Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 2 of 2

Full-Text Articles in Entire DC Network

Acting For Change – Four Drama Workshop Models In Anti-Racism, Anti-Sectarianism, Human Rights And Gender Equality And Storytelling To Promote Reconciliation, Mary Moynihan Jan 2012

Acting For Change – Four Drama Workshop Models In Anti-Racism, Anti-Sectarianism, Human Rights And Gender Equality And Storytelling To Promote Reconciliation, Mary Moynihan

Books/Book Chapters

This booklet is written by Mary Moynihan and produced by Smashing Times Theatre Company Limited as part of Acting for Change, a year-long arts programme using high quality drama and theatre processes to promote reconciliation within Donegal and on a cross-community, cross-border basis. As part of the project, in addition to presenting a professional theatre performance and seminar, the company developed four new awareness raising participative drama workshop models, designed by Mary Moynihan to promote anti-racism, anti-sectarianism, equality and storytelling for reconciliation.

The four drama workshop models are printed in full in this booklet along with resource information for drama …


Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson Jan 2012

Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson

LSU Doctoral Dissertations

This dissertation aims to establish the importance of Charles II in the shaping and evolution of Restoration theatre. Even more so than the playwrights themselves, Charles II determined the future of the theatre, both by his conscious efforts to do so, as well as unintentionally through his own behavior and image. The tradition of Restoration theatre began in 1660 with Charles’s efforts at establishing a consensus theatre, in which it would appear that he enjoyed unanimous support for his return to England from exile. Consensus theatre was determined by the perception of Charles’s rule and character, his power to manipulate …