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Ethnic Studies Review

Journal

2003

Literature: A Special Issue

Articles 1 - 12 of 12

Full-Text Articles in Social and Behavioral Sciences

Table Of Contents Jan 2003

Table Of Contents

Ethnic Studies Review

Table of Contents for Ethnic Studies Review, Vol. 26, No. 1, April 2003.


Editor's Note, Faythe Turner Jan 2003

Editor's Note, Faythe Turner

Ethnic Studies Review

This issue of Ethnic Studies Review reflects the important critical work being done in the field of ethnic literature, an indication that this literature is getting the attention it deserves.


Ethnic Studies Review Jan 2003

Ethnic Studies Review

Ethnic Studies Review

No abstract provided.


Getting Into The Game: The Trickster In American Ethnic Fiction, Helen Lock Jan 2003

Getting Into The Game: The Trickster In American Ethnic Fiction, Helen Lock

Ethnic Studies Review

Trickster novels, especially those by Gerald Vizenor and Maxine Hong Kingston, can be used to destabilize and undermine ethnic stereotypes. As many studies show, the trickster him/herself cannot be stable and thus resists the limitations of definition as the embodiment of ambiguity. Both insider and outsider, s/he plays with the whole concept of "sides" so as to erase the distinction between them. The trickster plays the game, including the game of language, in order to break and exploit its rules and thus destabilizes linguistic markers. Kingston and Vizenor use their novels to subvert the rules of the linguistic game and …


Middle Passage To Freedom: Black Atlantic Consciousness In Charles Johnson's Middle Passage And S. I. Martin's Incomparable World, Robert Nowatzki Jan 2003

Middle Passage To Freedom: Black Atlantic Consciousness In Charles Johnson's Middle Passage And S. I. Martin's Incomparable World, Robert Nowatzki

Ethnic Studies Review

Charles Johnson's novel, Middle Passage, and S.I. Martin's novel, Incomparable World, illustrate through mobile, culturally hybrid protagonists Paul Gilroy's notion of Black Atlantic consciousness, which is based on cultural hybridity and physical mobility across the Atlantic between Europe and Africa, America and the Caribbean. I argue that both novels blur the line between freedom and slavery, between oppressed and oppressor, and disrupt the links between blackness and slavery, between mobility and freedom. In both novels the diasporic Black Atlantic experiences privilege masculinity, since neither novel includes black women who can experience the mobility that the male protagonists do.


‘The Story You Were Telling Us' Re-Reading Love In Alice Walker's By The Light Of My Father's Smile Through Luce Irigaray's Theory, Özlem Görey Jan 2003

‘The Story You Were Telling Us' Re-Reading Love In Alice Walker's By The Light Of My Father's Smile Through Luce Irigaray's Theory, Özlem Görey

Ethnic Studies Review

This article considers Alice Walker's novel By the Light of My Father's Smile in the light of the theories of French feminist Luce Irigaray. It concentrates particularly on the redefinition of love through the creation of a maternal genealogy. It explores how the severe punishment of one of the daughters, as a result of her love affair with a young Indian boy, results in the deep scarring of all the family for the rest of their lives. Interpreting this traumatic event as a metaphorical Oedipal break from the mother, this discussion aims to show the ways in which both the …


Time Is Not A River' The Implications Of Mumbo Jumbo's Pendulum Chronology For Coalition Politics, Tamiko Fiona Nimura Jan 2003

Time Is Not A River' The Implications Of Mumbo Jumbo's Pendulum Chronology For Coalition Politics, Tamiko Fiona Nimura

Ethnic Studies Review

Ismael Reed's 1972 novel, Mumbo Jumbo, proposes a unique chronological theory that requires a multiple-grounded understanding of time. An analysis of what could be called this "pendulum" chronology leads to a more complete understanding of the novel and has important implications for a coalition of American ethnic studies and other identity-related work in the academy.


Transcending The 'Tragic Mulatto': The Intersection Of Black And Indian Heritage In Contemporary Literature, Lindsey Claire Smith Jan 2003

Transcending The 'Tragic Mulatto': The Intersection Of Black And Indian Heritage In Contemporary Literature, Lindsey Claire Smith

Ethnic Studies Review

The supposed plight of multi-racial persons is widely depicted in modern American literature, including the works of William Faulkner, whose stories follow the lives of multi-racial characters such as Joe Christmas and Sam Fathers, who, reflecting characteristics of "tragic mulatto" figures, search for acceptance in a racially polarized Mississippi society. Yet more contemporary literature, including works by Michael Dorris, Leslie Marmon Silko, Toni Morrison, and Clarence Major, reference the historical relationship between African Americans and American Indians, featuring multi-racial characters that more successfully fit the fabric of current American culture than do more "traditional" works such as Faulkner's. While an …


Chinatown Black Tigers: Black Masculinity And Chinese Heroism In Frank Chin's Gunga Din Highway, Crystal S. Anderson Jan 2003

Chinatown Black Tigers: Black Masculinity And Chinese Heroism In Frank Chin's Gunga Din Highway, Crystal S. Anderson

Ethnic Studies Review

Images of ominous villains and asexual heroes in literature and mainstream American culture tend to relegate Asian American men to limited expressions of masculinity. These emasculating images deny Asian American men elements of traditional masculinity, including agency and strength. Many recognize the efforts of Frank Chin, a Chinese American novelist, to confront, expose, and revise such images by relying on a tradition of Chinese heroism. In Gunga Din Highway (1994), however, Chin creates an Asian American masculinity based on elements of both the Chinese heroic tradition and a distinct brand of African American masculinity manifested in the work of Ishmael …


Contributors Jan 2003

Contributors

Ethnic Studies Review

Contributors to Ethnic Studies Review, Vol. 26, No. 1, April 2003.


The Politics Of Faith In The Work Of Lorna Dee Cervantes, Ana Castillo, And Sandra Cisneros, Darlene Pagan Jan 2003

The Politics Of Faith In The Work Of Lorna Dee Cervantes, Ana Castillo, And Sandra Cisneros, Darlene Pagan

Ethnic Studies Review

If Chicanas are perceived as a communal threat because they are closer to the carnal, according to the Church, they paradoxically are worshipped as the female divine within indigenous practices like Yoruba or Mexica as well. In the works of Sandra Cisneros, Ana Castillo, and Lorna Dee Cervantes women's religious commitment is revealed through their possible responses to cultural multiplicity: 1) the rejection of one tradition over another, 2) syncretism, or 3) the continual migration between practices despite contradictory impulses. Using irony to address the tension and seeming impossibility of maintaining distinct traditions simultaneously, these writers intimate how women derive …


Breaking The Rules: Innovation And Narrative Strategies In Sandra Cisneros' The House On Mango Street And Ana Castillo's The Mixquiahuala Letters, Carmen Haydée Rivera Jan 2003

Breaking The Rules: Innovation And Narrative Strategies In Sandra Cisneros' The House On Mango Street And Ana Castillo's The Mixquiahuala Letters, Carmen Haydée Rivera

Ethnic Studies Review

Conventional approaches to literary genres conspicuously imply definition and classification. From the very beginning of our incursions into the literary world we learn to identify and differentiate a poem from a play, a short story from a novel. As readers we classify each written work into one of these neatly defined literary genres by following basic guidelines. Either we classify according to the structure of the work (stanza; stage direction/dialogue; narrative) or the length (short story; novelette; novel). What happens though when a reader encounters a work of considerable length made up of individual short pieces or vignettes that include …