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Full-Text Articles in Social and Behavioral Sciences
Idéal Romantique Et Projet Social Dans C’Est Vole Que Je Vole De Nicole Cage-Florentiny, Hanétha Vété-Congolo
Idéal Romantique Et Projet Social Dans C’Est Vole Que Je Vole De Nicole Cage-Florentiny, Hanétha Vété-Congolo
Présence Francophone: Revue internationale de langue et de littérature
In this novel, first published in 1998 and then in 2006, martinican female writer Nicole Cage-Florentiny portrays a young woman, Malaïka, who seeks refuge in madness to escape the turmoil of her life. She is under the yoke of harsh living conditions including societal conformism which, according to Fanon, provokes the « existential deviation » (1953 : 31) of the individual. Despite all, Malaïka advocates a society that would integrate all its members and promote equality. C’est vole que je vole aims at brushing Martinique’s ability to display a sound socialization. The author aims at offering a criticism of her …
Autoethnography As A Never-Ending Story: A Review Of Guyana Diaries: Women’S Lives Across Difference, Laurie L. Charles
Autoethnography As A Never-Ending Story: A Review Of Guyana Diaries: Women’S Lives Across Difference, Laurie L. Charles
The Qualitative Report
The proliferation of autoethnographies offers scholars and writers multiple opportunities to consider the various methods of authorial positioning in qualitative research inquiry. In this article, I review Guyana Diaries: Women's Lives across Difference, by Kimberly D. Nettles, while reflecting my own choices as an autoethnographic author. Autoethnographic writing is presented as a 'never-ending story,' which may have lasting, transformative effects on those who produce it
Memories Of Home: Reading The Bedouin In Arab American Literature, Anissa J. Wardi, Katherine Wardi-Zonna
Memories Of Home: Reading The Bedouin In Arab American Literature, Anissa J. Wardi, Katherine Wardi-Zonna
Ethnic Studies Review
In an urban neighborhood with a large Jewish population near my home, there is an Arabic restaurant. Name, menu and ownership mark its ethnic identification, yet its politics are otherwise obscured. An American flag, permanently placed in the restaurant's window since 9/11, greets American customers with a message of reconciliation. I am one of you, it says: come; eat; you are welcome here. In a climate where "Arabs, Arab-Americans and people with Middle Eastern features, everywhere are struggling to merely survive the United States' aggressive drive to 'bring democracy to the Middle East'" (Elia 160) and where the hostility toward …
Fire In De Cane: Metaphors Of Indo Trinidadian Identity In Ramabai Espinet's The Swinging Bridge, Rosanne Kanhai
Fire In De Cane: Metaphors Of Indo Trinidadian Identity In Ramabai Espinet's The Swinging Bridge, Rosanne Kanhai
Ethnic Studies Review
The evolution of identity is on-going, yet to articulate identity is the self analysis of a people's understanding of who they are at a particular time. Perhaps in more stable societies, identity has not been a preoccupation, not the "stuff" of literature and other types of art. However, for us, in the western hemisphere, where indigenous populations have been brutally decimated and room made for more brutality in the uprootment, transportation and relocation of peoples from different parts of the globe, we find it a crucial to pause and understand who we are as we connect with each other. In …