Digital Commons Network^™

The Ghost Of John Nisbet: Hugh Macdiarmid’S First Published Work, Alan Riach

Studies in Scottish Literature

Discusses the first published item, a short play, signed with the name 'Hugh M'acDiamid', and sets in its biographical and historical context just after the First World War and in the literary context of 1922 and international modernism, in 1922, viewing it as 'an encapsulation of its moment, and most importantly as an elegiac tribute to a friend,' arguing that 'Performing "Nisbet" as a play intimates the drama of fractured modernist selfhood implicit in the written text,' and concluding that it should be seen 'in the whole national context of Scotland finding a way towards a reconstruction of itself, a …

Hame, Russell Clarke

Dance (MFA) Theses

Researcher Russell Clarke contemplates the need for human belonging, looking into ways that human belonging shows up in the contemporary world. Clarke explores the interconnection between his identity and memories from his childhood along with exploring his life’s journey of searching for belonging. He focuses his research on main themes throughout his life that have influenced his need to belong: family, migration, dance, and his connection to the outdoors. Growing up in Scotland and later migrating to America, Clarke found his relationship with his family and dance as constant threads entangling and influencing his life—the call of his homeland is …

Proud Of Your Boy: Toxic Masculinity, Boyhood, And The American Musical, Aaron J. Wood

LSU Doctoral Dissertations

This project traces the cultural historiography of the phrase "boys will be boys" and examines the pattern of white male excusal it embodies through a case-study based survey of onstage depictions of boyhood in musical theatre. I argue that the generational idea of manhood as aggressive, competitive, and violent is continually reasserted through our passive acceptance of white boy violence. This dissertation looks to the musicals Newsies, West Side Story, Heathers, and Dear Evan Hansen as case studies for exploring the cultural lineage of the phrase “boys will be boys.” Like the works of Aaron Thomas, Raymond …

Gerontology In Bryony Lavery’S A Wedding Story (2000) And Sebastian Barry’S Hinterland (2002), Rania M Rafik Khalil

English Language and Literature

Old age is perceived as a narrative of decline, recently, an alternative perspective was introduced known as positive aging or Gerotranscendance. This paper examines ageing in Bryony Lavery’s A Wedding Story (2000) and Sebastian Barry’s Hinterland (2002) through the theory of gerontology. Gerontology in British and Irish modern theatre, according to Giovanna Tallone (2020) and Heather Ingman (2018), is a new category in literary studies and theory. The paper aims to examine the challenges of retaining agency in old age in comparison to the notion of aging as a process of inner harmony further proving that despite the process of …

Zeus Iv, Lauren Holmes

Theses and Dissertations

How do you survive a pandemic? When you’re trapped inside for weeks? When society’s rules are revealed as largely arbitrary?

You get a dog and bring it to the park.

This play is about a group of devoted dog owners in Boston who stumble on an unexpected community. It's a dog park ballet about the close care of strangers.

Review Of The Most Reluctant Convert (Play), G. P. Wagenfuhr

Sehnsucht: The C. S. Lewis Journal

Review of The Most Reluctant Convert, based on the book Surprised by Joy by C. S. Lewis, adapted by and starring Max McLean. Colorado Springs, Colorado: Pikes Peak Center, 29 June 2019.

Acting In Good Faith, Tanya Dean

Articles

No abstract provided.

Minerals And Memories: Ireland's Ballrooms Of Romance, Tanya Dean

Articles

No abstract provided.

The Social Sinthome, Ryan Engley

CLCWeb: Comparative Literature and Culture

Much of the critical discourse on social media misidentifies its problematic features as bugs, or problems to solve. Supposed solutions to these problems tend to focus on individual actions. We should delete the apps, own our own data, never click on recommended videos, and realize that we are the product. But if predatory algorithms succeed by individuating people—selling people “choice” and “options” as it harvests user data—then an entire online ecosystem arranged through the logic of that design can neither be meaningfully challenged nor effectively understood at the level of the individual alone. Transformative action addressing social media can only …

Edgerton Center 2023/24 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Edgerton Center for the Performing Arts season brochure for 2023-24.

