Open Access. Powered by Scholars. Published by Universities.®

Anthropology Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 4 of 4

Full-Text Articles in Anthropology

Tattoos: A Marked History, Audrey Porcella Dec 2009

Tattoos: A Marked History, Audrey Porcella

Social Sciences

No abstract provided.


Silent Subversions, Derek Dubois Dec 2009

Silent Subversions, Derek Dubois

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the concept of spectatorship in relation to gender in the earliest period of film history in the United States known as the silent era. Argues that a new mode of spectatorship emerges for women during the 1920s, which employs to advantage the extra-diegetic components of spectacle in theater design, new customized genres for female filmgoers, fandom, and exotic male film stars, such as Rudolph Valentino. Focuses primarily on feminist film theory and on cultural studies as methodological models.


Ocosta-By-The-Sea: A Boomtown In Three Narratives, Katherine L. Arntzen Aug 2009

Ocosta-By-The-Sea: A Boomtown In Three Narratives, Katherine L. Arntzen

Electronic Theses and Dissertations

This thesis explores the Washington State 1890s railroad boomtown, Ocosta-by-the-Sea through place, microhistory, and narrative theories. Place theory focuses analysis on the townsite. A microhistory is created by the presentation of three narratives on Ocosta: the city-as-imagined, the city-as-built, and the city-as-remembered. The city-as-imagined narrative recounts the city that Ocosta was projected to become by its founders through analysis of historic maps, advertisements, and financial investments of the city's founders. The city-as-built uncovers information about the built environment of the site. The city-as-remembered reveals the city that has and is remembered by the local community. Site memory is explored through …


Hiding Hiroshima, Adam T. Fernandes Apr 2009

Hiding Hiroshima, Adam T. Fernandes

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the representation of nuclear weapons in Japanese anime and US live action cinema in the 1980's, using methods from cultural studies. Examines, specifically, the silences and contradictions of the selected films to reveal the cultural ideologies of Japan and the United States during the time in which the films were produced. Analyzes the Japanese animated films, Barefoot Gen, Barefoot Gen 2, and Grave of the Fireflies, and the American live action films, The Day After, Testament, and Miracle Mile.