Social and Behavioral Sciences Commons^™

Componiendo El Núcleo: Una Exploración De La Bomba Y La Identidad Afroecuatoriana En El Valle De Chota, Ethan Guok

Independent Study Project (ISP) Collection

Este proyecto se centra en la bomba, una tradición musical y de danza afroecuatoriana que se practica en el valle del Chota, situado entre las provincias de Imbabura y Carchi, pero también más ampliamente en el Territorio Ancestral que comprende el valle del Chota, La Concepción, Salinas y Guallupe. Históricamente y en la actualidad, la bomba ha desempeñado un papel importante en la creación de comunidad y la preservación de la identidad cultural afrochoteña, y el conocimiento de cómo tocar la bomba se ha transmitido intergeneracionalmente a través de la tradición oral. Sin embargo, como tradición negra y oral, la …

(Alte)Rnative Realities In Ghana; An Africanfuturist Travelogue Into The World Buildings Of Contemporary Ghanaian Female Alte Musicians, Agasarokeza Natasha Naomi

Independent Study Project (ISP) Collection

In this research paper, I will use Africanfuturism as a lens through which I explore Ghanaian female alte musicians’ contributions to the growing Africanfuturistic imaginaries. Overall, this research aims to contribute to the growing body of knowledge on Ghanaian female Alte musicians and highlight their significance in shaping alternative realities. I will employ a qualitative research methodology, including interviews with two Ghanaian female alte musicians, and content analysis of their music videos, lyrics, and musical productions. By delving into their personal experiences and artistic expressions, the paper seeks to uncover how these artists challenge traditional gender roles, explore cultural identities, …

The Headbangers Of The Himalaya: An Investigation Of Nepal’S Rock And Metal Scene, Samuel White

Independent Study Project (ISP) Collection

The goal of this research endeavor was to generate findings which unveil information about the culture, the bands, and the lives of the musicians and fans who make up the Nepali rock and metal scene. The community is rather esoteric and information regarding certain bands and their musicians’ background is limited to broad, outdated articles published online. Thus, most of the information regarding the scene can only be obtained if one truly immerses themselves within it. I was fortunate enough to make friends which granted me a firsthand look into the Nepali rock and metal scene. The general questions which …

Changes In Identity: How Mongolian Musicians And Performers Have Responded To Geopolitical Transition, Heather Cook

Independent Study Project (ISP) Collection

During Mongolia’s socialist period, traditional forms of Mongolian music were deliberately altered as the government, heavily influenced by the Soviet Union, attempted to modernize Mongolian culture. Throughout this period, traditional instruments were modified, the types of music that could be performed were strictly censored, and the structure of performances was set to strictly mimic those of Western orchestras. After Mongolia’s Democratic Revolution of 1990, the artistic freedom of Mongolian musicians has greatly increased, but even now, socialist cultural policies are deeply intertwined with Mongolian musical culture. Why is this the case? What is the common perception among performers about the …

Contemporary Legacies Of Morocco’S Gnawa Music Communities, Luke Sheppard

Independent Study Project (ISP) Collection

Despite existing literature about Gnawa music and culture, there remains many discrepancies and holes a part of current understandings about the subject. This paper examines the existing literature in comparison with two site visits to different Gnawa music houses in Tangier and Khamlia Morocco. These visits including three interviews with musicians inform an understanding of the history, tourism, spirituality, performance aspects, and changing culture among the two distinct communities. The paper will draw upon these findings to evaluate what it currently means to be Gnawa, perform Gnawa, and spectate Gnawa performance in Morocco. Additionally, Gnawa music within the black Moroccan …

La Preservación Y Evolución De La Música Tradicional Andina Y Una Modernización De La Identidad Indígena, Evan Tannenbaum

Independent Study Project (ISP) Collection

La música es una componente clave de la cultura, y en los andes la música siempre ha constituido un gran identificador y definidor del espíritu indígena y autóctona. Pero la música no es estática: es un ser vivo que cambia en conjunto con la sociedad que se representa. Por lo tanto, por estudiar la música, podemos aprender sobre la cultura y como ha cambiado—como ha transformado, modernizando con una globalización de la identidad. Entonces, en esta investigación, exploro la música indígena en los andes, hablando con músicos y musicólogos, además de leyendo y estudiando sobre la música para aprender cómo …

