Social and Behavioral Sciences Commons^™

Ua12/2/1 College Heights Herald, Vol. 83, No. 25, Wku Student Affairs

WKU Archives Records

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

Maggy Corrêa : Passer Le Témoin, Avec Ou Sans Le Feu Sacré, Isabelle Favre

Présence Francophone: Revue internationale de langue et de littérature

In her book entitled Tutsie, etc., Rwandan Swiss author Maggy Corrêa recounts how in july 1994, she was able to rescue her mother from the Rwandan genocide of the Tutsi. This essay begins by examining the status of the testimonial genre within the literary institution. Then, based on Maggy Corrêa’s text, the analysis will demonstrate how Derrida’s concept of sacramentum can be traced in Corrêa’s adventure, and how this same notion proved to be absent from the United Nations’s discourse taking place in Geneva at the same time.

Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.

L’Écriture Tumulaire : Témoignage Sur La Mort, Pour La Vie, Philippe Basabosa

Présence Francophone: Revue internationale de langue et de littérature

The article proves how the testimony narrative, in writing death and genocide-related atrocities, attempts to restore human dignity to the victims. The narrative space that becomes in that way a burial place and a funeral monument plays also the role of the ''redemption'' of history in order to secure the future. The narratives that the article analyzes constitute at the same time a hymn to life. By creating themselves other destinies, other reasons for life, the survivor and witness authors succeed in overcoming the world-weariness that threatens every survivor of the Itsembabwoko slaughter.

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …

La Pensée Du Témoignage : De La Scène Du Génocide À La Scène Judiciaire, Sélom Gbanou

Présence Francophone: Revue internationale de langue et de littérature

This paper intends to study the stories of witnesses of the genocide of the Tutsi people in Rwanda from the angle of both History and Justice. It analyses how the actual event is brought back by the victims’s stories and shows the tormentors that the lives they have undone have been redone in defiance of the effort to wipe out all traces, the basic idea of genocide. Furthermore, the witnesses report seems to be a judiciary scene where, trying to understand what has happened, the victims put themselves in the witness box of their conscience in order to find their …

La Poétique Du Fragment Dans Le Récit De Survivance Au Rwanda, Eugène Nshimiyimana

Présence Francophone: Revue internationale de langue et de littérature

The narrative about surviving is by definition an impossible narrative due to the enormity and absurdity of the tragedy. It is characterized by a fragmentary aspect which is a sign of its resistance to utterance. Based on Révérien Rurangwa’s Génocidé, the following reflection proposes to read the fragment as a manifestation of a traumatic memory that language fails to carry out due to the distortion of the signifying process in which the signified seems to take priority to the signifier. The fragment, thus, can be seen as an attempt to recuperate the symbolic, attempt that is always ''unsuitable'' due to …

Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda

Présence Francophone: Revue internationale de langue et de littérature

this article analyzes the status of testimony in Mukagasana’s La mort ne veut pas de moi and N’aie pas peur de savoir, by bringing out the main narrative strategies allowing to get round the unspeakable. It demonstrates the connection of the testimony, the memory and the history of the genocide in Rwanda as event which marked the humanity in 20th century. This link is studied through the conditions and the postures of testimony, the textual marks of dentification of the addressees and the roles of the testimony.

Témoigner : Les Voies De La Connaissance, Catalina Sagarra

Présence Francophone: Revue internationale de langue et de littérature

The author analyzes the narrations of Survivors of the genocide of the Tutsi, in 1994. A particular attention is paid to how the witnesses express two affects : guilt and responsibility. Their life stories explore these concepts which help them to carry out a search for Truth, which is deeply linked with the sufferings the horror of the past inflicted to them to the point of being haunted by the past. The Survivors ask themselves an array of questions, not always finding a satisfying answer which could bring them some peace. They address their questioning to different agents, telling them …

Le Témoignage De L’Itsembabwoko Par La Fiction. L’Ombre D’Imana, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

Following the Tutsi genocide in 1994, many African writers went to Rwanda, in 1998, and then wrote some novels and other fictional texts about the horror they saw. This study shows how Véronique Tadjo’s L’ombre d’Imana adopts several mechanisms of Traveler’s Narratives, but poses also their limits in ethical thinking about genocide. Tadjo uses indeed the subversion of Traveler’s Narratives by adding other forms of genres like reportage and testimonies. She discusses about the limits of testimony narratives on a genocide.

