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Full-Text Articles in Social and Behavioral Sciences
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
CLCWeb: Comparative Literature and Culture
China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …
A Thin Line Between Sovereign And Abject Agents: Global Action Thrillers With The Sci-Fi Mind-Game War On Terror, Seung-Hoon Jeong
A Thin Line Between Sovereign And Abject Agents: Global Action Thrillers With The Sci-Fi Mind-Game War On Terror, Seung-Hoon Jeong
CLCWeb: Comparative Literature and Culture
Seung-hoon Jeong discusses in his paper global action thrillers about the war on terror. He highlights the biopolitical abjection of counterterrorist agents from their state agencies. This abjection ends up either self-reaffirming in the manner of a sovereign agent (the Bond series) or terrorizing their sovereign system (the Bourne series), while both are trapped in the vicious cycle of terror and counterterror. More notable is the “mind-game” sci-fi genre. Source Code, among others, stages a loop of a traumatic counterterrorist mission with retroactive causality, a closed circuit of neoliberal productivity and pathological abjection in a video-game narrative. The time-travel …
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.
CLCWeb: Comparative Literature and Culture
The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of …
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
CLCWeb: Comparative Literature and Culture
This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …