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Full-Text Articles in Social and Behavioral Sciences

Beyond Exile: The Ramayana As A Living Narrative Among Indo-Fijians In Fiji And New Zealand, Kevin Miller Dec 2014

Beyond Exile: The Ramayana As A Living Narrative Among Indo-Fijians In Fiji And New Zealand, Kevin Miller

Kevin C. Miller

Drawing on the themes of collective memory, cultural ideologies, and narrative constructions, this chapter proposes to examine the narrative of the Ramayana epic, its exegesis through performance, and its continued relevance to identity formation among Indo-Fijian Hindus both within Fiji and its Pacific Rim diaspora. Based on the recasting of the “twice-migrated” Indo-Fijian as the “twice-banished” by certain observers, we might expect the meaning of the Ramayana in the lives of Indo-Fijian Hindus in New Zealand to shift towards the theme of Rama’s exile, just as it did for the indentured laborers who made the original journey to Fiji. Nevertheless, …


When The Cradle Falls: The Subversion, Secrets, And Sentimentality Of Lullabies, Lauren Castro Mar 2014

When The Cradle Falls: The Subversion, Secrets, And Sentimentality Of Lullabies, Lauren Castro

Lauren R Castro

No abstract provided.


Nontextual Searching, Susannah Cleveland Aug 2013

Nontextual Searching, Susannah Cleveland

Susannah Cleveland

In this article the author discusses aspects of nontextual searching for library patrons who don't know the name of a musical piece or movement. She discusses the variety of reasons why traditional library catalogs can't account for musical content, such as melody, chords, and rhythm, the use of thematic catalogs, which indexes a composer's works and includes the first few bars of each piece or movement, and mobile device applications, such as SoundHound.


Categories And “Classical” Music – A Response To “Convergenre: Music In The Age Of Adaptation.”, Jason Neal Feb 2013

Categories And “Classical” Music – A Response To “Convergenre: Music In The Age Of Adaptation.”, Jason Neal

Jason R. Neal

No abstract provided.


Music Recommender Systems And Genre Bias, Jason Neal Dec 2011

Music Recommender Systems And Genre Bias, Jason Neal

Jason R. Neal

No abstract provided.


Precedent Or Preference? Music Recommender Systems And The Challenge Of Genre, Jason Neal Dec 2011

Precedent Or Preference? Music Recommender Systems And The Challenge Of Genre, Jason Neal

Jason R. Neal

With the advent of user-generated content and the capabilities of current information and communication technologies, indexing and retrieval tools for music should facilitate discovery that transcends genre boundaries. Nonetheless, they still privilege genre as the primary mode of categorization. Even recommender systems, which utilize other measures to determine similarity, give the appearance of drawing upon genre. By examining the ambiguous boundaries and definitions of genres, the contexts in which indexing and retrieval tools for music have developed, and the roles played by music at individual and societal levels, this paper considers alternative traits that could act as indicators of “similarity.”


Fiestas, For 12 Percussionists, Bruno Louchourn Dec 2011

Fiestas, For 12 Percussionists, Bruno Louchourn

Bruno Louchouarn

Fiestas is conceptually inspired by the "Feasts" as social rituals. The musical process and form mirror aspects of group dynamic in these gatherings. Although a few individual players may at times dominate, the ensemble has to "conduct" itself with several sub-groups emerging and disappearing. The main theme, introduced by hand claps, is an oscillation slowly quickening to a fast trepidation, giving way to a stable polyrhythm. The degree of synchronization between players or groups of players varies and generally increases toward more order as the piece unfolds. I wanted to impart a sense of “orchestra” to the group with relatively …


Beyond Genre: Rethinking Music Organization And Recommendation, Jason Neal Dec 2011

Beyond Genre: Rethinking Music Organization And Recommendation, Jason Neal

Jason R. Neal

No abstract provided.


