Hip Hop Studies Commons^™

A Form Of Our Own: An Examination Of Black Sonnet-Samplers, Lavonna D. Wright

Electronic Theses and Dissertations

This study responds to the need for understanding and terminology regarding Black poets’ engagement with the sonnet form. Referring to sampling strategies in Hip-Hop to analyze Black sonnets, this study disputes limiting ideas about sonnets as ineffective mediums to portray Black narratives and honors strategies maintained in Hip-Hop culture that define Black narrative expression, resistance to assimilation, and social reflection. Black sonnets are an ever-evolving vehicle of resistance to elitist ideas about traditional forms, Black aesthetics, and the ways that poetic strategies can be defined. This study names past and present Black sonneteers’ adherence to, remixing in, and rejection of …

For The Dead Homie: Black Male Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin A. Causey

Journal of Hip Hop Studies

Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the Hip Hop community and triggered previous memories of Black men’s homicidal deaths in the world. Nipsey Hussle’s death inspired touching rap tribute songs by Black male rappers, who sought to commemorate his cultural legacy and express their bereavement as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor Hip Hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role conflict theoretical frameworks, this study …

La Voie De La Plume, Sylvie Kande, Aly Ndiaye

The Goose

Cette conversation entre Aly Ndiaye alias Webster, artiste hip-hop et conférencier sénégalo-québécois, et Sylvie Kandé, écrivaine franco-sénégalaise établie à New York, s’est déroulée par correspondance de septembre à octobre 2020. Ils ont aussi décidé de se lancer un défi d’écriture.

Grandmaster Flash, The Sound Of Afrofuturism, Stacey Robinson

Third Stone

Annotated Bibliography for Sonic Afrofuturism issue

Producer Interview: Teak Underdue, Kris Jones

Backstage Pass

This interview is with three-time Grammy-nominated music producer Teak Underdue of Hallway Productions. He discusses his background and the path he has taken to become a well respected music creator and producer. The interviewee offers advice for aspiring producers on how to build their reputation and credits in the music industry.

Hip Hop Urbanist Reconstructions: Strategies & Tactics For Spatial Reparations, Isaac Howland

Architecture Senior Theses

No abstract provided.

The Correlation Between Traditional And Modern Day Performance Poetry: Where Music And Poetry Collide, Jaya Hodges

Capstone Projects and Master's Theses

"Music and poetry have similar roots that have made them both into what they are today. From chants to church hymns, they both have kept the Black community intact during times of sorrow and grief. The words that ride along the rhythm and structure of any song brings an unforgettable emotion out of these art forms. This paper will discuss how they have merged themselves together along with the influences they have made within Jame Weldon's "Lift Ev’ry Voice and Sing" and Lauryn Hill's "Doo Wop (That Thing)".

Utilizing Art & Culture To Support The Success Sequence, Kelvin M. Walston, Tarita Johnson

National Youth Advocacy and Resilience Conference

This presentation will demonstrate how Hip Hop and African American History are used as educational teaching tools in our evidenced based program to promote social, emotional, and violence prevention skills. Explorations from the African diaspora, historical trauma, slavery, post traumatic slave syndrome to decoding and deconstructing hip hop elements all intersect to provide the basis of violence prevention, and more profoundly social and emotional balance.

“Beychella:” Beyoncé’S Homecoming To A Futuristic Queer Utopian, Jolie V. Brownell

sprinkle: an undergraduate journal of feminist and queer studies

Beyoncé’s 2018 Coachella performance and 2019 Homecoming film set the stage for a radical Black queer reimagining. Yet, how can Beyoncé—who is straight—be located within a queer critique? In this paper, I argue that through a radical and political expansion of queer, the creative deployment of dis/identification, and the unapologetic expression of the erotic, Beyoncé performs an embodiment of queer of color critique. These creative gestures within “Beychella” invite viewers into a queer futuristic utopian and provide new creative modes to politically inhabit, resist, and reimagine interlocking systems of oppression.

Keywords: Beyoncé, queer, dis/identification, erotic, QoCC, …

World Wide Wake: A Look Into Digital Wake Work In Response To The Murder Of Breonna Taylor, Kalyn T. Coghill

Graduate Research Posters

In Christina Sharpe's, In the Wake, she refers to "wake work" as conscious work. Wake work makes a conscious and intentional effort to celebrate one's life as they are passing and after they have transitioned on. Wake work includes grief, sadness, reminiscing, happiness, laughter, and many more emotions. We think of wake work happening in the physical, but I want to look at how weight work exists in the digital. This paper will discuss how wake work is done in digital spaces such as social media platforms. I will also be looking at how social movements such as black …

For Us By Us: Explorations And Introspections On The Poetics Of Black Language, Isis Pinheiro

Senior Projects Spring 2021

Senior Project submitted to The Division of Languages and Literature of Bard College.

