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Arts and Humanities

University of Nebraska - Lincoln

2016

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Textile Art As A Locus Of Colonization And Globalization: The Tapestry Project, Eunkyung Jeong Mfa, Ph.D. Jan 2016

Textile Art As A Locus Of Colonization And Globalization: The Tapestry Project, Eunkyung Jeong Mfa, Ph.D.

Textile Society of America Symposium Proceedings

Tapestry Project was a 3+ year effort to plan, fund, design, create, and exhibit a 7’ x 14’ work of collaborative fiber art in a small rural community in Western Oklahoma. This project was remarkable for the ways it exhibited the historical concepts of colonization and globalization. From its inception, the project featured aspects of colonization, since the project’s formally trained founder envisioned herself sharing her knowledge and experience with interested but untrained local amateurs both for nobler purposes but also in order to help ensure her own tenure and promotion. While the “colonial oppressor” eventually succeeded in this quest, …


Ingenious And Practical; Parallels In The Making Of Arimatsu Trade Cloth And Contemporary Designers’ Production, Ana Lisa Hedstrom Jan 2016

Ingenious And Practical; Parallels In The Making Of Arimatsu Trade Cloth And Contemporary Designers’ Production, Ana Lisa Hedstrom

Textile Society of America Symposium Proceedings

Yoshiko Wada introduced me to shibori in1976, and for over 40 years I have worked with shibori techniques based on the concepts of Arimatsu shibori. I had been aware of the Congo trade era and often peppered Yoshiko with questions about this curious chapter in the Arimatsu history. When I saw the textiles that Yoshiko has displayed here, I became very excited. There is an old axiom that nothing is ever really new. I love to see textiles that connect to my own decision making as a dyer, and where I can totally empathize with the artisan’s hand and eye. …


Here And There, Now, Sandra Heffernan Jan 2016

Here And There, Now, Sandra Heffernan

Textile Society of America Symposium Proceedings

A textile installation shaped by traditional embroidery, geographical differences, technology and novel natural dye is the focus of this paper. ‘Through the globe’ [Através do globo] is the result of a six week artist in residency at Contextile 2016 in Guimarães, Portugal.1 It builds upon environmental pest invasive weed dye research, interprets ‘traditional’ embroidery illustrating the poetics of place.2 The essence of Guimarães embroidery provides the narrative along the fourteen metre length and is the physical embodiment of the antipodal link between and Wellington, New Zealand. The challenge offered by Contextile 2016 was to collaborate with Oficina embroiderers to learn, …


The Nature Of Collaboration In The Digital Age, Pauline Verbeek-Cowart Jan 2016

The Nature Of Collaboration In The Digital Age, Pauline Verbeek-Cowart

Textile Society of America Symposium Proceedings

I proposed this talk because the subject matter "Collaboration in the Digital Age" seemed timely and relevant. What I hope to achieve with this paper is to present initial material that could start a dialogue; a conversation that needs to happen to clarify what "Collaboration in the Digital Age " means. I am going to give an example of a truly magnificent collaboration and compare and contrast that with my personal trajectory. I want to preface this by saying that my comments are filtered through the lens of a maker and an educator. I chair the Fiber program at the …


Tablet Weaving In Myanmar, Tomoko Torimaru Jan 2016

Tablet Weaving In Myanmar, Tomoko Torimaru

Textile Society of America Symposium Proceedings

Tablet weaving is one of the oldest techniques of expressing patterns, including script, with a warp thread. It is practiced in an extremely limited area and was considered a rare weaving technology. However, in the past it was developed to a level of highly skilled production among the people of Burma (now Myanmar). The scripts reveal the patronage of specific Buddhist believers and sometimes the provenance of the textile. The script on the belt that secures the covering on the sacred book of the palm leaf manuscript of Myanmar includes dates that establish that this type of weaving was practiced …


Artist At Sea: Codes And Cargo, Kelly Thompson Jan 2016

Artist At Sea: Codes And Cargo, Kelly Thompson

Textile Society of America Symposium Proceedings

The themes of land, labor and the port resonate for me and particularly in recent voyage experiences and digital weaving research, which I will attempt to bring together in this talk. These activities converge in new and evolving artwork, generating more questions than answers on the relationships between digital and analog materiality. Trades routes, and the movement of people and goods through ports, notions of networks, flow, circulation, has parallels and resonance with our contemporary digital systems and also, correlations with political issues, namely power and control. The Container Shipping world is fascinating to drop in on, a world so …


Engineered Ikat Textile Of Gujarat - A Design Intervention, Shohrat S. Saiyed, Reena Bhatia Ph.D. Jan 2016

Engineered Ikat Textile Of Gujarat - A Design Intervention, Shohrat S. Saiyed, Reena Bhatia Ph.D.

