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“Oh Uncle Pema!” The Role Of Musical Agency In The Creation Of A Modern Tibetan Identity, Tracy Ellwanger

Independent Study Project (ISP) Collection

“Aku Pema,” a widely popular song in both Tibet and exile, is a useful vehicle for camparing the agency of Tibetan musicians and audiences, as they interact with dominating cultures (Chinese, Hindi, and Western) and official paradigms (espoused by the Chinese government and the Tibetan government-in-exile). After examining the role and implications of “Aku Pema” as a “political” song in both locales, I will look at notions of modernity and tradition, especially in the context of the growing sinocization of Tibetan culture in Tibet and the resulting exile views of pure versus impure Tibetan music.

At the heart of this …