Refuge And Resistance: Theater With Kurds And Yezidi Survivors Of Isis, Ellen Kaplan

Theatre: Faculty Publications

This essay looks at ongoing efforts to revitalize arts and culture among the Yezidi and broader Iraqi Kurdish communities. The Yezidi are survivors of the 2014 genocide perpetrated by the Islamic State (ISIS, also known by its Arabic acronym Da’esh) which resulted in mass killing, captivity and expulsion from their ancestral homeland of Mt. Sinjar in northern Iraq. They are part of the Kurdish people, who have engaged in centuries of struggle to protect their cultural and political identity, establish autonomy and ensure their security in the broader Middle East. After a brief overview of the Yezidi genocide and its …

Judged By The Cover, Jay Froio

Honors Program Theses and Projects

No abstract provided.

Creating Controversy: An In-Depth Look At The Creation Of Redux, Alexandria Miles

University of New Orleans Theses and Dissertations

The following thesis will provide a detailed account of the process by which Redux, a devised play produced by The Radical Buffoons, was created. I will explain how I developed various original characters as well as the acting choices I made along the way. I will shed light on the social climate that inspired this piece and the historical implications that influenced our work. Redux was performed on January 28^th, 30^th, 31^st, and February 4^th, 6^th, and 7^th of 2022 at The Hotel Peter Paul in New Orleans, Louisiana.

Impressions On The American Cowboy: End Of The Trail, Ghost Town And Rough Men, Jude Edmund Markey-Smith

Senior Projects Spring 2022

“Impressions on the American Cowboy” seeks to consider, expose, and investigate the symbol of the cowboy in our culture–– in all of its twisted romance. After reflecting on my personal experiences as well as various historical texts and works of western fiction, I set out to make my own western-themed work. My intention is to comment and explore the so-called “man problem” across disciplines in live performed time and space. This work attempts to think critically about how and why cowboy culture has persisted, and to delve into this particular and troubling projection of masculine consciousness.

Bertolt Brecht And His Play - The Good Woman Of Setzuan, Min Sun

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Robert Burns’S Life On The Stage: A Bibliography Of Dramatic Works, 1842–2019, Thomas Keith

Studies in Scottish Literature

This article traces the changing history of how the Scottish poet Robert Burns has been portrayed on stage, both in Scotland and elsewhere, discussing the the issues playwrights have faced and some of the approaches they have used, and provides an annotated chronological bibliography of ninety plays about Burns's life written or first staged between 1842 and 2019, with information on first known performance and on any published versions or known manuscript or typescript, and with brief notes where information is available on the style of the play and critical reaction.

Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang

CLCWeb: Comparative Literature and Culture

The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …

On The Anguish Of Going: An Actor’S Endgame, Jennifer Cavenaugh

Faculty Publications

Sometimes a theatrical production comes along that illuminates a familiar text, bringing parts of the story into a new focus or revealing other parts hitherto unseen. The Endgame Project, conceived by veteran New York actors Dan Moran and John Christopher Jones, is one of these productions. In this conception of Samuel Beckett’s Endgame, Clov and Hamm, two characters with diminishing physical abilities, are played by Jones and Moran, two seasoned actors who are both living with Parkinson’s disease. The Endgame Project creates a powerful joining of Beckett’s script and the Parkinson’s disease that holds the principal actors in its …

A Gap In The Narrative: Exploring The Experiences Of Trans Dancers Today, Erica Best

Dance Independent Study Projects

The scarcity of trans dancers in dance history, dance spaces, and dance research suggests a need for greater understanding of this group and how their needs are and are not being met in dance. This qualitative study explores the experiences of transgender, nonbinary, and otherwise gender-nonconforming dancers in concert, commercial, and social dance forms. Interviews with 10 participants from the US and Australia emphasize dance as a valuable space for gender exploration, but also highlight a lack of media representation for this population and argue that what representation does exist is often objectifying and tokenizing. Participants also shed light on …

I'M Going To Go Back There Someday: Reading, Writing, And Directing Hauntings In Four American Plays, Asher A. G. De Forest

Theatre and Dance Honors Projects

Asher de Forest

I’m Going to Go Back There Someday: Reading, Writing, and Directing Hauntings in Four American Plays

In this personal and formal research essay, I discuss and compare the plays A Raisin in the Sun, Fefu and Her Friends, Angels in America, and I’m Going to Go Back There Someday (my own work, which I am also directing in partial fulfillment for Honors in Theater and Dance). These plays all bring forth hauntings, despite and in some cases because of their differences in content and style—ranging from realism to the avant-garde. I base my discussion …

