Nature and Society Relations Commons^™

The Weather, Rob B. Budde

The Goose

Poetry by Rob Budde.

Ecological Crisis, Or “Intersex Panic,” As Answer Of The Real?, Stephanie Hsu

The Goose

Drawing upon Cal’s eventual metamorphosis into “The [white] Man” in Middlesex, and an examination of the Real of ecological crisis, Hsu explores the intersection of environmental racism, climate change denial, and intersex discrimination in order to advocate for a renewed awareness of ecological interdependency and the need for self-determination of people of colour in ecological and environmental justice discourses.

Trans-Pacific Imaginaries And Queer Intimacies In The Ruins Of Middlesex, Dai Kojima

The Goose

Taking up Roland Barthes’s concept of the “third meaning,” Kojima analyzes the character of Julie Kikuchi, the Japanese American love interest of the grown-up Cal. Taking Julie seriously as a character beyond mere plot contrivance and cultural reference, Kojima invites us to consider the intertwined histories of economic rise and fall, trans-Pacific wars, and other intimacies that Middlesex remains entangled in yet fails to fully acknowledge.

“This Is The Way I Was”: Urban Ethics, Temporal Logics, And The Politics Of Cure, David R. Anderson

The Goose

This article employs Eli Clare's concept of the "politics of cure" in order to discuss issues of disability, temporality, and ethical relations to rehabilitation, restoration, and cure in the Sex and the (Motor) City: Ecologies of Middlesex special cluster.

Materialism’S Affective Appeal, Elizabeth Mazzolini

The Goose

Citing the pronounced lack of academic engagement with Middlesex since its publication and riffing on the novel’s recounting of the demise of the auto industry in Detroit, Mazzolini examines how cycles of obsolescence and currency work within academic discourse and ultimately advocates for the novel’s potential for examining the material and affective nature of relevance itself.

On Being Intimate With Ruin: Reading Decay In Middlesex, Kaitlin Blanchard

The Goose

Blanchard argues for an intimate attention to the ruin in Middlesex and Detroit as a means of exploring the geo-bio-politics of decay as a problem of our socio-ecological present.

From Rusty Genetics To Octopussy’S Garden, Stacy Alaimo

The Goose

Alaimo critiques the “rusty” understanding of genetics, gender, and sex in Middlesex, advocating instead for queer ecological futurism.

Mulberiddlesex, Catriona Sandilands

The Goose

Through a careful tracing of the botanical presence of mulberry trees in Middlesex, Sandilands argues for a reading practice that takes plants seriously. Thinking with plants interrupts the tendency to consider literary plants primarily as motifs, metaphors or agents of crude naturalization. Sandilands insists on involving plants in reading Middlesex in order to take the novel in less anthropocentric directions: even as Cal enlists mulberries to signal inevitability, their own stories overflow the novel’s deterministic views of race, species, territory, and gender identity.

Border Crossings, Watery Spaces, And The (Un)Verified Self In Middlesex, Jenny Kerber

The Goose

Kerber traces the ways in which water liberates and transforms various characters in Middlesex in order to critique and complicate water’s taken-for-granted liberatory powers. Kerber invites us to consider the majority of those for whom water is as deadly as it is (possibly) emancipating, especially those most vulnerable to climate change and other ecological and violent upheavals.

Dehumanism And Disposability, Julietta Singh

The Goose

Singh draws our attention to the “mute objects” of Middlesex, particularly The Obscure Object’s silent Black maid, Beulah, who quietly supports the unfolding romance between Cal and The Object. Through careful attention to histories of people silenced by slavery, dehumanization, and violence, Singh demands that we consider where and through what means some get to be fully human while others are made and sustained as objects for their comfort and play.

Beyond The Biography Of A Gene, Laura J. Collins

The Goose

Collins approaches the ethical nuances of Cal’s intersex narrative in Middlesex, drawing comparisons with current debates in North Carolina concerning gender-normative bathroom use and trans rights, in order to advocate for more ethical practices of relation and responsibility outside of mere knowledge creation and policy.

