Digital Commons Network^™

Adaptation Production Plan For “Cardigan, Betty, And August” From Taylor Swift's Folklore, Carlie Hillhouse

FUSION

This multimodal project creates a production plan for a fictional movie adaptation of Taylor Swift's popular songs "cardigan, betty, and august" from her 8th studio album, folklore. The production plan consists of details and descriptions for each cast member, filming locations, soundtrack, and key scenes to film for the movie.

The project was created in response to an assignment prompt that asked students to analyze how adaptation affects the way stories are told in different genres. Students had to consider audience reception, the portrayal of heroism, how mode affects a story's point-of-view, and how elements like key scenes and …

Adaptation Production Plan For Taylor Swift's "No Body, No Crime", Emma Coley

FUSION

Focused on creating a music video for Taylor Swift’s “No Body, No Crime” song, this detailed production plan encompasses specific plots, settings, characters, and even casting choices. This plan dives into the song’s origins on the Evermore album, presenting a murder mystery narrative involving infidelity, revenge, and a lack of conclusive evidence, raising questions of guilt and justice. The intricate details involving casting are listed and justified based on their suitability for the respective plot, and the chosen locations to film bring forth the mysterious atmosphere that Taylor Swift lyrically created. Overall, the plan demonstrates a thoughtful and comprehensive approach …

Adaptation Production Plan For Khaled Hosseini's A Thousand Splendid Suns, Aman Bhayani

FUSION

The Adaptation Production Plan is a proposal that explores the idea of taking an existing piece of work and adapting it into a live version of a TV show or film. Particularly, for my adaptation, I chose the novel, A Thousand Splendid Suns by Khaled Hosseini. This paper provides a summary of novel's key events and the purpose behind selecting the novel. Then, focusing on the adaptation, just like any other TV show, the proposal presents the selection of actors, locations, specific plot points and music in order to film the show and the reasoning behind them.

The project was …

Adaptation Production Plan For Love In The Time Of Serial Killers, Jimena Arias

FUSION

This Production Plan will describe the different details needed to create a movie adaptation of the novel Love in the Time of Serial Killers by Alicia Thompson. This plan includes a summary of the plot and an analysis of mode and genre in this novel. Included also are photos and descriptions of the cast, filming locations, key scenes, and a list of songs for the soundtrack of my film, followed by a rationale for all of my choices. The goal of this plan is to create an overview of how to turn the novel into a successful film.

The project …

The Realities Of Adulthood: Insecure's Journey Through Chaos To Fulfillment, Aniyah G. Lathan

Emerging Writers

This article discusses the profound impact of the HBO series "Insecure" (2016) on the lives of young black women, particularly those navigating the complexities of their 20s and early 30s. Through the lens of the awkward yet endearing character Issa Dee, the show portrays a vivid narrative of love, friendship, and career struggles.

The Art Of The Adaptation: An Analysis Of The Phantom Of The Opera, Alaina B. Westee

Emerging Writers

An evaluation of the extent to which Joel Schumacher's Phantom of the Opera (2004) is a good adaptation of both Andrew Lloyd Webber's 1986 musical and the original 1910 novel by Gaston Leroux.

Me, Myself, And My Muppets, Sara Jones

Emerging Writers

In this personal narrative, the author explores her relationship and upbringing in relation to Jim Henson’s Muppets. She illustrates her experience at puppet camps, on long Muppet-filled road trips, and the special connection her mother and her share with the Muppets. Find out how the Muppets have shaped the author’s life, morals, and aspirations, as well as how Jim Henson’s creations have influenced and brought joy to past generations and future generations to come.

The Complexity Of "The Hate U Give", Esther Alexander

Emerging Writers

"The Complexity of 'The Hate U Give'" discusses significant cultural and societal aspects of the 2018 N.A.A.C.P. award-winning film, "The Hate U Give." As part of evaluating the film, this essay analyzes the film's portrayal of police brutality in the black community, its long-term consequences, complex discussions that black adults have with youths and themselves, and how difficult it is to get justice for the victim.

Everyone's A Critic: My Review Of The Reviewer, Jessie Rigsbee

Emerging Writers

This article is an analysis of movie critic Oliver Jones’s Avengers Endgame film review. Through the inspection of rhetorical devices, the effectiveness of the review is assessed. The evaluation determines the faults of Jones’s argument for Endgame’s place with history’s greatest film sagas.

Mental Illness In Horror Films, Nix Bradly

Emerging Writers

The depiction of mental illness within in the horror film genre has historically been non-inclusive or demonizing of the mentally ill. When we look at the genre today, there are still many instances of this villainization of the mentally ill, although there are recent examples of more progressive depictions of those afflicted. This article looks at the history and current trends of depictions of mental illness in films and argues that we can help move the genre away from stigmatizing mental illness by uplifting and supporting those who have mental illness to express themselves through the art of horror film …

Officer Ryan: The Misjudged, Simona Berenych

Emerging Writers

This short essay analyzes the character of Officer Ryan in the film Crash in terms of his racist and sexist attitudes. The author argues that the film shows the character's development throughout the film in order to complicate the stereotype of a white, racist police officer.

