Nature and Society Relations Commons^™

Plurality Of Place: A Critical Walk Through The Ananda Meditation Retreat, Heidi L. Cram

Cal Poly Humboldt theses and projects

This autoethnographic research project is located in the fertile literary world of authors Gary Snyder and J. Donald Walters’s historic Bald Mountain land cooperative in Northern CA. This is the site of Walters’s Ananda Meditation Retreat, and Snyder's Ring of Bones Zendo. The project takes a creative embodied approach to analyzing and contributing to this location's literature of place through the genres of creative nonfiction and interpretive mapping. The cooperative's focus on Eastern and Indigenous spiritual practice seeded the countercultural bubble which surrounds these two institutions and generated a ripple of rich and varied literature of place. Through autoethnographic inquiry, …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Navigating The Anglo-Irish Landscape: Imaginative Geographies In Bram Stoker And Elizabeth Bowen's Novels, Natalie Pearson

Theses/Capstones/Creative Projects

There has been great work done by scholars of Anglo-Irish Gothic tradition to assess the place of classic fictional characters within that tradition. Could a character’s identity contain an Irish dimension? Could they be, perhaps, an allegorical embodiment of the Anglo-Irish Protestant Ascendancy or native Irish peasantry? All excellent questions; however, this present study looks to explore a different perspective by considering “place” itself across four Anglo-Irish Gothic novels: that of Bram Stoker’s The Snake’s Pass (1890) and Dracula (1897) and Elizabeth Bowen’s The Last September (1929) and Bowen’s Court (1942). I seek to highlight the physical landscape in each …

Citing Seeds, Citing People: Bibliography And Indigenous Memory, Relations, And Living Knowledge-Keepers, Megan Peiser Choctaw Nation Of Oklahoma

Criticism

By turning the page or reading further, you are accepting a responsibility to this story, its storyteller, its ancestors, and its future ancestors. You are accepting a relationship of reciprocity where you treat this knowledge as sacred for how it nourished you, share it only as it has been instructed to share, and to ensure it remains unviolated for future generations.

This story is told by myself, Megan Peiser, Chahta Ohoyo. I share knowledge entrusted to me by Anishinaabe women I call friends and sisters, by seed-keepers of many peoples Indigenous to Turtle Island, and knowledge come to me from …

Du Undergraduate Showcase: Research, Scholarship, And Creative Works, Caitlyn Aldersea, Justin Bravo, Sam Allen, Anna Block, Connor Block, Emma Buechler, Maria De Los Angeles Bustillos, Arianna Carlson, William Christensen, Olivia Kachulis, Noah Craver, Kate Dillon, Muskan Fatima, Angel Fernandes, Emma Finch, Colleen Cassidy, Amy Fishman, Andrea Francis, Stacia Fritz, Simran Gill, Emma Gries, Rylie Hansen, Shannon Powers, Jacqueline Martinez, Zachary Harker, Ashley Hasty, Mykaela Tanino-Springsteen, Kathleen Hopps, Adelaide Kerenick, Colin Kleckner, Ci Koehring, Elijah Kruger, Braden Krumholz, Maddie Leake, Lyneé Alves, Seraphina Loukas, Yatzari Lozano Vazquez, Haley Maki, Emily Martinez, Sierra Mckinney, Audrey Mitchell, Kipling Newman, Audrey Ng, Megan Lucyshyn, Andrew Nguyen, Stevie Ostman, Casandra Pearson, Alexandra Penney, Julia Gielczynski, Tyler Ball, Anna Rini, Christina Rorres, Simon Ruland, Helayna Schafer, Emma Sellers, Sarah Schuller, Claire Shaver, Kevin Summers, Isabella Shaw, Madison Sinar, Claudia Pena, Apshara Siwakoti, Carter Sorensen, Madi Sousa, Anna Sparling, Alexandra Revier, Brandon Thierry, Dylan Tyree, Maggie Williams, Lauren Wols

DU Undergraduate Research Journal Archive

DU Undergraduate Showcase: Research, Scholarship, and Creative Works

Eggs, Hair, Seeds, Milk, Patrick West

Landscapes: the Journal of the International Centre for Landscape and Language

Short story

After Rain, Louise Boscacci

Landscapes: the Journal of the International Centre for Landscape and Language

Amidst climate chaos, words gather as a tipping point in after-affect. On January 4, 2020, the massive Currowan bushfire in New South Wales crossed the Shoalhaven River and raced into the Wingecarribee district of the Illawarra region south of Sydney. After two weeks of emergency warnings, a new preternatural “catastrophic” danger rating, watch and act alerts, and heatwave temperatures, the fire front arrived on a blunt southerly gale in the evening. Climate breakdown had delivered locally and personally. The next day, light rain, more drizzle than shower, visited the home fireground.

