Social and Behavioral Sciences Commons^™

Emotional Engagement To Music Is Correlated With Enhanced Frisson Experience But Not Misophonia, Sarah Al-Shimary, Nicole Datastanyan, Shelbie Silvers, Sivan Barashy, Solena Mednicoff

Undergraduate Research Symposium Posters

There is evidence that individuals who are particularly sensitive or intolerant to sounds are also more engaged or fascinated with positive sounds such as music.

Dance Experience Affects Tempo Perception, Jasmine Xu, Jordan E. Hayes, Cole Smithers, Jared Leslie

Undergraduate Research Symposium Posters

In music, the word “tempo” refers to the speed or pace of the music (the number of beats per minute, for example). Tempo is surprisingly subjective, given that beat perception depends on age and cultural experience. Other factors besides beat (like the density of events per unit time) might influence how fast or slow people dance to music. Certain styles of music afford different speeds of dance, even when their tempos are the same.

Musicality, Misophonia Sensitivity, And Responsiveness To Misophonia Videos, Alexis Rice, Jennifer Hsu, Kaela Omengan, Sivan Barashy

Undergraduate Research Symposium Posters

Misophonia sensitivity as measured by the A-MISO-S predicts emotional responses to misophonia trigger videos, but musical sophistication (Gold MSI scores) did not. A measure of real-time responses to videos can capture a meaningful aspect of misophonic experience in the general population. Future research should investigate whether more direct measures of musicality such as perceptual tasks will show a relationship between musicality and misophonic reactions.

The Stability Of The Speech-To-Song Illusion, Jennifer Hsu, Brooke Booth, Jordyn Karns, Rodica R. Constantine

Undergraduate Research Symposium Posters

The Speech-to-Song (STS) illusion: when a listener is presented with multiple repetitions of a spoken phrase and begins to hear it as increasingly song-like. In the present study, we aim to verify anecdotal evidence that suggests the STS illusion is temporally stable and replicate existing evidence that excerpts transform to song by the third or fourth repetition and perhaps faster upon future encounters.

Jazz Sampling Hip Hop: A View Of The Expanded Rhythm Section And The Musical Interactions Between Musicians And Machines, Molly Kaylynn Redfield

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a study on a musical fusion that I term “jazz/hip hop.” The study presents a historical overview of jazz/hip hop origins beginning with 1960s beat poets to jazz/hip hop artists emerging in the early 2000s. Modeled after Phillip Tagg’s and John Fiske’s semiotic methodology and William C. Banfield’s African American Cultural Theory and Heritage Model, the methodology defines the musical and cultural aesthetics of jazz/hip hop. Interviews from jazz/hip hop artists are presented; justifying the use of hip-hop aesthetics and countering the argument that commercial elements are added for mainstream recognition. I examine that samples musically interact …

Exploring The Relation Between Musical And Dance Sophistication And Musical Groove Perception, Samantha R. O'Connell

UNLV Theses, Dissertations, Professional Papers, and Capstones

Listening to groovy music is an enjoyable experience and a ubiquitous human behavior in some cultures. Specifically, many listeners agree that high-groove songs are enjoyable, familiar, and likable compared to low-groove songs. While the pleasurable and dance-inducing effects of musical groove listening seem omnipresent, what is less known is how subjective feelings towards music, individual musical or dance experiences, or more objective musical perception abilities are correlated with the way we hear music with groove. Therefore, the present online study aimed to evaluate how musical and dance sophistication relates to musical groove perception. One-hundred and twenty-four participants completed an online …

Cross-Cultural Work In Music Cognition: Challenges, Insights, And Recommendations, Nori Jacoby, Elizabeth Hellmuth Margulis, Martin Clayton, Erin Hannon, Henkjan Honing, John Iversen, Tobias Robert Klein, Samuel A. Mehr, Lara Pearson, Isabelle Peretz, Marc Pearlman, Rainer Polak, Andrea Ravignani, Patrick E. Savage, Gavin Steingo, Catherine J. Stevens, Laurel Trainor, Sandra Trehub, Michael Veal, Melanie Wald-Fuhrmann

Psychology Faculty Research

Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of “music” and “culture.”

How Musical Artists Can Use Social Media For Successful Careers, Kian Hassankhan, Sutirtha Chatterjee

AANAPISI Poster Presentations

This research paper is about elucidating the current business model of the music industry and how artists or musicians can use it to their advantage through social media, specifically Instagram. Through paid and organic advertising, artists, producers and musicians can create successful music business startups and add an additional source of income to their lives. This paper dives deep into real, tangible goals while expanding the philosophy of the aspiring creative entrepreneur by giving them a road map to creating a successful creative brand through the lens of social media.

