Open Access. Powered by Scholars. Published by Universities.®
Social and Behavioral Sciences Commons™
Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 2 of 2
Full-Text Articles in Social and Behavioral Sciences
Ono No Komachi: Love And Desire, Michele Gibney
Ono No Komachi: Love And Desire, Michele Gibney
Michele Gibney
The poetry of Ono no Komachi can be read in many lights. The two ways in which I feel its message and context can be best appreciated are through feminine independence and masculine subjection. Ono no Komachi wrote poetry that was evocative of the feminine ideal of longing for a male, but she also wrote poetry which denigrated the need for a woman to rely on a male. Through a self-critical reader analysis of some of her poems, I will show that Komachi’s poetry can be read as comprising a longing for the world of men, and men in particular, …
Narcissistic Self-Love, Male Body Objectification, And Homoeroticism In John Woos’ The Killer And Face/Off, Michele Gibney
Narcissistic Self-Love, Male Body Objectification, And Homoeroticism In John Woos’ The Killer And Face/Off, Michele Gibney
Michele Gibney
A theme of homoeroticism/sexually charged appreciation of the male body exerts itself as a clear visual in The Killer and Face/Off. In this paper, some of these homoerotic images and the theoretically gender-based reasoning behind them will be explored. In some ways, Woos’ films The Killer and Face/Off, can be “read” as both example and counterexample to masculine-feminine discussions of gendered cinema. Laura Mulvey, for instance, posits the thesis that cinema is a vision dominated by patriarchal society. Both films I will be analyzing exemplify the superior role of male societal functions; such as males in positions of authority, or …