Looking For Marianne North, John Charles Ryan

Landscapes: the Journal of the International Centre for Landscape and Language

This poem reflects on the life of peripatetic botanical illustrator Marianne North (1830-1890) who travelled to Southwest Australia in 1880.

Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin

Landscapes: the Journal of the International Centre for Landscape and Language

Postmodern ecocriticism, given its broad range of perspectives, offers an agreeable platform for articulating a new, advanced and inclusive framework for a decolonising theorisation of literature and the environment. This article seeks to identify Australian Western decolonising poetry that sits in harmony with Indigenous aural and literary versions of communicative engagement with Country. The concept of human embeddedness in ecological relationships and biological processes as part of a complex matrix of interdependent things is embraced. In particular this article focuses on inclusivity and interconnectedness of all life forms to illustrate aesthetic and conceptual interfaces between Aboriginal Australia and Western poetics. …

Issue Introduction Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Issue Introduction and Editorial for Volume 10, Issue 1.

Complete Issue 1, Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Complete Issue 1, Volume 10

Review Of Environmental Humanities And Theologies: Ecoculture, Literature And The Bible, By Rod Giblett, Sam Mickey

Landscapes: the Journal of the International Centre for Landscape and Language

This is a review of Rod Giblett's Environmental Humanities and Theologies: Ecoculture, Literature and the Bible, published by Routledge in 2018. The review notes Giblett's contributions to the field in tracing wetlands iconography through theological and literary discourses in landmark works in the Anglo-American tradition, Judeo-Christian doctrine, and Australian Aboriginal myth.

Shadow Over Mount Barren, Bronwyne J. Thomason Dr

Landscapes: the Journal of the International Centre for Landscape and Language

A short story that captures scenery of the Fitzgerald National Park and relates it to life-affirming principles of the natural Australian Bush.

Zemlja And Pioneer Day, Natalie D-Napoleon

Landscapes: the Journal of the International Centre for Landscape and Language

Poems: Zemlja and Pioneer Day by West Australia born author Natalie D-Napoleon.

North Sea Poems: Birds Of The North Sea, Caa'in, Summer Ferry, Lesley Harrison

Landscapes: the Journal of the International Centre for Landscape and Language

These poems reflect the practical, human, immersive processes of self-orientation and self-location within the coastal and island landscapes round the North Sea. In both recording and bringing about this process, the poet maps herself onto her surroundings and brings her surroundings to bear on herself. The interplay of graphic, linguistic and other forms of description are destabilised by the contingency of their usefulness, and by their meaningless to each other. In the end, the generative poetic voice is the principle by which the 'map' is made.

Snorkel Virgin, Emma J. Young

Landscapes: the Journal of the International Centre for Landscape and Language

Snorkel Virgin

Plunging Down Under, Ian Smith

Landscapes: the Journal of the International Centre for Landscape and Language

Plunging Down Under

“‘The Strata Of My History’: Reading The Ecological Chronotope In Wendell Berry’S That Distant Land”, Ellen M. Bayer

Landscapes: the Journal of the International Centre for Landscape and Language

This article examines Wendell Berry’s short story collection, That Distant Land (2004) through the lens of the ecological chronotope. Berry’s characters cultivate an intimate relationship with their physical environment, and the land, in turn, inscribes their history within it. Furthermore, it is through a shared sense of responsibility to the land that the characters foster a sense of community, shared history, and timeless connection with each other. My analysis of Berry’s fiction employs the notion of the ecological chronotope as a lens for understanding the environmental implications encountered at the intersection between time and place in That Distant Land. …

Solastalgia, Nostalgia, Exhilarating, Immersive: Landscapes: Heritage Ii, David F. Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape: Heritage II presents the scholarly and creative contributions to Landscapes, Volume 9, Issue 1.