Textile Society of America Symposium Proceedings

India – the country of rich heritage and culture is pictured through its traditional textiles which are kept alive through generations by the craftsman and his workmanship. Patola of Patan known as a double ikat silk textile, manifests the richness of heritage craft in dazzling colours and admirable motifs, but is a time consuming yarn resist textile. It cannot be duplicated anymore, since the GI recognition is served for its products under the name Patan Patola. The low cost variants of the celebrated Patan Patola have emerged in the Saurashtra region of Gujarat since last four decades as a single …


Kanga Textile Design, Education, And Production In Contemporary Dar Es Salaam, Tanzania, Mackenzie Moon Ryan Phd. Jan 2016

Kanga Textile Design, Education, And Production In Contemporary Dar Es Salaam, Tanzania, Mackenzie Moon Ryan Phd.

Textile Society of America Symposium Proceedings

While today kanga textiles are commonly thought of as bearers of east African or Swahili culture, this industrially produced textile emerged from a complex history of global trade networks serving local consumer demands. Worn widely throughout the east African region, this textile emerged as a fashionable garment preferred by women along the Swahili Coast of east Africa in the late nineteenth century. Shortly after its introduction in 1886, these inexpensive printed textiles became favored consumer goods throughout the wider region, stretching from present-day southern Somalia, throughout Kenya, Uganda, Rwanda, Burundi, Tanzania, Malawi, and into eastern DRC and northern Mozambique. (Closely …


Non-Specific: Ubiquity, Invisible Labor And The Moving Blanket, Callen Zimmerman Jan 2016

Non-Specific: Ubiquity, Invisible Labor And The Moving Blanket, Callen Zimmerman

Textile Society of America Symposium Proceedings

“A textile is not simply a binary system of spun, twisted or spliced fibres, but first and foremost a result of complex interactions between resources, technology and society.” Eva Anderson Strand The crash of metal on asphalt as the back of a truck lowers its lift, a grunt of exertion, a buoyant step on the platform, the shuffling of work boots in calculated motion, the crumbled sigh of fabric folding falling on itself. This observed situation is typical to the daily ins and outs of the moving blanket, a complicated dance to aid objects of importance in transit. Even if …


Tradition And Transition: The Changing Fortunes Of Barkcloth In Uganda, Sarah Worden Jan 2016

Tradition And Transition: The Changing Fortunes Of Barkcloth In Uganda, Sarah Worden

Textile Society of America Symposium Proceedings

In the late 19th and early 20th centuries Scottish travellers, missionaries and colonial officials were among the first Europeans to visit east and central Africa. The objects they collected whilst living amongst those whose customs and traditions were so unfamiliar, form the backbone of the National Museum of Scotland’s early ethnographic collections. These collections are tied into the complex historical relationships between Scotland and Africa, however, it is often the case that little was documented regarding the collectors particular collecting strategies or acquisition. In these collections is a type of cloth, barkcloth, a material which predates weaving and is probably …


Revitalization Of The Handloom Heritage Of Chhota Udepur, Gujarat, Bhatia Reena Phd., Pawar Pooja Jan 2016

Revitalization Of The Handloom Heritage Of Chhota Udepur, Gujarat, Bhatia Reena Phd., Pawar Pooja

Textile Society of America Symposium Proceedings

The rich and beautiful products of the weavers of India have been rightly called “Exquisite poetry in colourful fabrics.” These beautiful traditional textiles were woven on the simple loom and the technique has been passed on through generations. However, many traditional weavers have either lost or are fast-loosing the essence and aesthetics of their indigenous crafts and craftsmanship. The researcher’s concern is for the preservation and revitalization of one such handloom heritage, the tribal cloth of Chotta Udepur, Gujarat, before it vanishes from our sight was high. Snow ball technique was used to draw a convenience sample. The data was …


Arimatsu To Africa: Shibori Textiles Developed For African Trade In 1948–49, Yoshiko Iwamoto Wada Jan 2016