All Day In The Trey-Fold: Sound, Objecthood, And Place In The Mixtapes Of Dj Screw, Matthew K. Carter

Dissertations, Theses, and Capstone Projects

This dissertation traces the impact of the mixtapes of DJ Screw on the emergence of Houston hip hop culture in the 1990s. The relationship between these “screwtapes” and local culture resists demonstration through conventional modes of representational analyses, due in part to the screwtape’s preponderant use of hip hop tracks that originally represent other places. I suggest that representation itself is the result of the structuring tension emerging from a threefold field of representation of sound, objecthood, and place, and that when a hip hop artist or critic or fan claims to "represent" Houston (or any other constituted and constituting …

Audio Quality As Content: Everyday Criticism Of The Lo-Fi Format, Elizabeth Newton

Dissertations, Theses, and Capstone Projects

This dissertation examines the matter of authenticity with respect to audio recordings. In the early 1990s, the term “lo-fi” (“low-fidelity”) emerged as a label used to categorize many different types of popular music, indicating widespread fascination with what I call audio quality, the perceived character of an audio recording. I define audio quality as the relationship between content and mediation, which varies greatly by circumstance. My archival research of zines, press releases, and correspondence examines this relationship in three case studies: Wu-Tang Clan, Bratmobile, and Elliott Smith. I posit the lo-fi format as a critical structure that emerged in …

Pleasure Is All Mine, Lola Ogbara

Graduate School of Art Theses

One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to further progressions …

Basics Of Stepping Club, Hana Pham, Yara Madit

Honors Expanded Learning Clubs

Originating in West Africa in the 1500s, step has since evolved into a form of dancing that places emphasis on rhythmic movements and high energy. It is commonly used amongst greek organizations and within schools. This club introduces stepping to older children through activities such as stamina, focus, teamwork, and problem solving.

Black Female Artists Reclaiming Their Sexual Power, Nicole E. Heller

Student Publications

The emergence of hip hop in the 1980s and 90s is representative of the struggle that Black men and women face in modern society. As a result of a New York City housing crisis, crime, and poverty, hip hop arose as a coping mechanism, as many art forms do; hip hop provided a way for Black men to express their experiences and struggles. Hip hop has been used as a vehicle for self- expression, social views and political views among disadvantaged urban groups (White, 2013). However, it was and still is common for male hip hop artists to sexualize and …

A Hip Hop Episteme: Understanding Hip Hop Culture’S Ways Of Knowing And Expressing Knowledge Through Time Travel And Traditional African And Afro-Diasporic Spirituality, Brandon N. Ekweonu , '20

Senior Theses, Projects, and Awards

Perhaps one of my earliest and most interesting Hip Hop experiences occurred early on in my childhood. I remember being in my mother’s bedroom, and I think the lights were off. And I was using my mother’s Sharp CD-C600 Mini Component System with the 3-CD Drawer Changer to play a CD copy of 50 Cent’s Get Rich or Die Tryin’ album that she had purchased for me. I remember being really excited to be playing my favorite song on the album, “In Da Club” (I used to pretend it was my birthday and that 50 Cent was rapping for me, …

Holding Allies Accountable, Gisselle Flores

Student Publications

Artists, including Rihanna, Cardi B, and Jay-Z, have turned down the NFL’s offer to perform in the halftime show out of solidarity with Colin Kaepernick , but it was recently announced that Jennifer Lopez and Shakira will be performing in 2020. This has sparked controversy because some are celebrating that there are two Latinas headlining the Super Bowl halftime show for the first time while others do not view this event as a cause for celebration because they believe that J. Lo and Shakira should have boycotted like other artists have. Jennifer Lopez and Shakira have given no prior indications …

Seeking Representations Of Afrocentric Beauty: A Comparative Content Analysis Of Advertisements In Essence Magazine, Roy Phillips Jr.

Journalism Undergraduate Honors Theses

This comparative content analysis will investigate how African American women are depicted in Essence magazine advertisements and seeks to answer the research question: Are the characteristics of advertisements in Essence magazines significantly different when under complete corporate ownership compared to being under primarily African American ownership? The specific goal is to examine the extent to which Afrocentric or Eurocentric depictions are being reinforced, if at all, and to observe if depictions of African American women are shifting or are immobile. To do this, the study will compare advertisements in Essence magazines in 2001, when the magazine was 51 percent Black-owned, …

Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years (Book Review), Matthew Oware

Sociology and Anthropology Faculty Publications

Review of the book, Break Beats in the Bronx: Rediscovering Hip-Hop’s Early Years, by Joseph C. Ewoodzie, University of North Carolina Press, 2017, https://www.uncpress.org/book/9781469632759/break-beats-in-the-bronx/.