Basil Bernstein's Theory Of The Pedagogic Device And Formal Music Schooling: Putting The Theory Into Practice, Ruth Wright, Hildegard Froehlich Dec 2011

Basil Bernstein's Theory Of The Pedagogic Device And Formal Music Schooling: Putting The Theory Into Practice, Ruth Wright, Hildegard Froehlich

Ruth Wright Dr

This article describes Basil Bernstein's theory of the pedagogic device as applied to school music instruction. Showing that educational practices are not personal choices alone, but the result of socio-political mandates, the article traces how education functions as a vehicle for social reproduction. Bernstein called this process the recontextualization of knowledge: From its point of inception, originally conceived knowledge undergoes changes through selection and filtration processes, eventually becoming curriculum--a relay for certain social and cultural values. Gaps in the recontextualization process allow teachers to place their own individual stamp upon the learning and teaching that occur in their classroom. Teacher-pupil …


Emusicquest: The Music-In-Print Series. Compiled By Donald Reese, Lisa Philpott Aug 2011

Emusicquest: The Music-In-Print Series. Compiled By Donald Reese, Lisa Philpott

Lisa Rae Philpott

No abstract provided.


“Can Con” On The Www, Keith Chapman, Lisa Philpott Aug 2011

“Can Con” On The Www, Keith Chapman, Lisa Philpott

Lisa Rae Philpott

No abstract provided.


Cancon On The Web: A Survey Of Freely-Available Musical Canadiana, Lisa Philpott Aug 2011

Cancon On The Web: A Survey Of Freely-Available Musical Canadiana, Lisa Philpott

Lisa Rae Philpott

No abstract provided.


Geheimnisvolle Musik, Jason Neal Dec 2009

Geheimnisvolle Musik, Jason Neal

Jason R. Neal

Looking beyond tradtional genre categorizations, this blog ties together strands of similarities among diverse types of music. As we enter the second decade of the 21st Century, people seem more open to different types of music than in previous times. Or, they at least admit to it more readily. Furthermore, many musicians and composers have engaged with genres beyond the ones with which they are most commonly identified. Still, defining one’s tastes by genre remains firmly established for any number of reasons. If nothing else, it can provide shorthand for identifying one’s status, or it can aid with marketing products …


Libguides Reflections And Best Practices, Scott Pfitzinger, Sheridan Stormes Oct 2009

Libguides Reflections And Best Practices, Scott Pfitzinger, Sheridan Stormes

Sheridan Stormes

The presentation described the history and development of LibGuide technology from 2007 to September, 2009. It included live demonstrations of existing LibGuides at Butler University, the University of Illinois at Urbana-Champaign, and the University of Wisconsin, Madision, to showcase the flexibility and user-friendliness of LibGuides and illustrate how they can be used to improve library services and information literacy instruction.


Rocking Out Between The Local And The Global, Carey Sargent, Wendy Hsu Dec 2007

Rocking Out Between The Local And The Global, Carey Sargent, Wendy Hsu

Carey L Sargent

We are a funny duo in Taiwan. One of us is a 1.5-generation Taiwanese American; the other is a white New Englander, both living in the American South. In Taiwan, we straddle the three-part identity of tourist, researcher, and performer. Last year we went to Taiwan for a mini-tour playing in three major cities as two thirds of experimental music trio Pinko Communoids. This year, we returned mostly in the name of “research.” But in reality, theory and practice go hand in hand. We revisited the tracks that we trekked, reconnecting with the friends we made last year. Because of …


Kicking The Habitus:Power, Culture And Pedagogy In The Secondary School Music Curriculum, Ruth Wright Dec 2007

Kicking The Habitus:Power, Culture And Pedagogy In The Secondary School Music Curriculum, Ruth Wright

Ruth Wright Dr

Within a theoretical framework drawn from sociologists of education Bourdieu and Bernstein, this paper will examine some of the findings of an ethnographic case study conducted with a secondary school music teacher and one class of her pupils in Wales. This teacher attracted 25% of Year 10 (14-year-old) pupils to study music as an optional subject against a national background of 8% average. The study attempted to examine the lived experiences of the participants in music at home and school. Teacher and pupils had much to say about music teaching and learning in the classroom and beyond. Much of the …


Blue Chicago: The Search For Authenticity In Urban Blues Clubs, David Grazian Dec 2002

Blue Chicago: The Search For Authenticity In Urban Blues Clubs, David Grazian

David Grazian

No abstract provided.