Arimatsu To Africa: Shibori Textiles Developed For African Trade In 1948–49, Yoshiko Iwamoto Wada

Textile Society of America Symposium Proceedings

Shibori is a traditional Japanese textile term now widely used to classify a variety of patterns created on cloth by plucking, stitching, folding and then tightly knotting, binding, or clamping to compress and selectively resist dye penetration. The resulting patterns record the memory on cloth of the processes it sustained. Reading the resist marks on the cloth, shibori artisans can recreate the process or interpret various patterns. For the Textile Society of America’s Fifteenth Biennial Symposium in 2016 I organized a session with papers contributed by Françoise Cousin, Annie Ringuedé, and Ana Lisa Hedstrom and an exhibition titled “Arimatsu to …


Slipstitch: A Survey Of Contemporary Narrative-Based Stitch And Embroidery Practices In Australia, Belinda Von Mengersen Jan 2016

Slipstitch: A Survey Of Contemporary Narrative-Based Stitch And Embroidery Practices In Australia, Belinda Von Mengersen

Textile Society of America Symposium Proceedings

Slipstitch, an Australian exhibition of contemporary stitch artworks was discussed in a panel session titled, Allegory and Subversion: contemporary stitch narratives, cross-cultural influences and international perspectives. This presentation situated the exhibition as one example within a broader view of contemporary allegorical, speculative and provisional stitch practices emerging within Australia and Internationally. Slipstitch is an Ararat Regional Art Gallery and National Exhibitions Touring Support (NETS) Victoria touring exhibition (2015-2017), curated by Dr Belinda von Mengersen. Slipstitch presented an Australian perspective on the contemporary uptake of stitch and embroidery practice by a new generation of artists. Long overdue, it was the first …


Gender In The Slasher Film Genre, Brandon Bosch Jan 2016

Gender In The Slasher Film Genre, Brandon Bosch

Department of Sociology: Faculty Publications

It slices, it dices, it has entertained and scared audiences for decades—it’s the slasher film. Despite being dismissed by critics, the slasher film refuses to go away. Even if you don’t go to these movies, they are hard to escape, as every Halloween at least a few trick or treaters will dress up as a character from these movies. Given the longevity and popularity of this genre, I want to spend today talking about how these films often represent gender.

Scholars have also studied slasher films, and have provided a more formal definition than the one that I just provided. …


Reseña: La Ciudad Sin Límites De Antonio Hernández, Miguel A. Albújar Escuredo Jan 2016

Reseña: La Ciudad Sin Límites De Antonio Hernández, Miguel A. Albújar Escuredo

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

La película ofrece el retrato de una familia de clase alta disfuncional. Sin embargo, lo que en un principio se anticipaba como melodrama familiar con tintes cómicos, cambia sutilmente en una exploración dramática sobre el amor, la culpa y el rencor. Este triple ejercicio se fundamenta en una nefasta herencia tardo-franquista que hasta el final parece estar latente por invisible, pero que por último se revela esencial para entender la psique torturada del padre. El personaje de Leonardo Sbaraglia es el conductor a través de un entramado de mentiras presentes y pasadas, que permiten cubrir la fealdad de una familia …


Resumen: Origins Of Postmodernity De Perry Anderson, Capítulo 1: Pródromo, Miguel A. Albújar Escuredo Jan 2016

Resumen: Origins Of Postmodernity De Perry Anderson, Capítulo 1: Pródromo, Miguel A. Albújar Escuredo

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

El principal ánimo del libro de Anderson es ofrecer un recorrido histórico del término de posmodernidad. Además, el autor intenta definir el contexto histórico que hizo posible el origen de dicho término.


Reseña: Cupchik, Gerald C. “The Evolution Of Psychical Distance As An Aesthetic Concept.” Culture & Psychology 8-2 (2002): 155-187., Miguel A. Albújar Escuredo Jan 2016

Reseña: Cupchik, Gerald C. “The Evolution Of Psychical Distance As An Aesthetic Concept.” Culture & Psychology 8-2 (2002): 155-187., Miguel A. Albújar Escuredo

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

El artículo hace referencia a la relación que se establece entre una persona y un objeto o acción con fines estéticos. Hay dos posturas históricas fundamentales que se diferencian en su comprensión del fenómeno estético: por un lado está la tradición empírica británica vinculada a la ilustración. Esta se concentra en las propiedades del objeto estético que afectan al espectador; por otro lado está la tradición romántica alemana, que centra su atención no en el objeto, sino en el sujeto receptor. Este último protagoniza una suspensión de credibilidad voluntaria para de esa manera entrar en el mundo de ficción del …


