance Theater: The Work Is Never Done (2018) At The Museum Of Modern Art, Beatrice M. Johnson

Theses and Dissertations

This thesis examines the exhibition, historical reconstruction, and museum acquisition and conservation of postmodern dance, with the 2018 MoMA exhibition Judson Dance Theater: The Work Is Never Done as a case study. This exhibition considered the history and legacy of 1960s postmodern dance through a presentation of artifacts and archives alongside a continuous program of live, in-gallery performances. The Work Is Never Done catalyzed questions in the three areas of dance exhibition, reconstruction, and conservation and, as this thesis argues, represents a unique example of preserving canonical dance history while creating a generative context for spontaneity, experimentation, and reinvention.

Palestine Without Borders: A Study Of Arab And Western Voices In Theater, Bassem Mohsen Ahmed El-Sayed Ahmed Ibrahim

Theses and Dissertations

Theater has always been perceived as a way to link different cultures together and bring them under one large domain. Regardless, the genre does not give the needed attention to works written in certain regions that may otherwise fall outside the consensus. One good example is Palestine and any works that deal with it as a setting. The first thing that comes to mind whenever the word “Palestine” is brought up is almost always of a political nature, having to do with the Palestinians’ national conflict with Israel. This thesis undertakes to amend this by probing into plays written by …

An Ambiguous Hermeneutic: Doubleness In Ingmar Bergman’S Quest For Self, Ingy Aziz

Theses and Dissertations

One of the functions of art in all its forms is to provide the means for self-exploration and, in this way, to enable us to relate cultural representation to the question of meaning. The beauty of cinematic art is that it gives voice to our deepest and most profound concerns and enables us to bridge the gap between personal psychology and public understanding. As interpreters, we do not always unearth the answers that we seek, but we certainly gain more insight through delving into the minds of major filmmakers in the canon of modern cinema. This thesis is on the …

For What Is A Man?: Towards Languaging Contemporary Dance In A Black, Queer, Male-Presenting Body, Thomas Ford

Theses and Dissertations

This paper examines Queering Blackness: Solo on a Theme of Reconciliation, a performance event that invokes movement, spoken text, projections and sound to explore the mechanisms of identity. Engaging performance, Black, queer and dance studies, the paper contextualizes cultural identity markers, towards an understanding of what it means to be Black, queer and male-assigned in Black spaces.

Gloria Rehearsal (Excerpt) A Feminist Mechanism For Metabolization, Eleanor Smith

Theses and Dissertations

Weaving embodied trauma studies with feminist theory, non-hierarchical creative structures, and research in dance improvisation, this thesis paper written by Eleanor Smith contextualizes the dance performance gloria rehearsal (excerpt). The performance piece was choreographed and performed by Molly Lieber and Eleanor Smith, who have been co-choreographing feminist dances since 2006.

Blacklash: Phenomenological Hermeneutics In Black Dance, Darvejon A. Jones

Theses and Dissertations

The horrors inflicted on Black bodies, souls, and spirits in the United States during the transatlantic slave trade, the Jim Crow era, and the current era (2023) have a lasting legacy of trauma metabolized through the body and transmuted generationally. Jones uses this data to contextualize the work of Black dance artists as hermeneutic phenomena in which the Black dance artist is a hermeneut tasked with delivering a message of the Black body/spirit complex: “I AM HUMAN. DO NOT KILL ME.” This paper examines how Black dance artists frequently petition for their survival — incessantly subjugated to the interpreter’s empathy, …

I Could Never, Chad Kaydo

Theses and Dissertations

Isn’t it horrible? What she did? Can you even *imagine* doing that? Three women reckon with the dark myths we tell ourselves…while their husbands golf.

Zeus Iv, Lauren Holmes

Theses and Dissertations

How do you survive a pandemic? When you’re trapped inside for weeks? When society’s rules are revealed as largely arbitrary?

You get a dog and bring it to the park.

This play is about a group of devoted dog owners in Boston who stumble on an unexpected community. It's a dog park ballet about the close care of strangers.

Riverside Drive, Phillip C. Smith

Theses and Dissertations

RIVERSIDE DRIVE: Eugene, a mild-mannered librarian by day and a foul-mouthed comedian by night, uncovers the hidden legacy of his family’s Harlem home which forces him to transform his life.