Music For All:Pupils' Perceptions Of The Gcse Music Examination In One South Wales Secondary School, Ruth Wright Dec 2001

Music For All:Pupils' Perceptions Of The Gcse Music Examination In One South Wales Secondary School, Ruth Wright

Ruth Wright Dr

This article originated from a research project examining pupils' perceptions of the GCSE Music examination (for pupils aged 15–16) in one large secondary school in the United Kingdom. The research explored the hypothesis that pupils considered it necessary to have additional instrumental or vocal tuition outside class music lessons in order to secure a high grade in the examination. The research also hypothesised that, despite the egalitarian philosophy underpinning the General Certificate of Secondary Education (GCSE) examination system, the music course was still viewed by pupils as being élitist. It was concluded that although there were some very positive comments …


Gender And Achievement In Music Education: The View From The Classroom, Ruth Wright Dec 2000

Gender And Achievement In Music Education: The View From The Classroom, Ruth Wright

Ruth Wright Dr

This article originates from a research project investigating the effects of gender on achievement in music education in one secondary school. The study showed a correlation between gender and achievement in music with some surprising insights into possible causes of male under-achievement in education at Key Stages 3 (11–14 years) and 4 (14–16 years) generally. It is argued that because of national testing and school performance tables, the debate on male under-achievement in this country may have become so focused on core subjects that a very important link in the argument is being overlooked – a link provided by music …


Sweet Harmonies From Little Wooden Boxes: Mandolin Playing In Minneapolis And St. Paul, Amy M. Shaw Dec 2000

Sweet Harmonies From Little Wooden Boxes: Mandolin Playing In Minneapolis And St. Paul, Amy M. Shaw

Amy M. Shaw

The mandolin, initially popularized by Italian immigrants, became hugely popular in the Twin Cities of St. Paul and Minneapolis between 1890 and 1920. The instrument attracted musicians of both sexes from various ethnic and socioeconomic groups, many of whom joined mandolin orchestras. Because it was affordable and relatively easy to play, many amateur musicians were drawn to the mandolin, but a number of professional mandolinists in the area were highly respected as teachers and soloists. See also the cover photo and front matter for this issue of Minnesota History, which relate to this article (available through JSTOR).


Badi‘A Masabni, Artiste And Modernist: The Egyptian Print Media’S Carnival Of National Identity, Roberta Dougherty Apr 2000

Badi‘A Masabni, Artiste And Modernist: The Egyptian Print Media’S Carnival Of National Identity, Roberta Dougherty

Robin Dougherty

Badia Masabni, pioneering star of Egyptian cafe life, and satire of contemporary Egyptian politics and society in the 1930s publication "al-Ithnayn."

view in ebrary ProQuest Reader: http://site.ebrary.com/lib/yale/reader.action?ppg=257&docID=5003771&tm=1455221161924


Women And Music : A Selective Annotated Bibliography On Women And Gender Issues In Music, 1987-1992., Margaret Ericson Dec 1995

Women And Music : A Selective Annotated Bibliography On Women And Gender Issues In Music, 1987-1992., Margaret Ericson

Margaret D. Ericson

400 page monographic bibliography on all aspects of scholarship on women and music, with a particular emphasis on the concept of gender and "difference" in the formation and production of music cultures.


Serial Numbers And Hallmarks On Flutes From The Workshop Of Monzani & Hill, Amy M. Shaw Feb 1995

Serial Numbers And Hallmarks On Flutes From The Workshop Of Monzani & Hill, Amy M. Shaw

Amy M. Shaw

The Italian flutist Tebaldo Monzani established a very successful flutemaking firm in London, circa 1800. The year 1808 marked the beginning of his twenty-year partnership with the instrument maker Henry Hill. As Monzani & Co., the two produced a wide variety of finely crafted and innovative flutes. When Monzani retired in 1829, Hill continued alone, later making his sons partners, until the firm's stock was finally sold at auction in 1845. This article seeks to establish a chronology of selected extant Monzani and Hill flutes based on the serial numbers, hallmarks, and the form of signature and street address found …