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Full-Text Articles in Social and Behavioral Sciences
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Présence Francophone: Revue internationale de langue et de littérature
Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …
La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal
La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal
Présence Francophone: Revue internationale de langue et de littérature
As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.
Intern At The Harriman-Nielsen Farm: Where To Begin?, Nana Mikkelsen
Intern At The Harriman-Nielsen Farm: Where To Begin?, Nana Mikkelsen
The Bridge
During the months of October and November 2008, I interned on the Harriman-Nielsen Farm in Hampton, Iowa. The Danish American Heritage Society was looking for a Danish intern to assist the Harriman-Nielsen Farm board in the process of creating an interpretive exhibition, which would tell the stories of the estate. I immediately thought it would be a good place for me to apply my professional training in a combination of dramaturgy and museology. I find it interesting to introduce theatre elements into a museum context.