The Life Of A Marimba Master: Zeferino Nandayapa Ralda; Composer, Band Leader, Soloist, Lindsay Michelle Whelan

UNLV Theses, Dissertations, Professional Papers, and Capstones

Zeferino Nandayapa Ralda was the greatest Mexican marimba artist of the twentieth century. Born in Chiapas, Mexico, Zeferino was the youngest son of Norberto Nandayapa, the most well respected Mexican marimba builder of his time. Throughout Zeferino’s lifetime, he

cultivated a career that made him well-known in Mexico and firmly established the name Nandayapa as being synonymous with the word marimba. Zeferino’s career consisted of appearances as a solo artist, as a featured soloist with symphony orchestras around Mexico, as leader of marimba bands, and, many appearances abroad. He wrote many arrangements of standard Mexican folk songs, classical literature, as …

Tres Danzas Cubanas By Alejandro García Caturla: A Transcription For Wind Orchestra With Accompanying Biographical Sketch And Transcription Method, Darrell Brown

UNLV Theses, Dissertations, Professional Papers, and Capstones

Alejandro García Caturla was a Modernist Cuban composer of the early 20th Century. In his compositions and orchestrations, Caturla predominantly featured woodwind, brass, and percussion instruments (and incorporated Afro-Cuban percussion instruments). Caturla’s musical vernacular is a hybridization of styles, not just of the colloquial idioms of Cuba and the music of the European avant-garde, but of the unification of the island’s musical cultures. One of Caturla’s earliest, international successes was his orchestral work Tres danzas cubanas written in 1929. This document includes the creation of a new transcription for wind orchestra of the three-movement work. A biographical sketch of Caturla’s …

Image, Narrative, & Concept Of Time In Valerie Capers's Song Cycle Song Of The Seasons, Lillian Channelle Roberts

UNLV Theses, Dissertations, Professional Papers, and Capstones

Once I was a classical pianist, then I was a jazz pianist, but now I’m a pianist – No label. And in my writing, I’m not concerned with any particular style. I’ve found that if you have musical groundwork and some idea of the emotional impact the music should have, the musical style will hang together.

—Valerie Capers

Primarily known as a renowned jazz pianist, Valerie Capers is a blind, African-American woman composer who defied all odds by becoming the first blind graduate of The Juilliard School. Dr. Capers also became valedictorian of the New York Institute for the Education …

A Performance Analysis Of Dorothy Rudd Moore's Sonnets On Love, Rosebuds, And Death, Cordelia Elizabeth Anderson

UNLV Theses, Dissertations, Professional Papers, and Capstones

The purpose of this document is to evaluate Dorothy Rudd Moore’s Sonnets on Love, Rosebuds, and Death through a performance analysis, and to discuss the significance of the Harlem Renaissance in relation to the song cycle. Moore used seven reputable poets from the Harlem Renaissance to compile this song cycle. The poets are Alice Dunbar Nelson, Clarissa Scott Delany, Gwendolyn Bennett, Langston Hughes, Arna Bontemps, Countee Cullen, and Helene Johnson. A few of them were a part of the core group that spurred this powerful movement. The Harlem Renaissance was a flourishing time in American history when African Americans felt …

How Queer!: Camp Expression In Francis Poulenc's Trio For Oboe, Bassoon, And Piano, Kevin Ryland Eberle

UNLV Theses, Dissertations, Professional Papers, and Capstones

The music of Francis Poulenc (1899–1963) contains a great deal of humor, irony, and drama. These elements have mostly been attributed to Poulenc’s personal frivolity and associations with over-the-top figures such as Jean Cocteau. Poulenc’s homosexuality, until recently, was marginalized by a discourse shaped by Claude Rostand’s 1950 binary of “monk” (moine) and “bad boy” (voyou). In the early 21st century, Richard Burton notes that this cliché focused the discourse of a sacred/profane binary instead of a heterosexual/homosexual binary. The sacred/profane binary is used by scholars such as H. Wendell Howard to explain the distinction between Les Mamelles de Tirésias …

Yiddish Diction In Singing, Carrie Suzanne Schuster-Wachsberger

UNLV Theses, Dissertations, Professional Papers, and Capstones

The standard for classical singers in the United States to be trained in the singing diction of the German, Italian, and English languages. This sung diction varies from the spoken diction for those languages and is therefore important for singers to study in classes dedicated to singing language pronunciation. Literature is also available for the instruction in the singing diction of numerous other languages including Latin, Spanish, Czech, Russian, and Hebrew. While there is a vast scope of languages represented by vocal diction guides, there is no available singing diction guide for Yiddish songs, despite the spectrum of classical vocal …

Tempo Perception Across Cultures: The Beat Is All It Takes, Kendall L. Lyons, Jessica E. Nave-Blodgett, Erin E. Hannon

AANAPISI Poster Presentations

• Dancing to music is a human universal that relies on beat perception.
• Listeners may infer the “tempo” or speed of music from:
• the time interval between beats;
• the density of events;
• higher-level features of musical temporal organization (the meter).
• The “Gabbling Foreigner Illusion” is the observation that listeners perceive unfamiliar languages as being faster than familiar ones.
• Even when music is the same speed, listeners tap faster to unfamiliar music.
• Does culture background impact how we perceive musical tempo?

