Open Access. Powered by Scholars. Published by Universities.®

Social and Behavioral Sciences Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Social and Behavioral Sciences

Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold Jan 2021

Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold

The Kennesaw Journal of Undergraduate Research

The Licensing Act egregiously hindered the English theatrical community when it was placed into effect by King George II in 1737. Strolling actors were thereby forbidden to perform in new plays for profit, forcing acting troupes to disband. This act was widely protested throughout England at the time, most notably by artist William Hogarth in his etching titled Strolling Actresses Dressing in a Barn. This etching cleverly protests the Licensing Act as well as a myriad of quandaries that plagued 18th-century English society, namely, gender roles both on and off the stage. Yet, what exactly is the …


From Rice Eaters To Soy Boys: Race, Gender, And Tropes Of ‘Plant Food Masculinity’, Iselin Gambert, Tobias Linné Jan 2018

From Rice Eaters To Soy Boys: Race, Gender, And Tropes Of ‘Plant Food Masculinity’, Iselin Gambert, Tobias Linné

Animal Studies Journal

Tropes of ‘effeminized’ masculinity have long been bound up with a plant-based diet, dating back to the ‘effeminate rice eater’ stereotype used to justify 19th-century colonialism in Asia to the altright’s use of the term ‘soy boy’ on Twitter and other social media today to call out men they perceive to be weak, effeminate, and politically correct (Gambert and Linné). This article explores tropes of ‘plant food masculinity’ throughout history, focusing on how while they have embodied different social, cultural, and political identities, they all serve as a tool to construct an archetypal masculine ideal. The analysis draws on a …


In Bod We Trust, Elliot Montgomery Sklar Jan 2017

In Bod We Trust, Elliot Montgomery Sklar

be Still

This paper discusses body image and social norms, media and implications on health for men as for women. The important issue of body image is rarely addressed toward men's health and wellness while it is widely recognized for women.


Magic As A Form Of Oppression Towards Women: Gender Ideology In Maleficent (2014), Thalia Shelyndra Wendranirsa Dec 2014

Magic As A Form Of Oppression Towards Women: Gender Ideology In Maleficent (2014), Thalia Shelyndra Wendranirsa

Paradigma: Jurnal Kajian Budaya

Previous studies propose that female protagonists in Disney movies are represented based on gender construction that causes oppression towards women, but in 2014, Disney produces Maleficent which offers different characterization and theme opposing the aforementioned gender construction. By focusing on its different female main character and theme, this paper aims to see what kind of oppression occurs and how Disney presents their gender ideology in the movie. The findings reveal that even though Maleficent is portrayed as a powerful woman, she is also oppressed. Her magical power becomes a trigger of her oppression since men consider Maleficent’s power as a …


The Feminine Peter Pan, Felicia Jones Jan 2013

The Feminine Peter Pan, Felicia Jones

AWE (A Woman’s Experience)

Cross-casting in performances has effected outrage and social dilemmas in audiences, despite the important cultural messages those characters display. Since its beginning as a play, women have been cast as the young boy Peter in Peter Pan. J.M. Barrie wrote Peter Pan through inspiration from the young deaths of his brother and childhood friend, who will always remain in their youth. In order to capture that youthful innocence, females have been cast as Peter. This choice in casting was also made to achieve androgyny and transcend gender by blurring gender lines.