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Powerful Particulars As “Autodocuments” In Documentality, Ronald E. Day

Proceedings from the Document Academy

The purpose of this short paper is to sketch the problem of whether documentality, in the sense of the appearance of evidence, must always take the form of a type-token relationship. In contrast to a type-token epistemology common in the Library and Information Science tradition, the paper argues that there is precedence for a theory of documentality that views evidentiality as a product of the powers of particulars to make themselves present. To make this argument, it appeals to Robert Pagès theory of documents and, over a half century later, Bernd Frohmann’s proposal for a philosophy of information, “Documentality.” Such …

“Living Document”: From Documents To Documentality, From Mimesis To Performative Indexicality, Ronald E. Day

Proceedings from the Document Academy

In this article, in distinction to documentation as an epistemic understanding of documents, I will discuss the epistemology of documentality as an indexical theory of documental functions, which I will develop through Bruno Latour’s notion of information. This notion of indexicality is different than Suzanne Briet’s notion of indexicality (which I have discussed elsewhere (Briet, 2006)).

I will begin this paper with an historical problem that illustrates the issues of viewing documents as content representation. This is the problem identified by Vincent Debaene (Debaene, 2014) in early and mid-twentieth century French field anthropology of the “two book” phenomenon, which attempted …

Documents And Moral Knowledge: Art In Yellowstone National Park, Tim Gorichanaz

Proceedings from the Document Academy

Documents have traditionally been conceptualized as representations of reality. Recently, scholars have been exploring how documents can also construct reality. In this paper, I follow this thread, discussing how documents can supply moral knowledge, showing what people ought to value in the world, thereby guiding action. Specifically, I discuss two works of art depicting Yellowstone National Park: a painting by Thomas Moran, done in the 19th century; and a photograph by Michael Nichols, from the 21st. Both of these works respond to a dualism in the human relationship to the wilderness, dating back at least to the European colonization of …