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Social and Behavioral Sciences Commons

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Full-Text Articles in Social and Behavioral Sciences

The Horse's Ass: A Survey Of Comediology, William M. Fisk Dec 2017

The Horse's Ass: A Survey Of Comediology, William M. Fisk

University of New Orleans Theses and Dissertations

What is comedy? Can someone learn to be funny? Are there rules or guidelines for the production of laughter, the universal language? This paper, which outlines an investigation of successful comedians and the production of a short film, determines to aggregate as many of the relevant prerequisites of inducing giggles as possible, especially as they relate to the audiovisual medium of cinema.


Evidence That Viewers Prefer Higher Frame Rate Film, Laurie M. Wilcox, Robert S. Allison, John Helliker, Bert Dunk, Roy C. Anthony Jan 2015

Evidence That Viewers Prefer Higher Frame Rate Film, Laurie M. Wilcox, Robert S. Allison, John Helliker, Bert Dunk, Roy C. Anthony

Screen Industries Research and Training Centre Works

High frame rate (HFR) movie-making refers to the capture and projection of movies at frame rates several times higher than the traditional 24 frames per second. This higher frame rate theoretically improves the quality of motion portrayed in movies, and helps avoid motion blur, judder and other undesirable artefacts. However, there is considerable debate in the cinema industry regarding the acceptance of HFR content given anecdotal reports of hyper-realistic imagery that reveals too much set and costume detail. Despite the potential theoretical advantages, there has been little empirical investigation of the impact of high-frame rate techniques on the viewer experience. …


Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy Dec 2008

Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy

Présence Francophone: Revue internationale de langue et de littérature

During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …