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Making "Music At The Margins"? A Social And Cultural Analysis Of Xinyao In Singapore, Lily Kong
Making "Music At The Margins"? A Social And Cultural Analysis Of Xinyao In Singapore, Lily Kong
Research Collection School of Social Sciences
Formalist critics and aestheticians have argued that music does not possess any kind of "extra-musical" significance, that there is no meaning beyond the form and structural relations of the notes. For them, music exemplifies the laws of mathematical harmony and proportion rather than the social and political contexts within which it is produced, reproduced and consumed. This view has been challenged by a number of social theorists: Max Weber, Theodor Adorno and Edward Said have all argued for an understanding of music within its social, cultural, economic and political contexts. Such analysis of popular music is now unquestioned. Indeed, it …