A Study Of Stambeli In Digital Media, Nneka Mogbo

Independent Study Project (ISP) Collection

This research paper explores stambeli, a traditional spiritual music in Tunisia, by understanding its musical and spiritual components then identifying ways it is presented in digital media. Stambeli is shaped by pre-Islamic West African animist beliefs, spiritual healing and trances. The genre arrived in Tunisia when sub-Saharan Africans arrived in the north through slavery, migration or trade from present-day countries like Mauritania, Mali and Chad. Today, it is a geographic and cultural intersection of sub-Saharan, North and West African influences.

La Música Como Una Forma De Educación: Canciones Para Cambios Sociales / Music As A Form Of Education: Songs For Social Changes, Di Hu

Independent Study Project (ISP) Collection

Este proyecto de ISP no tradicional busca recrear un mini EP de tres canciones basado en el entorno problemático del sistema educativo chileno y sus influencias negativas en los estudiantes. Las canciones pretenden pedir cambios sociales y aumentar la conciencia al criticar los problemas y al mismo tiempo servir como una forma de educar a los jóvenes de la nueva generación sobre las realidades del sistema educativo actual. Usando información de observaciones escolares anteriores, inspiraciones de la música de diferentes músicos y lo más importante las narrativas de entrevistas, estas tres canciones tomaron forma en tres temas principales: un llamado …

Subversion And The State: Politics Of Moroccan Hip-Hop And Rap Music, Grace Findlen-Golden

Independent Study Project (ISP) Collection

This paper examines the political significance of recent developments within the Moroccan hiphop scene in the period following the “Arab Spring.” Since its emergence in the 1980s, Moroccan hip-hop has been used as a medium through which artists have been able to comment on social and political issues. During the past two decades with Morocco under the rule of King Mohammed VI, the content and implications of this art have undergone a transformation, particularly with regard to political commentary and artists’ relationship to the state. This research explores the evolution of hip-hop and rap music in Morocco over that time …

Music As The Guide On The Pathway To Empowerment And Wellbeing. A Narrative On An Arts-Based Holistic Health Solution., Sabine Adler

Independent Study Project (ISP) Collection

This study explored music as the guide on the pathway to empowerment and wellbeing at a nonprofit organization called Durban Music School. Using narrative inquiry, I have collected stories from different people involved with Durban Music school as well my own observations and reflections. Through finding empowerment through music myself, I was able to add in my personal experiences to compliment the experience of others. Using informal interviews and conversations, direct observations, journaling, and playing guitar as a method of inner reflection, I looked to explore through stories how underprivileged individuals have found empowerment through their musical journey. Out of …

Human Creativity As A Vehicle For Societal Change: Can Social Action Through Art And Music Drive Positive Societal Change In Jordan?, Marina Qutab

Independent Study Project (ISP) Collection

This case study addresses a gap in the research on society and culture as it examines the relationship between social action through human creativity and positive societal change in Jordan. This relationship was studied through the following methods: six formal interviews with three Musicians, one Artist, one Organizational Behavior and Work Psychologist, and one Cognition and Didactics Researcher; one informal interview with a Jordanian taxi driver; and 30 oral surveys provided to students at The University of Jordan. The researcher’s main goal was to investigate how human creativity expressed through music and the arts can address current pressing environmental and …

Singing With A Sanxian: A Study Of The Principal Instrument In Bai Musical Tradition , Christian Stanbrook

Independent Study Project (ISP) Collection

The Bai people, a minority group in the People’s Republic of China numbering at least 1.8 million, are heavily concentrated in Yunnan Province’s Dali Autonomous Prefecture. Music has historically been a significant part of Bai culture, as Bai musicians across the region enjoy performing Baizu diao, or popular Bai folk tunes, in the form of singing or on various instruments. These diao, or melodies, often describe the lifestyle of Bai people and the region in which they live in and are commonly performed on a threestringed member of the lute family called a sanxian. This study uncovers both the history …