Zeitgeist Shift: Too Little Too Late, Michael I. Niman Ph.D.

Michael I Niman Ph.D.

No abstract provided.

The Association Of Racial Attitudes And Spiritual Beliefs In Post-Apartheid South Africa, Timothy B. Smith, Christopher R. Stones, Christopher E. Peck, Anthony V. Naidoo

Faculty Publications

Previous research has investigated the complex association between religious beliefs and racism. Many studies have found that fundamentalist religious beliefs are positively associated with racial prejudice among European and European American populations. However, few studies have examined whether this association is found in other cultures or whether the association also characterizes spiritual beliefs. Data from 493 South African university students from three racial backgrounds revealed significant differences among the groups. A positive association between fundamentalism and racial prejudice was found among participants, but general spiritual beliefs were negatively associated with racist attitudes. The results emphasize the need to address contextual …

Jean-Baptiste Debret’S Return Of The Negro Hunters, The Brazilian Roça, And The Interstices Of Empire, Amy J. Buono

Art Faculty Books and Book Chapters

"Despite the range of subjects that Debret illustrates, historians of Brazil have usually only reproduced his images of Afro-Brazilian slaves. This is understandable, given the political, social and economic interest in the topic and the fact that Debret is one of the few artists who portrayed the horrors of slavery in Brazil at so early date.³ The keen interest in slavery as an historical topic has also led some scholars to assume that all Afro-Brazilians depicted in Debret's volumes are slaves, when many individuals may in fact have been free.⁴ While acknowledging the importance of examining Debret's images …

Book Information And Talk At Ritz Theatre And Lavilla Museum

Textual material from the Rodney Lawrence Hurst, Sr. Papers

A talk with Rodney Hurst about his new book "It was Never about a Hot dog and a Coke"

Group Works To Raise Historic Indian's Head Rock From River, Steven Shaffer

Indian Head Rock Project

Article published in the Huntington Herald-Dispatch on the removal of Indian Head Rock from October 2, 2007.

Hispanic Heritage Month, St. Mary's University, Texas

Ethnic History

Bibliography and photographs of a display of government documents from St. Mary's University, Texas.

Noticias De Naccs, Member Contact, Fall 2007, National Association For Chicana And Chicano Studies

Noticias de NACCS Newsletter

No abstract provided.

Black Expressive Art, Resistant Cultural Politics, And The [Re] Performance Of Patriotism, Deborah Elizabeth Whaley

Trotter Review

During World War I, the Boston editor William Monroe Trotter described black American patriotism as a cautious endeavor and America's willingness to participate in the World War while it turned its back on domestic issues as misguided. In an era when freedom bypassed most black women and men within the nation-state of America and in an era of mass lynching in the American South, he proclaimed that black Americans and the U.S. government might refocus their efforts on making the world safer for "Negroes."

Like William Monroe Trotter, the rap group Public Enemy's rap odyssey "Welcome to the Terrordome," from …

A Historical Overview Of Poverty Among Blacks In Boston, 1950-1990, Robert C. Hayden

Trotter Review

Like most nineteenth-century residents of Boston, blacks worked hard to maintain their homes and families. Even before the Civil War, both enslaved and free blacks in "freedom's birthplace" worked long and arduous hours. Those who migrated to Boston from the South in the 1800s had come to secure higher wages, mobility, and opportunity for themselves and their families. Boston's black population grew from 2,000 in 1850 to 8,125 in 1890, and to 11,591 by 1900. In 1900, 39 percent of black Bostonians were northern-born (New England, New Jersey, New York, and Pennsylvania), and 53 percent were southern-born.

Residential segregation for …

Pastor Brunson's Shofar, Richard Tenorio

Trotter Review

A short story by Richard Tenorio of sibling love and sacrificed ambition, which is set in Roxbury, traditionally the twentieth-century home territory for blacks in Boston. Today, Roxbury is poised on the lip of gentrification, and blacks in Boston are on the move again, seeking home and security and belonging.