Edward & Sons: An Improvised Opera, Ian Robles

Theses and Dissertations

A hurricane is coming, but at Edward & Sons Hardware and Plumbing the shelves are bare, the gringo debt collectors are calling and the owners is getting high in the back room. An improvised opera about the demise of the very last family-owned hardware store in Puerto Rico.

Walk Away, Anna May, Kim Diana Ly

Theses and Dissertations

Remember how Anna May Wong was passed over for white actors in yellowface? An emerging Asian American screenwriter moves on a kaleidoscopic journey through the entertainment industry -- from Kabuki to Crazy Rich Asians -- in order to understand why she's even trying to make it in Hollywood.

Learning To Let Go: Becoming A More Collaborative And Compassionate Director, Catherine Joy Thomas

Theses and Dissertations

This thesis examines all the directorial projects I’ve had the pleasure of working on throughout my time at UofSC, both as an assistant and as a director. Because I am completing my MFA without the mentor I originally started this journey with, my path has not been linear but, instead, a series of stepping stones in all shapes and sizes, guided by different directors and unofficial mentors who have various styles and approaches to theatre. These projects have molded my directorial approach in different ways, and I have become a better collaborator and leader because of them. This thesis examines …

Adaptation And Art: An Examination Of The Costume Design Process In A Global Pandemic, Kyla Ann Little

Theses and Dissertations

Exploring experiences in the Costume Design and Technology Program at the University of South Carolina, this thesis entails the extensive journey from the first trepidatious costume rendering to fully designing costumes for a studio feature film that may be sold to Hallmark. Through a comprehensive curriculum that involved designing costumes for three realized productions, acquiring proficient skills in drawing, painting, digital rendering, patternmaking, and draping, I was able to finish off with an internship semester that encompassed five professional jobs in the industry. My odyssey highlights the ability to adapt to new challenges, including navigating the global pandemic as an …

“W”: Women In Afropop Entertainment At The Intersection Of Race, Gender, Sexuality, And Culture, Coreen Robledo

Theses and Dissertations

Performing artist uses a personal and historical viewpoint as a catalyst to discuss some women's challenges in the Afropop and African entertainment by offering social, patriarchal, cultural, and sexual contexts that the writer argues construct the images, reputations, decision-making, and circumstances of Brown and Black women in the entertainment industry.

Adapting Higher Education: Revamping Curricula For The Inclusion Of Theatre Students With Disabilities, Kevin Kemler

Theses and Dissertations

Equity, Diversity, and Inclusion initiatives in higher education have been largely driven by administrators who have little to no contact with the students for whom they are working for. This top-down approach negatively impacts marginalized students and disproportionately affects the quality of experience for students with Disabilities, an often-overlooked demographic. For Disabled students enrolled in performance programs, barriers to access and inclusion don’t just exist at the institutional level, they also exist in the traditional classroom or studio as well. Through a dismantling of ableist structures inherent within higher education (i.e., American grading practices, the Western and Theatrical Canons), I …

A Methodology Of Paradoxes: Investigating Authenticity In The Representation Of Queerness On The Contemporary Stage, Kendall C. Walker

Theses and Dissertations

In my experience as a queer theatre practitioner, performer, and student, I have always had questions of ownership and authenticity when it comes to LGBTQIA+ narratives on the contemporary theatre stage. The question of: “Who is allowed to tell what story?” and the many complex ideas that this leads to, is what has inspired this thesis and my own pedagogy of intersectionality and inclusivity.

The purpose of this thesis is to investigate the relationship between authenticity and queerness on the contemporary stage in order to develop a methodology for how all theatre practitioners—no matter their identity—can effectively tell queer-identifying stories …

Generational Theory As A Lens For Approaching Musical Theatre History, 1943-2023, Or A Strange Loop, Ben J. Lundy

Theses and Dissertations

In 1991, William Strauss and Neil Howe published generational theory in Generations: The History of America’s Future, 1584-2069. Though critiqued, Strauss and Howe’s generational theory suggests that American history occurs in cycles characterized by four distinct generational turnings or moods that occur approximately every eighty years, roughly the span of a human life. Though the theory has been applied to American history, usually through a political and economic lens, this thesis will focus on the most recent Millennial Cycle and apply the theory to the development of Broadway musical theatre history. Innovative musicals such as Oklahoma! (1943), Hair (1968), Rent …

An Arbitrary Aesthetic: Cultural Reproduction And Hegemonic Canonical Formations In The Western Theatrical Academy, Sim C. Rivers

Theses and Dissertations

Theatre as an artistic practice has often been celebrated as an art of and for the people, being a modality that in theory the common person has access to learn, explore and experience. In recent years I have become preoccupied with the growing rarification and privileging of this art form, particularly in how it is cognized and taught in the academic world. As such, I set out to investigate the mechanisms at work at levels structural, artistic, and personal that determine how theatre is taught and understood within the western academy.