Middlesex And The Biopolitics Of Modernist Architecture, Nicole Seymour

The Goose

Highlighting the architecture of the Middlesex house of Eugenides’ novel as a major technology of modernity, Seymour argues for the biopolitical understanding of such modernist architecture and for the ways in which it often works against the exploitative effects of automation and sexology, yet constitutes a complex and even contradictory force in processes of modernization, and in the novel itself.

Introduction: Sex And The (Motor) City: Ecologies Of Middlesex, Kaitlin Blanchard, Catriona Sandilands

The Goose

This special cluster consists of twelve short essays, originally presented in two linked roundtables at the Association for the Study of Literature and Environment (ASLE) conference in Detroit in June 2017, examining Jeffrey Eugenides' 2002 Pulitzer Prize-winning novel, Middlesex. Through the novel, these papers explore the historical, intersectional, and ecological understandings of Detroit, exposing an exceptional—indeed, epic—range of social ecologies, concerned with everything from intersex and multispecies bio/geopolitics to transnational economies, to the aesthetics of architecture and decay. Focused on a very particular novel, written about a very particular city and experience of it, these papers bring to light and …

Embodied Ecologies And Metafictional Musings: The Limits Of Writing Intersex In Middlesex, Christopher Breu

The Goose

Breu critiques the limits of the intersex narrative of Middlesex and advocates for a non-reductive, materialist, and “muddled” approach to understanding sex and gender.

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.

Poems From The Arctic Circle, Diana Woodcock

The Goose

Poetry by Diana Woodcock.

Four Poems, Tanis Macdonald

The Goose

Poetry by Tanis MacDonald.

Nature, Place, And Story: Rethinking Historic Sites In Canada By Claire Campbell, Emma K. Morgan-Thorp

The Goose

Review of Claire Campbell's Nature, Place, and Story: Rethinking Historic Sites in Canada.

The Impact Of World War One On The Forests And Soils Of Europe, Drew Heiderscheidt

Ursidae: The Undergraduate Research Journal at the University of Northern Colorado

The First World War was one of the deadliest conflicts in human history thus far. With the human toll being over eight million deaths, and millions more wounded, and as such it has taken hold in peoples imaginations for over a hundred years. However, one overlooked impact of the war is the environmental impact it had. The forests of Europe were significantly changed, going from being diverse ecosystems pre-war to monocultures after the war, dominated by single species of trees. The soil was also affected, more heavily in some places, becoming contaminated with heavy metals, as well as becoming entirely …

Complete Issue

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 8, Landscapes Journal.

Beyond 'Owls Versus Jobs': A Twenty-Year Retrospective Of The Headwaters Forest Controversy, Jennifer Bernstein

Humboldt Journal of Social Relations

In 1999, the Headwaters Forest Reserve was established in Humboldt County after more than 20 years of community activism, negotiations, and litigation. The ‘last stand’ of unprotected, privately-owned old growth redwood had finally been safeguarded, though many on the North Coast felt that the final deal fell far short of what was needed to protect the watershed’s ecological functioning. This article uses academic and journalistic research, supplemented by oral histories, to make three main points about the North Coast ‘post deal.’ One, forest management practices in the region have evolved to be more consistent with the practices of ecological forestry. …

Emily, Jamie Holcombe 986459

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape and Trauma; Public Memorials and Conflict Histories, Dwelling, Belonging, Nostalgia, Solastalgia, Sense of Place

This image depicts an elaborate and clearly heartfelt roadside memorial to “Emily”, which is an extraverted display of sadness and loss that is an increasingly familiar contemporary lament. We know not who Emily was, nor what happened to her. The story is unclear if the tragedy unfolded on the road outside the house, or inside the house itself, thus the house could have been either witness or host to her demise. The composition directs, but most certainly does not invite us via the gate to …

The Beholder, Allan Lake

Landscapes: the Journal of the International Centre for Landscape and Language

A poem on the effect of landscape on the emotions.

