Digital Commons Network^™

The Impact Of Endings, Carolina Solis

Symposium of Student Scholars

This presentation explores the importance of movie endings, and how an ending can impact the audiences’ opinion of a movie. I look at Ronald Bass’ Sleeping with the Enemy, and how he developed Julia Roberts’ character in a way that made the audience believe that not only was she capable of killing her abusive husband, but that she should kill him. I also look at Frank Darabont’s The Shawshank Redemption and discuss how Andy’s eventual escape from prison was too much of a surprise to the audience, and how the movie should have ended with Norton’s suicide. Finally, I …

Marriage Story Screenplay Analysis, Kaitlyn Bauer

Symposium of Student Scholars

This presentation examines the story structure of the Oscar-nominated film, Marriage Story (2019), written and directed by Noah Baumbach. The film captures the dissolution of a marriage, following a couple as they navigate life with their son as their marriage unravels. In this analysis, I study how Baumbach crafts the screenplay to explore both subjective viewpoints in the story so the audience does not pick sides in the divorce. This differs from most single-protagonist divorce stories, where the writer tackles the narrative from one character's point of view, favoring one parent over the other. Marriage Story is a dual-protagonist film, …

Gifted Screenplay Analysis, Chloe Ford

Symposium of Student Scholars

Gifted, the film directed by Marc Webb released in 2017, details the story of a single man named Frank (Chris Evans) raising his young niece Mary (McKenna Grace), who just so happens to be a 7-year-old genius. He plans for her to live a normal life; go to public school, make friends, play sports, truly be a kid, but his mother has something else in mind. Mckenna’s grandmother Evelyn (Lindsay Duncan) threatens to rip Mary away from her little life in the suburbs, as well as her beloved Uncle Frank. This study analyzes the complexity of the characters in …

Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond

Symposium of Student Scholars

In award-winning films, themes surrounding race and ethnicity are typically avoided unless regarded in a historical context. Though, Jordan Peele’s Get Out(2017) breaks these barriers by taking a satirical approach to comment on modern racial issues and stigmas that are prevalent in American society. Furthermore, the film pushes society to finally see and understand the anxiety and racial trauma that African Americans continue to experience. The hidden symbols and messages throughout the screenplay further add to the film’s theme by metaphorically expressing that racism can be covert. With the intention to analyze these symbolic elements, I will break down …

Native American Representation In Film, Matthew Mccadden

Symposium of Student Scholars

Abstract: This paper looks at the history of indigenous portrayals in popular culture and how it influenced future film makers to create the Native stereotype in film. The purpose of this research paper is to discuss the representation of Native Americans in film and how it affects people’s perception of Native Americans. It looks at the negative associations with Native Americans that viewers tend to think of when viewing cinema, and it discusses the help and harm it has done to the Native American community. I used evidence from classic and contemporary films, Buffalo Bill’s Wild West Show, older genre …

Native American Representation In Film, Matthew Mccadden

Symposium of Student Scholars

Abstract: This paper looks at the history of indigenous portrayals in popular culture and how it influenced future film makers to create the Native stereotype in film. The purpose of this research paper is to discuss the representation of Native Americans in film and how it affects people’s perception of Native Americans. It looks at the negative associations with Native Americans that viewers tend to think of when viewing cinema, and it discusses the help and harm it has done to the Native American community. I used evidence from classic and contemporary films, Buffalo Bill’s Wild West Show, older genre …

Mental Illness In Horror Films, Nix Bradly

Emerging Writers

The depiction of mental illness within in the horror film genre has historically been non-inclusive or demonizing of the mentally ill. When we look at the genre today, there are still many instances of this villainization of the mentally ill, although there are recent examples of more progressive depictions of those afflicted. This article looks at the history and current trends of depictions of mental illness in films and argues that we can help move the genre away from stigmatizing mental illness by uplifting and supporting those who have mental illness to express themselves through the art of horror film …

Officer Ryan: The Misjudged, Simona Berenych

Emerging Writers

This short essay analyzes the character of Officer Ryan in the film Crash in terms of his racist and sexist attitudes. The author argues that the film shows the character's development throughout the film in order to complicate the stereotype of a white, racist police officer.

Panoptic Vision: Disjuncture, Transgressions, And Imagination In Laila Marrakchi’S Film Rock The Casbah, Touria Khannous

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This article focuses on Laila Marrakchi’s film Rock the Casbah (2013), which reflects the exchange between global and local cultural and sociopolitical ideologies of a new Morocco. The film highlights the contradictions of globalization as it occurs through disjuncture. Arjun Appadurai’s theory of the world in motion and “a world of flows” provides a relevant framework for this analysis. The article uses Appadurai’s notion of “disjuncture” as a theoretical framework to discuss the dynamics and interrelationships involved in the protagonist’s movement between Western mediascapes as a filmstar and her Moroccan family’s local context. Appadurai’s conceptualization of globalization is crucial for …

Language: The Amicable Monster In Arrival By Denis Villeneuve, Nicolas Franco-Roldan

Emerging Writers

Second-place winner in the Academic Category of the 2018 Emerging Writers Contest. The essay analyzes the use of language and its depiction as monstrous in Denis Villeneuve's film Arrival.

Age Of Failure, Amber Stokes

Emerging Writers

Third-place winner of the Academic Category for the 2018 Emerging Writers Contest. The essay analyzes the use of sequels in the Avengers film series.

Pink Is The New Bull: The Feminization Of Pit Bulls In Visual And Literary Discourses As A Rescue Tactic, Stephanie Hogue

Master of Arts in American Studies Capstones

Since the 1980s, pit bulls have been portrayed in a raced, classed, and gendered national discourse that has associated them with minority males of color in low-income urban areas. This discourse has led to a villianization of the breed that has resulted in restrictions on pit bulls and their owners. This project seeks to explore the raced, classed, and gendered representations of pit bulls in cultural productions and the nuanced ways in which the intersectional identities ascribed to pit bulls have impacted their status as acceptable pets in the United States.

I aim to demonstrate that through visual and literary …

The Anti-Black Hero: Black Masculinity Media Representation As Seen In Netflix Series Luke Cage And Fox Series Empire, Meya Joyell Hemphill

Master of Arts in American Studies Capstones

The reoccurrence of the Black Brute, the Thug, and the modern day Coon stereotypical images on current television narrowly defines Black masculinity as a monolithic experience. Young Black boys, are often unable to see themselves as those who are portrayed on television. The images they see on screen are sometimes not realistic. Unfortunately, for some young Black boys, these stereotypical images may heavily influence their own behavior. Society often criminalizes and demonizes young Black men as angry, violent, and dangerous. They pose as a supposed threat to society and are thought to be even more problematic as they age. Currently, …

Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper

The Kennesaw Journal of Undergraduate Research

This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.

The Legends Of Bigfoot: Or How I Regained My Manhood, Blaine Mccarty

Master of Arts in American Studies Capstones

Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly …

The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen

Oglethorpe Journal of Undergraduate Research

In this article, the question of whether or not video games could be considered art is explored, as well as what this means for video games as cultural products. Using an interdisciplinary approach, I suggest that there are some games we can consider “art”, and that these games are not only different aesthetically speaking, but are also different from a media-effects standpoint. The article consists of three main sections, an aesthetic review, a content analysis, and a pilot study. In the aesthetic review, I employ different perspectives from aesthetic philosophy in order to come up with criteria for what an …

A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This essay is an overview of the thematic and stylistic tendencies in Peruvian cinema starting with the work of Armando Robles Godoy. It also focuses on the effect of the Law 19327 of 1973 , which was responsible for the formation of a group of influential filmmakers led by Francisco Lombardi. At the beginning of the 21st century, female directors like Claudia Llosa and Rosario Garcia Montero achieved recognition for their cinematic visions of a traumatic Peruvian past. The Vega brothers and Gianfranco Quatrinni also contribute with their styles to an existential sntdy of the Peruvian identity. From the provinces …

Horror-Comedy: The Chaotic Spectrum And Cinematic Synthesis, Marisa Manuel

Oglethorpe Journal of Undergraduate Research

No abstract provided.

When My Sub-Editor Is A Nit-Picking Bot: Mediating Roles Of A Tv News Scriptwriting Exercise, Andrew Deacon, Catherine Wynsculley

The African Journal of Information Systems

Online learning activities have promised new ways to engage students. This paper describes the design and use of the NewsScripts online learning exercise over a decade. This web-based television news scriptwriting exercise is used with media students at the University of Cape Town to expose them to news scriptwriting practices. Students write a script to match a video, employing a television news writing style. The more important transformational opportunity is deepening students’ own critical media analysis skills. Our focus is how the NewsScripts design evolved and changed over time to remain part of the curriculum. Underlying the curricula of university …

Inuit Myth In The Film “Brother Bear”, Tali M. Schroeder

Oglethorpe Journal of Undergraduate Research

The objective of this paper is to examine the 2003 film Brother Bear and note any mythological aspects that are accurately represented. The film displays an Inuit village and many correct cultural features of Inuit myth and legend. The paper examines the usage of music and dance, animal spirits, revenge, and shamanism in both the film and in Inuit culture. In my research, I found that the film represented these and other facets of Inuit myth extraordinarily well. While some parts of the film were inaccurate, the mythological parts were accurately represented for the most part. The depictions of Inuit …

The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton

The Kennesaw Journal of Undergraduate Research

This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …

Kazoku Cinema, Chunhyang And Postmodern Korean Cinema, Hyangsoon Yi

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This article examines the salient characteristics of two representative postmodern Korean films from the late 1990s: Park Chulsoo's Kazoku Cinema (1998) and Im Kwon-Taek's Chunhyang (2000). Im and Park are veteran filmmakers who developed their directorial careers in the mainstream commercial film and television industries. In the 1990s, however, they decided to turn from the conventional mode of cinema to a more experimental form of film. These shifts resulted in a series of self-reflexive films. Kazoku Cinema is structured in terms of a film-within-a-film. Park's metacinematic treatment of the movie-making process for a dysfunctional Korean-Japanese family showcases his effort to …

Inaugural Georgia Libraries Photo Contest A Success

Georgia Library Quarterly

The article announces the winners of the 2010 Georgia Libraries Photo Contest.

‘Evil Against Evil’: The Parabolic Structure And Thematics Of William Friedkin's The Exorcist, Larrie Dudenhoeffer

Faculty Articles

This essay examines and deconstructs three sets of antagonisms in William Friedkin's The Exorcist (1973). It argues that the film describes its own narrative conflicts as a thematics of ‘evil against evil,’ so as to de-ethicize the moral violence of those metaphysical dogmatisms that compete over the ‘souls’ of others. It then re-couches the one-sidedness of scientific and religious orthodoxies, which damage in similar ways Regan MacNeil, one of the film's main characters, as another variation of this thematics. Finally, this essay suggests that The Exorcist surveys certain sociopolitical tensions, thus commenting, in its video and theatrical re-releases, ‘timelessly’ on …

Contemporary French Cinema And Its Background: A Reading List, Dewi J. Wilson

Research Guides & Subject Bibliographies

Reading list for researching french cinema using the resources of the Sturgis Library.