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Full-Text Articles in Social and Behavioral Sciences

Ousmane Sembène : Un Paradoxe Postcolonial Du Cinema Africain?, Mbaye Diouf, Edoardo Cagnan Dec 2020

Ousmane Sembène : Un Paradoxe Postcolonial Du Cinema Africain?, Mbaye Diouf, Edoardo Cagnan

Présence Francophone: Revue internationale de langue et de littérature

How can we quantify the success of an African film in a postcolonial context? This article aims to answer this question by analyzing the case of Mooladé (2004), Ousmane Sembène's last full-length feature. The issues and the conditions of its circulation show the militant intention of the film-director, and we can notice a subtle competitive relation between the artistic value of the film and its pedagogical content, which is seen as politically acceptable in Africa. Budget and circulation issues put the spotlight on the tight situation of Francophone film industry: the imbalance of power relationships often forces the African film-director …


Savoir Et Légitimation En Afrique. Ambroise Kom Et La Critique De L’Extraversion Théorique, Kasereka Kavwahirehi Jun 2016

Savoir Et Légitimation En Afrique. Ambroise Kom Et La Critique De L’Extraversion Théorique, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This article has two main objectives: to show how Ambroise Kom raises the question of the legitimation of Knowledge in Francophone Africa and to present the way he proposes to the continent to overcome subalternity and theoretical extroversion in order to become its own center of production and legitimation of knowledge. The article also shows how Ambroise Kom, a cultural and literary critic, extends the tradition of African philosophers, mainly Mudimbe, Hountondji and Laleye, who, from 1970, put the issue of decolonization of the African discourse in the center of their work.


Pourquoi J’Écris En Français, Julien Kilanga Musinde Jun 2014

Pourquoi J’Écris En Français, Julien Kilanga Musinde

Présence Francophone: Revue internationale de langue et de littérature

Why have I chosen to write in French? My personal engagement in front of French language, my profession of teacher and researcher in French linguistics, my quality as a writer and the years I worked as director of French at the International Organization of Francophonie have largely contributed to increase my link with this tongue. We say, the language belongs to his speakers and particularly to the people who use it as the place of expression of art and original thought.


La « Langue Fantôme » : Une Présence Familière Dans L’Écriture – Présentation Du Poète Malek Alloula Suivie D’Un Entretien, Yamna Abdelkader-Chaldi. Jun 2014

La « Langue Fantôme » : Une Présence Familière Dans L’Écriture – Présentation Du Poète Malek Alloula Suivie D’Un Entretien, Yamna Abdelkader-Chaldi.

Présence Francophone: Revue internationale de langue et de littérature

The evolution of Malek Alloula’s works, an important poet of Algerian literature whose first works date back to the sixties, is analyzed by Yamna Abdelkader. Afterwards, she interviews him on his poetic work and its relationship to language. The poet thus explains his writing ; how he composes his poetry in relation to the creative process ; his technique ; the influence of its cultural origins, and its relationship to language. In using the term “phantom language”, the poet refers to the haunting presence of the Arabic language spoken in Algeria, which, while unseen, has a major influence on his …


Résonances Politiques Du Cahier D’Un Retour Au Pays Natal, Entre Hier, Aujourd’Hui Et Demain, Jérôme Roger Dec 2011

Résonances Politiques Du Cahier D’Un Retour Au Pays Natal, Entre Hier, Aujourd’Hui Et Demain, Jérôme Roger

Présence Francophone: Revue internationale de langue et de littérature

The article shows that the Return to my Native Land by Aimé Césaire, facing the French literary standards, is a poem by the strangeness that rout and bother to any form of falsification of history, in any situation of ideological mystification, as well as any attempt at annexation heritage. Misunderstanding of reception in France among the most famous poets in the 1950s are a particularly significant example and invite you to reread the poem of Césaire as the tragedy of a timeless voice, open to our common future.


Quelques Remarques Sur Les Belgicismes Métalinguistiques, Jean-Nicolas De Surmont Dec 2005

Quelques Remarques Sur Les Belgicismes Métalinguistiques, Jean-Nicolas De Surmont

Présence Francophone: Revue internationale de langue et de littérature

Of all Belgicisms, only a few have metalinguistic connotation and they have to be considered of special interest in this respect, even if the literature on French in Belgium has not addressed this issue specifically. This essay proposes some observations on these few important words, supported by recent lexicographical descriptions and data obtained through research undertaken in collaboration with Michel Francard of the Université catholique de Louvain (Belgium).