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Full-Text Articles in Social and Behavioral Sciences
"She Ensample Was By Good Techynge": Hermiene Ulrich And Chaucer Under Capricorn, Louise D'Arcens
"She Ensample Was By Good Techynge": Hermiene Ulrich And Chaucer Under Capricorn, Louise D'Arcens
Louise D'Arcens
Hermiene Frederica Ulrich (later Parnell) is a significant but now largely forgotten figure in early Australian academic history, who is especially notable for her brief but vital contribution to the tradition of early female readership of Chaucer in Australia. Despite her exclusion from university teaching after a promising and vital early career, Ulrich/Parnell continued to figure in her contribution as a public medievalist. This essay argues that Ulrich/Parnell's contribution as an early woman reader of Chaucer has been overlooked because of three-fold feminization in which her gender, teaching career, and colonial status have all rendered her the antithesis of the …
'The Last Thing One Might Expect': The Mediaeval Court At The 1866 Melbourne Intercolonial Exhibition, Louise D'Arcens
'The Last Thing One Might Expect': The Mediaeval Court At The 1866 Melbourne Intercolonial Exhibition, Louise D'Arcens
Louise D'Arcens
In his preface to the Guide to the Intercolonial Exhibition of 1866, the exhibition's commissioner John George Knight concludes by underlining the event's principal significance as a showcase for colonial commercial and industrial achievement: The great aim of an Exhibition is to give the fullest possible notoriety to new manufactures and processes, and bring the manufacturer and inventor more closely into contact with the merchant, speculator, and capitalist; and, by this most practical method of advertising, to enlarge the basis of trade.1 Given this avowedly mercantile and progressivist vision—a vision borne out by the numerous displays of colonial manufacture—it might …
Iraq, The Prequel(S): Historicising Military Occupation And Withdrawal In Kingdom Of Heaven And 300, Louise D'Arcens
Iraq, The Prequel(S): Historicising Military Occupation And Withdrawal In Kingdom Of Heaven And 300, Louise D'Arcens
Louise D'Arcens
As well as being historical films, Zack Snyder’s 300 and Ridley Scott’s Kingdom of Heaven both reflect on the value and the danger of historical commemoration and amnesia. The films’ opposing stances on the ‘righteous’ use of history directly link to their differing uses of historical East-West clashes (Thermopylae and the Crusades) as allegorical commentaries on current East-West tensions, specifically the Western occupation of Iraq. Examining these films together, however, illuminates the cross-historical heroic idiom they both share, and thus exposes the drawbacks of the historical periodisation that persists in current approaches to film in medieval and classical studies.