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Full-Text Articles in Social and Cultural Anthropology
Producing The Dead Sea Scrolls: (Trans)National Heritage And The Politics Of Popular Representation, Evan P. Taylor
Producing The Dead Sea Scrolls: (Trans)National Heritage And The Politics Of Popular Representation, Evan P. Taylor
Masters Theses
This thesis explores the politics of representing the assemblage of ancient manuscripts known as the Dead Sea Scrolls to popular audiences in Israel, the occupied West Bank, and the United States. I demonstrate that these objects of national heritage are circulated along transnational routes to maintain the legitimacy of nationalist discourse abroad. Three sites—the Shrine of the Book at the Israel Museum in Jerusalem, Qumran National Park in the West Bank, and a travelling exhibit presented at the Boston Museum of Science—are examined for textual narrative, spatial arrangement, and visitor behavior. Analysis of these observations illuminates two recurring motifs common …
Confirmation Of Prophecy By Proxy: Audience Anticipation And Reception Of The 2014 Movie Left Behind And Its Relevance To The Dispensational Premillennialist Worldview, Andrew R. Burns
University of New Orleans Theses and Dissertations
Media has the potential to legitimize or spread a belief system to the general public. The 2014 movie Left Behind is an example of a deliberate attempt at promoting the belief system referred to as dispensational premillennialism (DPM), or belief in the imminent rapture of Christians. Producers of Left Behind (2014) sought to promote DPM to the general public, hoping for a mass conversion. Online discussion and interviews were gathered and interpreted qualitatively. Content analysis of audience anticipation and reception show believers were as concerned with the conversion of the general public via this movie than the movie itself. Differences …
Scribblescholar Was Here: Confessional Notes Of A Vandal Academic, Clay Shields
Scribblescholar Was Here: Confessional Notes Of A Vandal Academic, Clay Shields
Theses and Dissertations--English
As a (former) vandal-punk in the academy, I often fear succumbing to Ivory Tower Stockholm syndrome. The identities I perform, vandal-punk and scholar, ideologically clash to the point that they often feel irreconcilable. By codemeshing the high-low discourses associated with these adopted cultures, I attempt to disrupt any hierarchal privileging of either, instead searching for a way to live with and harness both.