This thesis seeks to examine and unpack the perceived …

An Introduction To Theatrical Scent Design As Compared To Traditional Design Areas With A Consideration For The Scientifically Notated Physical And Emotional Effects On The Human Body As It Potentially Relates To Future Creative Endeavors: A Framework, Katherine R. Holland

Theses and Dissertations

Traditional areas of theatrical design are established to the point of having a solid foundation for current and future designers to rely on as they strive to innovate. The same cannot be said for scent. I believe that art, like science, is a sector where the imagination is used to push the boundaries of what we currently know and can do. Artists are therefore entrusted with the responsibility to continue testing those boundaries, and that is what my topic lays the foundation for when it comes to scent. With my topic, I plan to look at the practical and ethical …

Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby

Theses and Dissertations

Laying out a Space: Spectral Geographies, Fictions of the Soul, arises out of my artistic practice, and thoughts behind my current project and MFA exhibition, Spectral Geographies.

Linking the problem of the world ‘out there’ or external space, to inner experience through painting as both medium and practice, my work expresses what I call inner geographies, spaces where intimate immensities, folding inside and outside, find expression. I think of my paintings as beginning with this gesture of laying out a between-space where the intimacies of waking dreams and visions are opened by, and grow into, actual places, …

Emergent Trends Of Contemporary Dramatic Recontextualization: An Exploration Utilizing Eugene O'Neill's Mourning Becomes Electra, Cameron M. Nickel

Theses and Dissertations

The art of adaptation in the realm of drama has undergone an easily recognizable evolution in the past couple of decades, from the work of Sarah Ruhl to Branden Jacobs-Jenkins. This evolution has opened doors to an altogether new form of adaptation in the theatre: dramatic recontextualization. While the two forms are built upon a foundation of shared aspects, there are certain observable and quantifiable delineations between the two artistic forms. As this trend continues to grow exponentially in the world of theatre, it is important to further research the origins and methodologies of contemporary dramatic recontextualization, both to provide …

Grendel's Mother, Zoe M. Lasden-Lyman

Theses and Dissertations

She helps all the humans and animals in her building. Then why won't she answer this strange, new knocking at her apartment door? A bizarre thriller about the world right now... and about cats.

The Politics Of Sexual Assault On The Theatrical Stage: How Theatre For Social Change Challenges Systems Of Oppression, Gerry Rodriguez

Theses and Dissertations

The critical introduction analyzes how theatre has been used as a tool to directly address politics and influence social change. Augusto Boal’s Theatre of the Oppressed has been of particular importance and influence in contemporary theatre which directly mirrors the failures of society by representing the people who are most affected. The purpose of theatre for social change is to accurately represent oppression within communities and inspire audiences to play an active role in finding solutions for these oppressive systems once they leave the comfort of the theatre. The critical introduction is followed by the full-length play, Victim Does Not …

Inspiring The Imagination, Nathan Terracio

Theses and Dissertations

As someone who has been a life-long audience member and who has worked in over a hundred different theatres on countless different productions over the course of my professional career, I have always been fascinated by the process of creating art out of thin air. I have watched artists undergo careful planning only to have that work thrown out during the rehearsal or technical process, or even sometimes during the last preview performance. I have watched moments unfold on stage at the last minute with seemingly no planning or effort. I have seen the reactions of audiences to moments that …

Scenic Design – Capturing The Essence Of A Play Through Metaphoric And Symbolic Imagery, Mona Maria Damian Ulmu

Theses and Dissertations

The following paper is meant to develop my experience as an MFA Candidate at the University of South Carolina. It was an MFA in Theatre, at the Department of Theatre and Dance, College of Arts and Sciences. I was a Scenic Design major but also studied Costume Design, Costume Construction and Patterning, Lighting Design, Vectorworks, Text Analysis, Pedagogy, etc. I was also hired as a teaching assistant, graduate assistant, working in the Theatre shop with undergraduate students, under Technical Director and Technical Director’s assistant supervision. This paper mainly explores my experience of making shows as a Scenic Designer and Scenic …