Cosaan To Tostan: The Evolution Of Wolof Women’S Verbal Art As A Means For Social Empowerment, Iana Robitaille

Independent Study Project (ISP) Collection

For Wolof women, verbal art has always been an important tool for negotiating power. In a public context, griottes have lent their voices to traditional ceremonies such as marriages and baptisms; in a private context, all women have used songs as accompaniment to daily tasks and as an informal way to comment on the society in which they live. This paper explores the way that certain Wolof songs, sung by and for women, simultaneously challenge and adhere to traditional Wolof culture—that is, the way their texts and performances both contradict and perpetuate traditionally mandated gender codes. In order to achieve …

Educational Music: The Role Of Music Education, Combined With The Ideology Of The Popular Education Movement, In The Development Of The Agency Of Children From Villa 21/24, Laurel Bingman

Independent Study Project (ISP) Collection

Music is something that has a power all its own. It has the power to join people together, to empower protests, to inspire creativity and enhance learning. Countless studies have been conducted proving the intellectual and emotional benefits of music in the lives of children, and I have experienced this myself in my own life and in my volunteer work in the United States and in Bolivia. This investigation seeks to analyze the combined power of music and education in vulnerable populations, specifically a neighborhood in Buenos Aires called Villa 21/24. The people who live in this Villa are faced …

Hip Hop Highways: Mapping Complex Identities Through Moroccan Rap, Anisha Bhat

Independent Study Project (ISP) Collection

During the post-colonial period, Moroccan visual artists belonging to the “School of the Sign” reformulated traditional symbols of Moroccan heritage in new and innovative ways in order to directly challenge orientalist conceptions of Moroccan identity. Today, media outlets have heralded the rise of the musical genre of Moroccan hip-hop as a potential new medium for the transmission of Moroccan youth identity and revolutionary ideals. As a result, the purpose of this study was to investigate how Moroccan rappers assert their personal conceptions of cultural identity in a larger framework of resistance against societal expectations. What, if any, are the “signs” …

“Bëggel Sa Réew :” Negotiating Contestation And Citizenship Through Hip Hop Production In Guédiawaye, Dakar, Dylan Mcdonnell

Independent Study Project (ISP) Collection

Hip hop cultural production has flourished in Senegal since the early-1980s, especially in Dakar, the administrative and economic capital, since the early 1980s as both a medium of engagement with “global” flows of musical influence and a localized platform for socio-political and contestation and organization. In the past ten years, high-profile rap and hip hop personalities based in communities centered in the banlieues (the disfavored, often impoverished neighborhoods surrounding Dakar) have begun to realize formal structures of professionalization and education in the elements of “urban culture.” This paper focuses on research done at Guédiawaye Hip Hop Center and Association, an …

Haki: A Musical Activism Project, Katrina Doyle

Independent Study Project (ISP) Collection

Meaning both “Justice” and “Rights” in Kiswahili, “Haki” is a musical activism project seeking to expose injustices and human rights issues that bury themselves under the surface of Kenyan society. Its mission is to give a voice to the voiceless. To bring awareness to the rights Kenyans have according to their own laws, and what they can do to seek justice. Before songwriting, I researched the four areas – human trafficking, child sexual abuse, police abuse of power, and education inequality – extensively. I sought the expertise of Kenyan NGO leaders and studied many readings. This is a non-traditional ISP. …

Adapting & Appropriating Art From Afar: Negotiating A Global Identity Through Popular Culture, A Study Of Salsa In The Senegalese Context, Elizabeth Bockenfeld

Independent Study Project (ISP) Collection

The following study is essentially an attempt to explore cross-cultural exchange and the resulting (re)creation of different forms of cultural expression. In its broadest sense it aims to explore the quotidian, cultural sides of globalization. It takes for its focus the re-appropriation of salsa music in Dakar, Senegal. Through interviews and participant observation in a number of salsa venues, I explore the various meanings Senegalese salseros put into salsa music and dance. Senegalese salsa is rooted in a very concrete historical background, while also holding meaning for the present. In short, the appropriation of salsa into the Senegalese context serves …

