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Full-Text Articles in Social and Behavioral Sciences
Dark Tetrad Responses To Moral Dilemmas, Kayli Wrenn
Dark Tetrad Responses To Moral Dilemmas, Kayli Wrenn
UNLV Theses, Dissertations, Professional Papers, and Capstones
The Dark Tetrad consists of four socially malevolent personality traits: psychopathy, sadism, narcissism, and Machiavellianism. The current study assessed the relationships among each dimension of the Dark Tetrad and moral decision making using sacrificial moral dilemma vignettes. Participants (n = 212 undergraduates) completed two measures of each of the four Dark Tetrad constructs then read a series of 16 sacrificial moral dilemma vignettes. These dilemmas manipulated whether the participant would personally perform the sacrifice and described either the disgusting or sad emotional consequences of the sacrifice. After each vignette, participants rated the moral rightness/wrongness, moral permissibility, and behavioral intention to …
Cross-Cultural Work In Music Cognition: Challenges, Insights, And Recommendations, Nori Jacoby, Elizabeth Hellmuth Margulis, Martin Clayton, Erin Hannon, Henkjan Honing, John Iversen, Tobias Robert Klein, Samuel A. Mehr, Lara Pearson, Isabelle Peretz, Marc Pearlman, Rainer Polak, Andrea Ravignani, Patrick E. Savage, Gavin Steingo, Catherine J. Stevens, Laurel Trainor, Sandra Trehub, Michael Veal, Melanie Wald-Fuhrmann
Cross-Cultural Work In Music Cognition: Challenges, Insights, And Recommendations, Nori Jacoby, Elizabeth Hellmuth Margulis, Martin Clayton, Erin Hannon, Henkjan Honing, John Iversen, Tobias Robert Klein, Samuel A. Mehr, Lara Pearson, Isabelle Peretz, Marc Pearlman, Rainer Polak, Andrea Ravignani, Patrick E. Savage, Gavin Steingo, Catherine J. Stevens, Laurel Trainor, Sandra Trehub, Michael Veal, Melanie Wald-Fuhrmann
Psychology Faculty Research
Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of “music” and “culture.”