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Articles 1 - 9 of 9

Full-Text Articles in Social and Behavioral Sciences

Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler Dec 2015

Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler

Présence Francophone: Revue internationale de langue et de littérature

Philippe Van Leeuw and Kivu Ruhorahoza’s cinema proposes an esthetic and ethical gaze that distances itself from the historic realism that defines the majority of the films on the genocide against the Tutsi in Rwanda. By conferring an unprecedented eloquence to different types of silence and by maintaining viewers in a concerted state of ignorance, both filmmakers question societies’ will to know within the legacy of genocide and their willingness to culturally acknowledge the traumatic resonance of its aftermath.


Violence, Altérité De L’Intérieur Et Citoyenneté De Seconde Zone, Hervé Tchumkam Jun 2013

Violence, Altérité De L’Intérieur Et Citoyenneté De Seconde Zone, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

This article proposes an examination of violence in the French banlieues where riots erupted in the fall of 2005. Building on the observation that violence seems to have become the main determiner for banlieues inhabitants in the media and political discourses, the author scrutinizes Mohamed Razane’s Dit Violent (2006) in order to understand the status of young banlieue dwellers as outsiders within who are caught between second-class citizenship and exclusion from the French public political sphere. It is the contention of the author that the public construction of an enemy within imply shadows a socio-political reality, which is the invisibility …


Calixte Beyala Ou La Réécriture De La Littérature Coloniale Française, Frieda Ekotto Dec 2010

Calixte Beyala Ou La Réécriture De La Littérature Coloniale Française, Frieda Ekotto

Présence Francophone: Revue internationale de langue et de littérature

This article shows how Calixthe Beyala, in Le petit prince de Belleville (1992) and Maman a un amant (1993), presents the character of the child as producer of sociopolitical and historical discourse. By using the child as narrator, Beyala rewrites the colonial literature of the interwar period extending from Francis Carco to Mac Orlan from a less noble perspective. As producer of certain racist discourses, the child is singled out as the one who represents life and assures the future of the community.


Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé Jun 2010

Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

My article analyses the representation of women in the Carnets d’Orient, a graphic novel series that tells the (hi)story of Algeria since its colonial conquest by the French army until its independence in 1962. I argue that the representation of women in the series varies not only according to the periods represented in the work, but also and more importantly according to the evolution that took place in the author himself while working on the series. the essay is organized in three parts according to three historical periods. The first period is that of the colonial conquest of Algeria (1830-1872) …


L’Irruption De La Violence Dans Saint-Germain Ou La Négociation: L’Esthétique Néoclassique Belge En Question, David Vrydaghs Jun 2010

L’Irruption De La Violence Dans Saint-Germain Ou La Négociation: L’Esthétique Néoclassique Belge En Question, David Vrydaghs

Présence Francophone: Revue internationale de langue et de littérature

This paper analyses the novel Saint-Germain ou la négociation, which appears to hide a controversial discourse under a classic form. a special attention is given to the last chapter to show how this end modifies the novel’s reception. Finally, it is the whole neoclassic aesthetics that seems to be violate.


Raharimanana : « Le Viol Des Douceurs », Patricia Célérier Jun 2008

Raharimanana : « Le Viol Des Douceurs », Patricia Célérier

Présence Francophone: Revue internationale de langue et de littérature

constant and paradoxical paradigm, violence is at the core of the Malagasy writer, Jean-Luc Raharimanana’s work. What are its representations, its modulations and functions in his shortstories, his novel, Nour, 1947, and his narrative, L’arbre anthropophage ? His poetic elaboration of violence puts his production at the juncture of postmodern and committed literatures and gives it a singular value in the world of postcolonial literature.


A Hidden Life, Matthew N. Schmalz Oct 2007

A Hidden Life, Matthew N. Schmalz

Religious Studies Faculty Scholarship

A reflection on the murder of Marzena Ladiejewska, a Phi Beta Kappa graduate of the College of the Holy Cross, in Cheshire, Connecticut. The article reflects on Marzena Ladiejewska’s Catholic spirituality and the impact of her death.


Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua Jun 2004

Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua

Présence Francophone: Revue internationale de langue et de littérature

Using the central figures of Um Nyobe and Patrice Lumumba, this paper aims to show that postcolonial mythology is a confrontation of two tendencies: on one hand, the colonial and postcolonial States, whose efforts tend to rub out history and its great faces, and on the other, artists and thinkers from Africa or abroad who want to establish the memory and the deeds of the missing as a source of inspiration for the present and next generation.


Écritures De Violence Et Contraintes De La Réception : Allah N’Est Pas Obligé Dans Les Critiques Journalistiques Française Et Québécoise, Isaac Bazié Dec 2003

Écritures De Violence Et Contraintes De La Réception : Allah N’Est Pas Obligé Dans Les Critiques Journalistiques Française Et Québécoise, Isaac Bazié

Présence Francophone: Revue internationale de langue et de littérature

The treatment of violence in Francophone Literatures is not only a thematic issue but becomes a writing project that reveals different textual forms as well. Those texts in which violence appears in both aspects – themes and forms – require a particular kind of reception. This article deals with the newspaper’s reception of "Allah n’est pas obligé". The comparison between Quebec’s and France’s journalistic criticism points out that the complexity of Kourouma’s text allows readers to activate several levels of reception: a very contextualized historical one and an aesthetic one. The interaction between those two critical spheres illustrates the complexity …