Panoptic Vision: Disjuncture, Transgressions, And Imagination In Laila Marrakchi’S Film Rock The Casbah, Touria Khannous

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This article focuses on Laila Marrakchi’s film Rock the Casbah (2013), which reflects the exchange between global and local cultural and sociopolitical ideologies of a new Morocco. The film highlights the contradictions of globalization as it occurs through disjuncture. Arjun Appadurai’s theory of the world in motion and “a world of flows” provides a relevant framework for this analysis. The article uses Appadurai’s notion of “disjuncture” as a theoretical framework to discuss the dynamics and interrelationships involved in the protagonist’s movement between Western mediascapes as a filmstar and her Moroccan family’s local context. Appadurai’s conceptualization of globalization is crucial for …

Language: The Amicable Monster In Arrival By Denis Villeneuve, Nicolas Franco-Roldan

Emerging Writers

Second-place winner in the Academic Category of the 2018 Emerging Writers Contest. The essay analyzes the use of language and its depiction as monstrous in Denis Villeneuve's film Arrival.

Age Of Failure, Amber Stokes

Emerging Writers

Third-place winner of the Academic Category for the 2018 Emerging Writers Contest. The essay analyzes the use of sequels in the Avengers film series.

Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper

The Kennesaw Journal of Undergraduate Research

This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.

The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen

Oglethorpe Journal of Undergraduate Research

In this article, the question of whether or not video games could be considered art is explored, as well as what this means for video games as cultural products. Using an interdisciplinary approach, I suggest that there are some games we can consider “art”, and that these games are not only different aesthetically speaking, but are also different from a media-effects standpoint. The article consists of three main sections, an aesthetic review, a content analysis, and a pilot study. In the aesthetic review, I employ different perspectives from aesthetic philosophy in order to come up with criteria for what an …

A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This essay is an overview of the thematic and stylistic tendencies in Peruvian cinema starting with the work of Armando Robles Godoy. It also focuses on the effect of the Law 19327 of 1973 , which was responsible for the formation of a group of influential filmmakers led by Francisco Lombardi. At the beginning of the 21st century, female directors like Claudia Llosa and Rosario Garcia Montero achieved recognition for their cinematic visions of a traumatic Peruvian past. The Vega brothers and Gianfranco Quatrinni also contribute with their styles to an existential sntdy of the Peruvian identity. From the provinces …

Horror-Comedy: The Chaotic Spectrum And Cinematic Synthesis, Marisa Manuel

Oglethorpe Journal of Undergraduate Research

No abstract provided.

When My Sub-Editor Is A Nit-Picking Bot: Mediating Roles Of A Tv News Scriptwriting Exercise, Andrew Deacon, Catherine Wynsculley

The African Journal of Information Systems

Online learning activities have promised new ways to engage students. This paper describes the design and use of the NewsScripts online learning exercise over a decade. This web-based television news scriptwriting exercise is used with media students at the University of Cape Town to expose them to news scriptwriting practices. Students write a script to match a video, employing a television news writing style. The more important transformational opportunity is deepening students’ own critical media analysis skills. Our focus is how the NewsScripts design evolved and changed over time to remain part of the curriculum. Underlying the curricula of university …

Inuit Myth In The Film “Brother Bear”, Tali M. Schroeder

Oglethorpe Journal of Undergraduate Research

The objective of this paper is to examine the 2003 film Brother Bear and note any mythological aspects that are accurately represented. The film displays an Inuit village and many correct cultural features of Inuit myth and legend. The paper examines the usage of music and dance, animal spirits, revenge, and shamanism in both the film and in Inuit culture. In my research, I found that the film represented these and other facets of Inuit myth extraordinarily well. While some parts of the film were inaccurate, the mythological parts were accurately represented for the most part. The depictions of Inuit …

The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton

The Kennesaw Journal of Undergraduate Research

This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …

Kazoku Cinema, Chunhyang And Postmodern Korean Cinema, Hyangsoon Yi

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This article examines the salient characteristics of two representative postmodern Korean films from the late 1990s: Park Chulsoo's Kazoku Cinema (1998) and Im Kwon-Taek's Chunhyang (2000). Im and Park are veteran filmmakers who developed their directorial careers in the mainstream commercial film and television industries. In the 1990s, however, they decided to turn from the conventional mode of cinema to a more experimental form of film. These shifts resulted in a series of self-reflexive films. Kazoku Cinema is structured in terms of a film-within-a-film. Park's metacinematic treatment of the movie-making process for a dysfunctional Korean-Japanese family showcases his effort to …

Inaugural Georgia Libraries Photo Contest A Success

Georgia Library Quarterly

The article announces the winners of the 2010 Georgia Libraries Photo Contest.