Madre Patria (Mother Country): Latino Identity And Rejections Of Blackness, Marta I. Cruz-Janzen

Trotter Review

When I was in third grade, in Puerto Rico, I wanted to be the Virgin Mary for the community Christmas celebration. A teacher promptly informed me that the mother of Christ could not be black. A girl with blonde hair and blue eyes was selected for the role, and I was given the role of a shepherd. In middle school, also in Puerto Rico, I played a house servant for a school play. Only children of black heritage played the slaves and servants. A white student with a painted face portrayed the only significant black character. All the other characters …

Removal Of Indian Head Rock, Unknown.

Indian Head Rock Project

Removal of Indian Head Rock on September 9, 2007.

Removal Of Indian Head Rock, Unknown.

Indian Head Rock Project

Removal of Indian Head Rock on September 9, 2007.

Historic River Rock Rescued, Frank Lewis

Indian Head Rock Project

Article published in the Portsmouth Daily Times on the extraction of the Indian Head Rock on September 9, 2007.

Removal Of Indian Head Rock, Unknown.

Indian Head Rock Project

Removal of Indian Head Rock on September 9, 2007.

From Financial Literacy To Financial Capability Among Youth, Elizabeth Johnson, Margaret S. Sherraden

The Journal of Sociology & Social Welfare

Youth in the United States are facing an increasingly complex and perilous financial world. Economically disadvantaged youth, in particular, lack financial knowledge and access to mainstream financial institutions. Despite growing interest in youth financial literacy, we have not seen comparable efforts to improve access to financial policies and services, especially among disadvantaged youth. Instead of aiming for financial literacy, an approach widely promoted in the United States, we suggest aiming for financial capability, a concept grounded in the writing of Amartya Sen and Martha Nussbaum. Building on research in the United Kingdom, the paper proposes that financial capability results when …

Mainstreaming And Integrating The Substance And Spectacle Of Scholar-Baller: A New Game Plan For The Ncaa, Higher Education And Society, Keith Harrison

Dr. C. Keith Harrison

The purpose of this chapter is to theoretically and empirically capture the cultural divide between education and sport and entertainment in American society. The NCAA Academic Reform Movement has evolved from holding individuals accountable to presently monitoring institutions and their retention and graduation success of college student athletes. This movement will require a deeper examination of how culture influences academic attitudes and lifelong learning. Based on empirical data from different methodologies, this chapter proposes that student athletes; especially African American males, are often stereotyped with few strategies to empower their academic and athletic identities. The Scholar-Baller Paradigm is designed to …

Can Developing Women Create Primitive Art? And Other Questions Of Value, Meaning And Identity In The Circulation Of Janakpur Art, Coralynn V. Davis

Faculty Journal Articles

In this article, I examine the values and meanings that adhere to objects made by Maithil women at a development project in Janakpur, Nepal – objects collectors have called ‘Janakpur Art’. I seek to explain how and why changes in pictorial content in Janakpur Art – shifts that took place over a period of five or six years in the 1990s – occurred, and what such a change might indicate about the link between Maithil women’s lives, development, and tourism. As I will demonstrate, part of the appeal for consumers of Janakpur Art has been that it is produced at …

Ethiopia: The State Of Terror And War In The Horn Of Africa, Asafa Jalata

Asafa Jalata

My discussion focuses on two central issues. First, I will demonstrate how global connections, war, and terrorism have been used as the main political tools in creating and maintaining the Abyssinian/Ethiopian state. Second, I will assert how there cannot be peace, democracy, stability, and development in the Horn of Africa without removing the Tigrayan-led minority Ethiopian government that intensifies terrorism, external dependency, and war in the Horn of Africa.

Ethiopia: The State Of Terror And War In The Horn Of Africa, Asafa Jalata

Sociology Publications and Other Works

My discussion focuses on two central issues. First, I will demonstrate how global connections, war, and terrorism have been used as the main political tools in creating and maintaining the Abyssinian/Ethiopian state. Second, I will assert how there cannot be peace, democracy, stability, and development in the Horn of Africa without removing the Tigrayan-led minority Ethiopian government that intensifies terrorism, external dependency, and war in the Horn of Africa.