Experience-Specific And Domain-General Effects On Simple And Complex Meter Processing, Sangeeta Gupta

UNLV Theses, Dissertations, Professional Papers, and Capstones

Our ability to process rhythmic patterns is constrained by the complexity of its interval structure. The goal of the present study was to explore the cognitive demands and neural mechanisms for processing simple and complex meters, and the extent to which they are modulated by culture-specific experience. The first experiment explored the argument that perception of rhythm is guided by a domain-general ability to process quantity, and that processing simple and complex meter rhythms requires different cognitive strategies. Rhythm perception was assessed by testing listeners’ ability to detect disruptions in simple and complex meter melodies. Proficiency with numerosity judgments was …

From Paper To Podium: Exploring The Gap Between University Training And Professional Experience In Orchestral Conductors, Rachel L. Waddell

UNLV Theses, Dissertations, Professional Papers, and Capstones

In African polyrhythmic drum circles there is a proverb that exemplifies the necessity of common vision and community in group musical performance: “I am because we are.” This simple ideal is ostensibly mirrored in the western institution of the symphonic orchestra, an ensemble of many that nevertheless must arrive at one, shared interpretation of a piece of music. The structure of the orchestra is a complicated hierarchy with section players at its base, followed by principals, the concertmaster, and finally the conductor. Although conductors are the public face of leadership in orchestras, if they alienate the musicians they will have …

Client Selected Music Based Effects On Marital And Couples Therapy, Kevin Matthew Smith

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study was designed to examine the interaction of music-based interventions in the therapeutic process of Martial and Couples Therapy. The use of pre-recorded music was found to be under researched within the literature and created a void within the knowledge that clinicians have about how music might enhance effectiveness of treatment. The inclusion of music in this process is not currently known, which led to this study being conducted. Through a phenomenological lens, the awareness and understanding of how clients react and experience pre-recorded music during the therapeutic process, while still having a selection of options to preserve autonomy, …

Possible Benefits Of Playing Music Video Games, Amanda Pasinski

UNLV Theses, Dissertations, Professional Papers, and Capstones

Music video games, such as Rock Band, are an emerging and popular genre of video game that allows non-musicians a taste of what it is like to be a musician. For most people, developing musicianship (or the process of becoming competent with a particular musical instrument) to an expert level is a long and difficult process that can take up to 10 years or over 7,500 hours to complete. Yet musicians tend to outperform non-musicians on a variety of tasks--showing greater motor coordination, better synchronization skills, and better pitch and tempo discrimination--and possibly show differences in related cognitive processes. However, …

Faculty Recital, Nathan Tanouye, Albina Asryan

Faculty Recitals

No abstract provided.

The Role Of Music-Specific Representations When Processing Speech: Using A Musical Illusion To Elucidate Domain-Specific And -General Processes, Christina M. Vanden Bosch Der Nederlanden

UNLV Theses, Dissertations, Professional Papers, and Capstones

When listening to music and language sounds, it is unclear whether adults recruit domain-specific or domain-general mechanisms to make sense of incoming sounds. Unique acoustic characteristics such as a greater reliance on rapid temporal transitions in speech relative to song may introduce misleading interpretations concerning shared and overlapping processes in the brain. By using a stimulus that is both ecologically valid and can be perceived as speech or song depending on context, the contribution of low- and high-level mechanisms may be teased apart. The stimuli employed in all experiments are auditory illusions from speech to song reported by Deutsch et …

The Role Of Metrical Structure In Tonal Knowledge Acquisition, Matthew Rosenthal

UNLV Theses, Dissertations, Professional Papers, and Capstones

Experienced listeners possess a working knowledge of pitch structure in Western music, such as scale, key, harmony, and tonality, which develops gradually throughout childhood. It is commonly assumed that tonal representations are acquired through exposure to the statistics of music, but few studies have investigated potential learning mechanisms directly. In Western tonal music, tonally stable pitches not only have a higher overall frequency of occurrence, but they may occur more frequently at strong than weak metrical positions, providing two potential avenues for tonal learning. Two experiments employed an artificial grammar learning paradigm to examine tonal learning mechanisms. During a familiarization …

Colonel John R. Bourgeois: A Biography And Analysis Of Transcription Style, Jeffrey Alan Malecki

UNLV Theses, Dissertations, Professional Papers, and Capstones

Colonel John R. Bourgeois (b. 1934), Director Emeritus of the United States Marine Band, "The President's Own," has acquired an international reputation in the wind band profession through his exemplary leadership of "The President's Own" as well as dynamic recording and commissioning. Notwithstanding, very little information concerning Bourgeois's life is available. Through a series of meetings, beginning in October 2008, and culminating in a three-day interview in February 2011, I have collected a substantial body of biographical data, including candid narration of important musical and personal events spanning Bourgeois's artistic life.

