Social and Behavioral Sciences Commons^™

Marshall Digital Scholar - Music Collection: Access And Preservation, Thomas L. Walker Ii

Thomas Walker

This presentation discusses how music collections are handled at Marshall University and inside of Marshall Digital Scholar.

Working In The Music: Advancing Clinical Practice Skills, Nancy Jackson, Annie Heiderscheit, Susan Gardstrom, James Hiller

Susan Gardstrom

This experiential workshop is designed to assist experienced music therapy clinicians in advancing their clinical practice skills by participating in and processing music psychotherapy methods and interventions. Presenters will provide case illustrations, facilitate experiential exercises, and demonstrate how to maximize the power of music, effectively process the therapeutic experience,and develop an evidence-based practice. Approved for 5 CMTEs

Happy Halloween Song For My Grandchildren, Charles Kay Smith

Charles Kay Smith

No abstract provided.

Music: General, Sheridan Stormes

Sheridan Stormes

Sheridan Stormes' contribution to Magazines for Libraries, 23rd Edition.

Over My Dead Body: When Your Local Music Archive Meets Donor Resistance, Elizabeth E. Reilly

Elizabeth Reilly

Musical Similarity As Conceived By "Avid Recreational Music Listeners", Jason R. Neal

Jason R. Neal

Over the past century, sociocultural and technological developments have fostered the emergence of what Peterson and Kern (1996) call “omnivorous” music listeners, as well as non-hierarchical forms of categorization like tagging. Despite such trends, genre remains the primary basis for ascertaining similarity in systems with musical content, metadata, or both. Furthermore, techniques employed within many recommender systems indirectly continue to reflect genre-based categorization and taste. This paper will provide an overview of the contexts in which such trends and tensions have emerged. It will also consider prospects for incorporating more actively nuanced dimensions of similarity into recommender systems, which could …

Minority Identity As German Identity In Conscious Rap And Gangsta Rap: Pushing The Margins, Redefining The Center, Kathrin M. Bower

Kathrin M. Bower

After rap entered the German music scene in the 1980s, it developed into a variety of styles that reflect Germany's increasingly multiethnic social fabric. Politically conscious rap assumed greater relevance after unification, focusing on issues of discrimination, integration, and xenophobia. Gangsta rap, with its emphasis on street conflict and violence, brought the ghetto to Germany and sparked debates about the condition of German cities and the erosion of civic consciousness. Alternately celebrated and reviled by the media, both styles utilize rap's synthesis of authenticity and performance to redefine the relationship between minority identity and German identity and debunk Leitkultur.

Introduction: A Changing Indonesia, Maribeth Erb, Kathleen M. Adams

Kathleen M. Adams

No abstract provided.

Reading Music: Representing Female Performance In Nineteenth-Century British Piano Method Books And Novels, Laura Vorachek

Laura Vorachek

The editorial content of piano method books published in the nineteenth century contributed to the gendering of the domestic piano by targeting a middle-class female audience. At the same time, these tutorials circumscribed the ability and ambition of female pianists, cautioning women against technical display or performing challenging pieces in company, thereby reinforcing the stereotype of the graceful, demure woman who played a little. However, this effort was complicated by both the tutorials themselves and contemporary fiction. The middle-class women reading these tutorials also read novels—a fact the method books occasionally acknowledge—which often presented a very different picture of women’s …

Beyond Exile: The Ramayana As A Living Narrative Among Indo-Fijians In Fiji And New Zealand, Kevin Miller

Kevin C. Miller

Drawing on the themes of collective memory, cultural ideologies, and narrative constructions, this chapter proposes to examine the narrative of the Ramayana epic, its exegesis through performance, and its continued relevance to identity formation among Indo-Fijian Hindus both within Fiji and its Pacific Rim diaspora. Based on the recasting of the “twice-migrated” Indo-Fijian as the “twice-banished” by certain observers, we might expect the meaning of the Ramayana in the lives of Indo-Fijian Hindus in New Zealand to shift towards the theme of Rama’s exile, just as it did for the indentured laborers who made the original journey to Fiji. Nevertheless, …

Listening As Religious Practice (Part One): Exploring Quantative Data From An Empirical Study Of The Cultural Habits Of Music Fans, Vaughan S. Roberts, Clive Marsh

Vaughan S Roberts

Review Of 'The Lyre Of Orpheus' By Christopher Partridge, Vaughan S. Roberts

Vaughan S Roberts