Tibetan Guozhuang In Diqing Autonomous Prefecture: A Comparative Musical Analysis, Christina Du Breuil

Independent Study Project (ISP) Collection

The song and dance traditions of the Tibetan peoples of Diqing Prefecture are numerous and varied. Of these traditions, Guozhuang is cited as one of the oldest and most centrally traditional pieces of folk heritage. However, Guozhuang varies even within Diqing Prefecture. This paper addresses the basic form and structure of Guozhuang as well as variations between Benzilan and Shangri-la Guozhuang, two places separated not only by geographical distance but also the encroachment of development on traditional culture.

The ‘Narod’ In Narodnjaci: Perceptions Of Turbo Folk In Contemporary Sarajevo, Uchechi Esonu

Independent Study Project (ISP) Collection

Turbo Folk is often associated with the ultranationalism and violence of the Wars of Yugoslav Succession in the nineties. Working from the perspective of people who enjoy this music and/or frequent establishments where Turbo Folk is played in contemporary Sarajevo, I investigate the narratives employed by both listeners and detractors of Turbo Folk. What attributes or values are projected on the genre, in present day Sarajevo? Have these values changed from how the genre was perceived during the war in the 1990s? Is Turbo Folk political or politicized? Based on ethnographic field research conducted over the course of one month …

The Power Of Dara Puspita: How Four Girls From Indonesia Brought Rock ‘N’ Roll To The World, Eliza Summerlin

Independent Study Project (ISP) Collection

Surrounded by her ever-growing vinyl collection, twenty-year-old Ingga is sprawled on her bedroom floor with her ear pressed closely to a small transistor radio. An announcement on RRI (Radio Republik Indonesia) has caught her attention, but she fears she misheard the DJ. Could it be true? Are they finally coming home? She is in disbelief, but indeed the famed all-female Rock ‘n’ Roll band Dara Puspita is scheduled to play two shows in Jakarta in just a few weeks. A smile flashes across her face. Her heroes have returned.

After what seems like eternity, it is finally the night of …

“Los Huaynos Me Recuerdan A Mi Tierra”: La Música Radial De Cusco Y La Formación De Identidades Migrantes”, Violet Cavicchi

Independent Study Project (ISP) Collection

La experiencia migratoria de muchos peruanos de comunidades con identidades andinas marcadas que se mudan a la ciudad de Cusco crea un conflicto identitario que es distinto. Estas personas se enfrentan con nuevas influencias que complican su conceptualización de una identidad propia. Este estudio considera la manera en que un foro especifico de la música radial funciona como un espacio para trabajar estas influencias solapadas y construir un entendimiento de identidad regional en este nuevo contexto. El artículo empieza con un análisis del contexto histórico que establece este fenómeno y que explica la importancia de la radio y su música …

Highlife In The Ghanaian Music Scene: A Historical And Socio-Political Perspective, Micah Motenko

Independent Study Project (ISP) Collection

I lived in the cities of Accra and Kumasi for a total of 30 days during the month of November, 2011. To achieve my research objectives, I used a combination of formal and informal interviews, participant observation, and non-participant observation. I interviewed 7 musicians and 1 professor/musician in Accra, as well as 1 musician, 1 CD shop owner, and 1 DJ in Kumasi, making a total of 11 interviews most of which I recorded. For my participant observation, I observed 4 concerts total in Accra, all consisting of a mixture of genres including Highlife and Gospel. I participated in 2 …

New Representations Of The “Golden Lineage”: The Mongolian Folk Rock Of Altan Urag, Jonathan Heins

Independent Study Project (ISP) Collection

This project will examine the ways in which the self-proclaimed Mongolian “folk rock” band, Altan Urag, combines elements of both traditional Mongolian and Western music and culture in order to recast and recreate Mongolian tradition. These new representations of Mongolian tradition occur within the context of a young and rapidly developing democratic nation which looks both deeply into its own past to construct a strong national sense of identity and looks increasingly outward to the international community with aspirations of establishing itself as a recognized and respected member of that community. Altan Urag’s new representations of Mongolian national heritage are …

