Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Theatre (2)
- Anti-Racism (1)
- Applied Theatre (1)
- Arts (1)
- Charles II (1)
-
- Comedy (1)
- Communication and the arts (1)
- Costume (1)
- Drama (1)
- Drama Facilitation (1)
- Dryden (1)
- Gender Equality (1)
- Heroic play (1)
- Human Rights (1)
- Humanities (1)
- Orrery (1)
- Othello (1)
- Peace (1)
- Peace Building (1)
- Performance (1)
- Plays (1)
- Printing press (1)
- Reconciliation (1)
- Restoration (1)
- Stuart (1)
- Theatre in Social Contexts (1)
- War (1)
- Publication
- Publication Type
Articles 1 - 5 of 5
Full-Text Articles in Entire DC Network
The Life Writing Of Hart, Inspector-General Of The Imperial Maritime Customs Service, Henk Vynckier, Chihyun Chang
The Life Writing Of Hart, Inspector-General Of The Imperial Maritime Customs Service, Henk Vynckier, Chihyun Chang
CLCWeb: Comparative Literature and Culture
In their article "The Life Writing of Hart, Inspector-General of the Imperial Maritime Customs Service" Henk Vynckier and Chihyun Chang analyze the life and writing of Sir Robert Hart (1835-1911). Hart arrived in China in 1854 and served as Inspector-General of the Imperial Maritime Customs Service 1863-1911. Although Hart disparaged his own role, Jonathan Spence views him as a key adviser to the Qing government. Despite of the historical importance of Hart's texts, of his seventy-seven volume diary only eight of the volumes have been published and the remaining volumes remain largely unexamined. Vynckier and Chang examine the complex transmission …
2012 Illinois Shakespeare Festival Program, School Of Theatre And Dance
2012 Illinois Shakespeare Festival Program, School Of Theatre And Dance
Illinois Shakespeare Festival
35th Season. The Theatre at Ewing. As You Like It by William Shakespeare. Othello by William Shakespeare. The Rivals by Richard Brinsley Sheridan. Comedy of Errors by William Shakespeare. Three Wills and a Shakespeare.
Jealousy, Manipulation And Murder: Designing The Costumes For William Shakespeare's Othello, Latricia Ann Reichman
Jealousy, Manipulation And Murder: Designing The Costumes For William Shakespeare's Othello, Latricia Ann Reichman
Graduate Theses and Dissertations
The following thesis explains the process utilized to create and implement the costume design for the production of Othello produced at the University of Arkansas University Theatre in the Spring of 2011. Throughout this thesis I will illustrate how the costumes went from initial research ideas to sketches and colored renderings and finally to finished three-dimensional costumes. The design process detailed here includes an analysis of the play, production history, research, renderings, and an evaluation of the overall process.
Acting For Change – Four Drama Workshop Models In Anti-Racism, Anti-Sectarianism, Human Rights And Gender Equality And Storytelling To Promote Reconciliation, Mary Moynihan
Books/Book Chapters
This booklet is written by Mary Moynihan and produced by Smashing Times Theatre Company Limited as part of Acting for Change, a year-long arts programme using high quality drama and theatre processes to promote reconciliation within Donegal and on a cross-community, cross-border basis. As part of the project, in addition to presenting a professional theatre performance and seminar, the company developed four new awareness raising participative drama workshop models, designed by Mary Moynihan to promote anti-racism, anti-sectarianism, equality and storytelling for reconciliation.
The four drama workshop models are printed in full in this booklet along with resource information for drama …
Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson
Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson
LSU Doctoral Dissertations
This dissertation aims to establish the importance of Charles II in the shaping and evolution of Restoration theatre. Even more so than the playwrights themselves, Charles II determined the future of the theatre, both by his conscious efforts to do so, as well as unintentionally through his own behavior and image. The tradition of Restoration theatre began in 1660 with Charles’s efforts at establishing a consensus theatre, in which it would appear that he enjoyed unanimous support for his return to England from exile. Consensus theatre was determined by the perception of Charles’s rule and character, his power to manipulate …