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Full-Text Articles in Social and Behavioral Sciences
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Dissertations, Theses, and Capstone Projects
This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …
Quebec’S Uninhabitable Community: Identity And Community Among Anglo-Quebecer Out-Migrants, Evan A. Mardell
Quebec’S Uninhabitable Community: Identity And Community Among Anglo-Quebecer Out-Migrants, Evan A. Mardell
Electronic Thesis and Dissertation Repository
How do Anglo-Quebecers who have migrated to Ontario in the past 45 years perceive and negotiate their identity in relation to Quebec? Since 1971, 600 000 anglophones have left Quebec for other parts of Canada. This out-migration coincided with political tensions that influenced a complete economic and linguistic shift in power from English to French. The symbolic and literal reclamation of Quebec as a French province set the conditions for the partial erasure of the Quebec anglophone (Anglo-Quebecer) community and sense of identity. From a series of semi-structured interviews with anglophones who left Quebec within the past 45 years, I …
Placing God: Defining “Post-Christianity” For Contemporary Japanese Christians, Leryan Anthony Burrey
Placing God: Defining “Post-Christianity” For Contemporary Japanese Christians, Leryan Anthony Burrey
Master's Projects and Capstones
This work suggests that we consider a new, working definition of post-Christianity. This new paradigm is in response to Western Christian thought being too dominant a force that fails to take into enough account other global experiences— like those of Japanese Christians. These reflections are based on scholarly opinions claiming that Christianity is a “global culture,” and ultimately argues for more international inclusivity in Western Christian thought and institutions, especially regarding the Asia-Pacific. Moreover, this paper illuminates how iitoko dori allows Christian thought to peacefully coexist in Japan’s greater society. The research also explores specific Japanese cultural practices that make …
More Than A Museum: Museums' Past, Current, And Future Involvement With Racial Issues, Madeline B. Friedler
More Than A Museum: Museums' Past, Current, And Future Involvement With Racial Issues, Madeline B. Friedler
Museum Studies Theses
The year 2020 has been universally acknowledged as an extraordinary point in activist history. The Black Lives Matter organization has spearheaded a new wave of activism comparable to the Civil Rights movement of the 1960s and 70s. By evaluating how cultural learning centers such as museums have presented racial history in the past, an effective plan can be made on how museums should interpret this present-day history. Museums should not only recognize #BlackLivesMatter as an important part of history in an academic sense, but they should also actively promote positive racial change in the communities they serve. Research shows that …
The Political, The Personal, And The Personified: 18th Century British Political Caricature Art And The Formation Of The British Empire’S Identity, Sarah Johns
History Honors Papers
An image is often capable of communicating a number of things to a viewer, and political caricature in the eighteenth-century British metropole is one clear example of this. Political caricature became a useful tool for the wealthy—especially white men—to engage in discussions about the power of the British Empire as it continued to expand and grow in strength in comparison to other European Empires at the time. Even so, with the coming of the American conflict, things changed. No longer could these men be sure of what a British identity entailed. A family fractured, changing gender norms, evolving concepts of …