Reseña: La Idea De Progreso Como Lastre En Las Filosofías De La Historia Por Juan Robert Muro Abad., Miguel A. Albújar Escuredo Jan 2016

Reseña: La Idea De Progreso Como Lastre En Las Filosofías De La Historia Por Juan Robert Muro Abad., Miguel A. Albújar Escuredo

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

La idea de “progreso” gira en torno a dos conceptos claves: “una dirección general, un concurso global por el que la humanidad se encamina hacia una determinada meta, y una valoración simpática, un juicio positivo hacia esa meta propuesta”. La idea de progreso puede asociarse con la fe, establecida mediante significantes tales como “Destino” o “Providencia”, o bien entenderse como un proceso por alcanzar el “poder”. Otra idea que Muro recoge en su artículo retrae ideas de Le Goff: “—en lo que coincide con Maravall— al establecer un doble paralelismo entre progreso y evolución o continuidad, frente a revolución y …


Reseña: El Aura De Fabián Bielinsky, Miguel A. Albújar Escuredo Jan 2016

Reseña: El Aura De Fabián Bielinsky, Miguel A. Albújar Escuredo

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

Bielinsky narra una historia amparada en dos esferas contrapuestas: el mundo mental y el entorno físico de Esteban. En el primero tal que una consagración platónica al ideal del pensamiento humano, todos los planes encajan, tienen su sentido y tempo correcto, llegando a una resolución armónica, sensata y racional; el segundo mundo es caótico, responde a las coordenadas ajenas de un entorno que Esteban no puede controlar.


George Henry Lewes, The Real Man Of Science Behind George Eliot’S Fictional Pedants, Beverley Rilett Jan 2016

George Henry Lewes, The Real Man Of Science Behind George Eliot’S Fictional Pedants, Beverley Rilett

Department of English: Faculty Publications

This paper demonstrates that George Eliot drew on George Henry Lewes’s actual experience as an emerging scientist in her depiction of two fictional scholars, Edward Casaubon of Middlemarch and Proteus Merman, a lesser-known character from the chapter entitled “How We Encourage Research” in her final work, Impressions of Theophrastus Such. After Thomas Huxley published a devastating review of Lewes’s first book of science, Comte’s Philosophy of the Sciences, the evidence suggests that Lewes became highly focused on disproving his critics and earning lasting recognition as a scientist, a feat he expected to achieve with his five-volume series, Problems …


Review Of Writing The Environment In Nineteenth-Century American Literature: The Ecological Awareness Of Early Scribes Of Nature. Edited By Steven Petersheim And Madison P. Jones Iv., Matthew Guzman Jan 2016

Review Of Writing The Environment In Nineteenth-Century American Literature: The Ecological Awareness Of Early Scribes Of Nature. Edited By Steven Petersheim And Madison P. Jones Iv., Matthew Guzman

Department of English: Dissertations, Theses, and Student Research

As editors Steven Petersheim and Madison Jones acknowledge in their Introduction, the field of ecocriticism owes much to the work of scholars such as Lawrence Buell, Cheryll Glotfelty, and Leo Marx. Petersheim and Jones’s intention for Writing the Environment in Nineteenth-Century American Literature is to extend the conversation about American writers of nature in a similar vein as Karla Armbruster and Kathleen Wallace’s Beyond Nature Writing (2001). One would expect names such as Thoreau, Emerson, Whitman, and Melville to be included in a conversation about nineteenth-century American “nature” or “environmental” writing. Although these canonical names do indeed crop up throughout …


Thea 401: Advanced Acting—Acting For Camera—A Peer Review Of Teaching Project Benchmark Portoflio, Wesley Broulik Jan 2016

Thea 401: Advanced Acting—Acting For Camera—A Peer Review Of Teaching Project Benchmark Portoflio, Wesley Broulik

UNL Faculty Course Portfolios

In the pursuit of teaching the art of acting, and specifically acting for the camera, how do we measure growth? Additionally is there a correlation between high academic achievement and talent? In this portfolio we will examine how to evaluate acting, student growth, and examine test and paper results to see if the most “talented” performers are also the highest academic achievers.