“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

The Man In The Tree: The Fantastic As A Bridge Between The Ideal And The Real, Weber Griffiths

Undergraduate Honors Theses

This thesis explores the effect of genre on storytelling, specifically the effect of the Fantastic in creating, within narrative, intrinsic meaning. In life and fiction, there exists a gap between what is ideal and what is real, a gap of mortality. Human’s struggle with this gap results in many forms of creation and meaning making. The Fantastic, as defined by literary critic Tzvetan Todorov, seeks to bridge this gap. In this examination, we take Todorov’s literary critique and apply it to four films of modern fantasy, showcasing the language and mechanics of the genre and its effectual way of bridging …

Gus Solomons Jr.: Analyzing The Dances Of An Early Black Postmodernist, Zsuzsanna Orban

Theses and Dissertations

Gus Solomons jr. was one of the first Black dancers to participate in the Judson Dance Theater workshops, but was never fully integrated into the white, postmodern dance world. This thesis looks at several of his works which exemplify his use of site-specificity and innovative technologies, including dual-screen video dances.

Sonic Femininity: The Ronettes' Transgressive Gender Performance, Hilarie Ashton

Publications and Research

Iconic sixties girl group the Ronettes are frequently (and justly) celebrated for anchoring the Wall of Sound and inspiring the Beatles, but in their own right, they transgressed social, gendered expectations in revolutionary ways. Framed by a notion I call the sonic feminine, a recuperative theoretical space for the revolutionarily transgressive work of female and femme artists, I argue that the Ronettes, and lead singer Ronnie Spector in particular, enacted a kind of cultural rebellion: they crafted their images to made-up heights that tease the boundaries of drag across the spaces of the stage, the recording studio, the bathroom, and …

Renouncing Chance: A Comprehensive Analysis Of Brian Friel’S Faith Healer, Forest Clark, Forest C. Clark Mr.

Honors College Theses

Faith Healer by Brian Friel is a play about trauma, addiction, co-dependency, and the inconsistencies of multiples perspectives upon the same narrative. This in-depth academic analysis attempts to examine the themes at play, as well as break-down the script and the characters who are a part of it.

Scenic Design For “Topdog Underdog”, Austin Aschbrenner

Graduate Theses and Dissertations

The 2019 production of Topdog/Underdog by Suzan-Lori Parks at the University of Arkansas was produced with a guest director who, throughout the process of the production, experimented with the typical perception of the Pulitzer Prize winning play and added conceptual spins to help open the eyes of the mostly small town and rural based audience. This thesis will explore the various elements of this particular production and which of these elements contributed to exploring the depths of Topdog/Underdog.

This document will analyze the design process of the University of Arkansas’s production of Topdog/Underdog, and will analyze specific design choices which …

Female Leaders Navigate The Arts, Post 'Me Too', Peyton Kennedy

Senior Honors Projects, 2020-current

As the lights dim and the curtain rises on a theatrical production, there are roles to fill onstage and off. Perhaps the most important roles in modern theatre are those of leadership. Leaders in the arts have the power to influence company communication, shape the culture of the rehearsal room and navigate through a crisis. However, leadership and power can be manipulated, as the world witnessed through the ‘me too’ movement. As allegations rose against prominent leaders, the push for change strengthened. We are now three years past Hollywood’s ignition of the ‘me too’ movement, which prompts the question: have …

You Can't Take It With You Dramaturgical Website, Hannah Smith, Zoella Sneed, Cheyenne Kay, Jenna Bauch, Savanna Burkle, Abigail Chagolla, Kennedy Keil, Thayne Lamb, Megan Lenstra, Collin Ridgley, Hannah Twitchell

INSPIRE Student Research and Engagement Conference

The presenters are enrolled in TheatreUNI’s Dramaturgy course where they study drama through a theoretical lens to create analytical criticism and research contextual support for TheatreUNI’s current productions. They have compiled research into a dramaturgical website focused on topics relating to the text of Kaufman and Hart’s Pulitzer Prize winning play You Can’t Take it With You. We will be presenting our final website designed for TheatreUNI patrons, and discussing each of the topics that we individually researched. Our research covers the following topics through the lens of the 1930’s: Great Depression, entertainment industry, music, fashion, immigration, the Russian Revolution, …

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

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A London Leaving, Colette Bryce

Critical Inquiries Into Irish Studies

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