Like The Roar Of A Thousand Thunders: Instrumental Music And Creativity In Tibetan Buddhist Ritual, Eben Yonnetti

Independent Study Project (ISP) Collection

Tibetan Buddhism has numerous detailed and diverse traditions of ritual music that play an integral part in religious practices. Despite the prominence of such performances in Tibetan Buddhist life, spectators and researchers alike have frequently misunderstood them based purely on physical observation. As a religion that focuses on the cultivation and development of the mind, any analysis focusing only on physical description is significantly flawed. Music in Buddhist practice is at a base level a sound offering. On a higher level, however, it is much more. If done with the proper motivation, musical performance during ritual is a method to …

Out Of Conflict Comes Creation: A New Era For Contemporary Music In Belfast, Martha Slenker

Independent Study Project (ISP) Collection

This report is the outcome of a month-long exploratory study on growth of the contemporary music scene in Belfast, United Kingdom. Data was obtained by way of qualitative methods using focused interviews with five musicians and one music organization’s executive, and participant observations came from attending concert venues and music organizations in Belfast. Through these methods, it can be concluded that this is a new era for the current contemporary music scene. Despite Belfast’s reputation as a chaotic and dangerous city after decades worth of political and social unrest, the musicians have broken free from the chains of their past, …

The Kora And Korafolaw: A Treatise On The Musical Instrument And Those Who Play It, William Ridenour

Independent Study Project (ISP) Collection

“The kora is what they play in heaven” a friend once told me. I agreed with him, easily. Ever since I first heard the kora played in the United States, my interest in it and the culture that produced it has deepened. Being able to carry out research on it has been a blessing and a pleasure.

All of my fieldwork was done in Bamako, the capital of Mali between April 15th and May 7th 2010. I spent most of my time in the company of the venerable jeli and korafola Dialy Mady Sissoko, who more or less adopted me …

Relájate Y Disfruta: Lecciones De Una Vida Musical Y Temporal En El Zaidín = Relax And Enjoy: Lessons About A Temporal Musical Life In Zaidin, Granada, Laura Westman

Independent Study Project (ISP) Collection

In the following paper, I describe the volunteer project that I conducted during my fall 2009 semester in Granada, Spain. I spent a few hours each week accompanying voice lessons in a music school located in the neighborhood in which I lived while I was learning Spanish. This paper chronicles the importance of language and communication to my work, including problems that I had with the language barrier in communicating with people in the school before I was comfortable with the language. Though I originally planned to analyze relationships between teachers and students as a major theme in my project, …

The Traditional Wolof Voice: Lessons From A Griot In Pout, Senegal, Lucy French

Independent Study Project (ISP) Collection

This alternative project comprised of a three-week long, intensive study of traditional Wolof singing. I took twenty hours of voice lessons from a griot teacher in Pout, Senegal, with the intention of acquiring a rich knowledge of Wolof vocal music and the skills to perform for an audience. My Wolof teacher, Nar Diop, taught me seven songs by ear throughout our six classes together. In addition to perfecting, memorizing, and preparing for a final performance piece, I translated the lyrics of each song into English and French in order to analyze their content and investigate their origins and significance to …

L’Identité Dans La Musique Occitane : La Conservation De L’Art Pour Exprimer La Culture = Identity In Occitan Music : Expressions Of Culture Through The Preservation Of Art, Christina Lambert

Independent Study Project (ISP) Collection

This project focused on how identity is expressed and preserved through Occitan music, and what exactly that identity means to whom that identity belongs. The researcher studied and listened to many different bands and artists, all of who had unique styles and sounds. While conducting research on the history of Occitania and of its music, the researcher interviewed several musicians and others who worked with the Occitan culture. These interviews and research led to a greater understanding of Occitania, and of the people who are fighting to keep it alive. By attending traditional dances, concerts, and book readings, the researcher …