Bourgeois's reputation has fostered the writing and publication of …

Learning Mechanisms For Acquiring Knowledge Of Tonality In Music, Rikka Quam, Matthew Rosenthal, Erin Hannon

Festival of Communities: UG Symposium (Posters)

Most people think that musical knowledge is exclusive to trained musicians. Actually, casual music listeners have implicit knowledge of important structural aspects of music, such as tonality. Tonality contributes to the feeling of anticipation one would experience when hearing someone sing “do re mi faso la ti” without singing the final “do”. Knowledge of tonality may be learned through the statistics of music (Krumhansl, 1990). However, learning mechanisms have rarely been investigated experimentally (Creel et al., 2002). Artificial grammar learning experiments have shown that listeners can acquire highly structured knowledge such as syllable co-occurrence and language syntax through passive exposure. …

Influence Of Rap And Hip-Hop Lyrics On Male Body Image And Attitudes Toward Wwomen, Lorena Munoz

McNair Poster Presentations

Rap and hip-hop music are a widely popular and accessible genre of media. Its popularity and controversial lyrics raise questions as to the effects it may have on its audience. This study proposes to investigate the influence of rap and hip-hop music will be correlated with higher mean levels of thin-ideal appearance internalization (INT-GEN), negative attitudes towards women, and cultural expectations of masculinity compared to published normative data. Participants will complete online measures addressing questions about their body image (e.g. drive for muscularity) and attitudes toward women (e.g. objectification and misogyny). Future research should compare the influence of rap and …

The Promise Of Gangster Glamour: Sinatra, Vegas, And Alluring, Ethnicized, Excess, Laura Cook Kenna

Occasional Papers

Las Vegas has been linked with Frank Sinatra since the 1950s. The highly‐publicized performances of the Rat Pack (consisting of Sinatra, Dean Martin, Sammy Davis, Jr., Joey Bishop, and Peter Lawford) at the Sands crystallized the image of Las Vegas as a place that mingled economic mobility with excess. This excess was often associated with ethnicity and frequently linked to crime. It was, however, the excess that made Las Vegas and Sinatra glamorous to many audiences.

Mozart: Works In English, Cheryl T. Taranto

Library Faculty Publications

This is a selected bibliography of 2009 Mozart scholarship, including books, articles, festschrift articles and essays, dissertations, and book reviews.

The Effects Of Cultural Experience And Subdivision On Tapping To Slow Tempi, Sangeeta Ullal

UNLV Theses, Dissertations, Professional Papers, and Capstones

Our ability to accurately synchronize with rhythmic patterns is constrained by two factors: temporal length and interval structure. By using strategies such as subdivision, we can improve synchronization accuracy at slow tempos, but our ability to utilize subdivisions is constrained by the nature of interval ratios contained in culture-specific subdivision types. Western music falls within a restricted temporal range and its metrical subdivisions contain simple ratios, but Indian music violates these constraints. The present study examines the effects of culture-specific experience on these constraints. American and Indian listeners were asked to perform synchronous tapping to a stimulus with a slow …

Unlv Magazine, Cate Weeks, Tony Allen, Shane Bevell, Diane Russell, Brendan Buhler, Afsha Bawany, Erin O'Donnell

UNLV Magazine

No abstract provided.

2009- 2010 Unlv Mcnair Journal, Kathleen Bell, Danetta Bradley, Vacheral M. Carter, Nydia Diaz, Kathryn E. English, Sarah Harrison, Michelle Israel, Christina Macke, Erica Orozco, Pilar Palos, Sandra Ramos, Soraya A. Silverman, Susan Taylor, Sajar Camara, William Mccurdy, Yvonne C. Morris, Maxym V. Myroshnychenko, Ricardo Rios, Monique Sulls, Bremen Vance, Barbara Wallen

McNair Journal

Journal articles based on research conducted by undergraduate students in the McNair Scholars Program

Table of Contents

Biography of Dr. Ronald E. McNair

Statements:

Dr. Neal J. Smatresk, UNLV President

Dr. Juanita P. Fain, Vice President of Student Affairs

Dr. William W. Sullivan, Associate Vice President for Retention and Outreach

Mr. Keith Rogers, Deputy Executive Director of the Center for Academic Enrichment and Outreach

McNair Scholars Institute Staff