Review Of Taboo, By Kim Scott, Picador-Australia, 2017, Rashida Murphy

Landscapes: the Journal of the International Centre for Landscape and Language

Kim Scott's Taboo is a story about beginnings and endings.This novel reminds the reader of the circularity of stories, and how those stories are shaped by intent and weighed by landscape. Scott speaks of dispossession, abuse, colonialism, addiction and racism in lyrical and melancholy prose. The men and women who walk through these pages are startlingly aware of their failings and equally forgiving of those failings in others. There are no quick fixes and the story vacillates between despair and hope. Yet this is not a grim story. The lucidity of its prose lifts it beyond the despair in its …

The Legendary Topography Of The Viking Settlement Of Iceland, Verena Höfig

Landscapes: the Journal of the International Centre for Landscape and Language

From the time of their earliest texts in the vernacular, Icelanders were interested in the semioticization of their landscape, the mapping of nature into culture by inscribing it with memories from the settlement of the island during the Viking Age. Such a de-scription and in-scription of landscape with meaning occurs most prominently in The Book of Settlements or Landnámabók, a thirteenth century prose text preserved in several versions. This paper focuses on Icelanders' myth of origin as presented in the various Landnámabók redactions, and explores how a largely fictional medieval text can assert ownership and control over territory, and ultimately …

Shifting Rurality American Gothic, Iowa Nice, Biotech And Political Expectations In Rural America, William D. Nichols 890252

Landscapes: the Journal of the International Centre for Landscape and Language

This paper traces the linkage between heritage landscape within the context of the election of Donal Trump. Trump's invocations of heritage riled certain regions of the US which had a distinct connection to Regionalism, both as a political idea and as an aesthetic practice. Focusing on Iowa, home to the quintessential American painting, American Gothic, the paper looks at modernity and agriculture, and how the two categories seem to rely on (but also negate) heritage. By examining what a genetically modified landscape might mean in relation to the historical image of the pastoral/provincial farmer, a network of frictions and …

Two Tides, Jamie Holcombe

Landscapes: the Journal of the International Centre for Landscape and Language

Landscapes of/in Memory: Frontiers, Promised Lands, Lost Edens

This interior landscape finds its only cheer in the idyllic brackish waters depicted in a picturesque painting reproduction. The ideal coastal estuary adorning this space serves to highlight that our interior-orientated habitats often rest uncomfortably at odds with the natural landscape. There was a time when people who lived by the sea measured their lives by the tides, not clocks. Now ruled by the clock however, our working lives are often tied to a different tide, occasionally only punctuated by melancholic reminders, in this case provided by a painting on the gritty …

Poetry Of Roe 8, Nandi Chinna

Landscapes: the Journal of the International Centre for Landscape and Language

Poetry of Roe 8

The occasion for the writing of these poems was activism surrounding the controversial highway known as the Roe 8 extension in the areas of Cockburn and Fremantle in Western Australia. Planned in the 1950s, Roe 8 is contentious for a number of reasons, including extraordinary political deals over funding, undue process regarding environmental reporting, lack of a business case, inadequate noise and traffic modelling, erasure of Indigenous heritage sites, and clearing of the sensitive Beeliar wetlands and Coolbellup banksia woodlands which were designated a Threatened Ecological Community in 2016. During the summer of 2016/2017 contractors started …

Review Of Thinking Continental: Writing The Planet One Place At A Time, John Charles Ryan Dr

Landscapes: the Journal of the International Centre for Landscape and Language

Review of Thinking Continental: Writing the Planet One Place at a Time (Lincoln, NE: University of Nebraska Press, 2017) edited by Tom Lynch, Susan Naramore Maher, Drucilla Wall and O. Alan Weltzien

Darwin’S Landscapes (And Seascapes), Patrick H. Armstrong

Landscapes: the Journal of the International Centre for Landscape and Language

Charles Darwin, particularly in his early writings, had a strong appreciation of landscape. He describes scenery that he regarded as attractive and spectacular in his writings from the Beagle period with considerable perception. Through much of his career, he integrated ideas and facts from different sources supremely well; thus understanding that a landscape was a product of the rocks, the processes they had undergone, vegetation, animal life, and human activities. Another component in the development of his appreciation of landscape – or ‘scenery’ as he usually identified it – was his quite strong aesthetic sense which existed from his teenage …