Issue Introduction By Icll Director Glen Phillips, Glen Phillips

Landscapes: the Journal of the International Centre for Landscape and Language

General Introduction by ICLL Director Glen Phillips

Complete Issue 1, Volume 9

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 9, Landscapes Journal.

Mulberiddlesex, Catriona Sandilands

The Goose

Through a careful tracing of the botanical presence of mulberry trees in Middlesex, Sandilands argues for a reading practice that takes plants seriously. Thinking with plants interrupts the tendency to consider literary plants primarily as motifs, metaphors or agents of crude naturalization. Sandilands insists on involving plants in reading Middlesex in order to take the novel in less anthropocentric directions: even as Cal enlists mulberries to signal inevitability, their own stories overflow the novel’s deterministic views of race, species, territory, and gender identity.

Dehumanism And Disposability, Julietta Singh

The Goose

Singh draws our attention to the “mute objects” of Middlesex, particularly The Obscure Object’s silent Black maid, Beulah, who quietly supports the unfolding romance between Cal and The Object. Through careful attention to histories of people silenced by slavery, dehumanization, and violence, Singh demands that we consider where and through what means some get to be fully human while others are made and sustained as objects for their comfort and play.

“This Is The Way I Was”: Urban Ethics, Temporal Logics, And The Politics Of Cure, David R. Anderson

The Goose

This article employs Eli Clare's concept of the "politics of cure" in order to discuss issues of disability, temporality, and ethical relations to rehabilitation, restoration, and cure in the Sex and the (Motor) City: Ecologies of Middlesex special cluster.

Ecological Crisis, Or “Intersex Panic,” As Answer Of The Real?, Stephanie Hsu

The Goose

Drawing upon Cal’s eventual metamorphosis into “The [white] Man” in Middlesex, and an examination of the Real of ecological crisis, Hsu explores the intersection of environmental racism, climate change denial, and intersex discrimination in order to advocate for a renewed awareness of ecological interdependency and the need for self-determination of people of colour in ecological and environmental justice discourses.

Trans-Pacific Imaginaries And Queer Intimacies In The Ruins Of Middlesex, Dai Kojima

The Goose

Taking up Roland Barthes’s concept of the “third meaning,” Kojima analyzes the character of Julie Kikuchi, the Japanese American love interest of the grown-up Cal. Taking Julie seriously as a character beyond mere plot contrivance and cultural reference, Kojima invites us to consider the intertwined histories of economic rise and fall, trans-Pacific wars, and other intimacies that Middlesex remains entangled in yet fails to fully acknowledge.

Border Crossings, Watery Spaces, And The (Un)Verified Self In Middlesex, Jenny Kerber

The Goose

Kerber traces the ways in which water liberates and transforms various characters in Middlesex in order to critique and complicate water’s taken-for-granted liberatory powers. Kerber invites us to consider the majority of those for whom water is as deadly as it is (possibly) emancipating, especially those most vulnerable to climate change and other ecological and violent upheavals.

Beyond The Biography Of A Gene, Laura J. Collins

The Goose

Collins approaches the ethical nuances of Cal’s intersex narrative in Middlesex, drawing comparisons with current debates in North Carolina concerning gender-normative bathroom use and trans rights, in order to advocate for more ethical practices of relation and responsibility outside of mere knowledge creation and policy.

Middlesex And The Biopolitics Of Modernist Architecture, Nicole Seymour

The Goose

Highlighting the architecture of the Middlesex house of Eugenides’ novel as a major technology of modernity, Seymour argues for the biopolitical understanding of such modernist architecture and for the ways in which it often works against the exploitative effects of automation and sexology, yet constitutes a complex and even contradictory force in processes of modernization, and in the novel itself.

Materialism’S Affective Appeal, Elizabeth Mazzolini

The Goose

Citing the pronounced lack of academic engagement with Middlesex since its publication and riffing on the novel’s recounting of the demise of the auto industry in Detroit, Mazzolini examines how cycles of obsolescence and currency work within academic discourse and ultimately advocates for the novel’s potential for examining the material and affective nature of relevance itself.