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Social and Behavioral Sciences Commons™
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Articles 1 - 5 of 5
Full-Text Articles in Social and Behavioral Sciences
Mental Illness In Horror Films, Nix Bradly
Mental Illness In Horror Films, Nix Bradly
Emerging Writers
The depiction of mental illness within in the horror film genre has historically been non-inclusive or demonizing of the mentally ill. When we look at the genre today, there are still many instances of this villainization of the mentally ill, although there are recent examples of more progressive depictions of those afflicted. This article looks at the history and current trends of depictions of mental illness in films and argues that we can help move the genre away from stigmatizing mental illness by uplifting and supporting those who have mental illness to express themselves through the art of horror film …
Panoptic Vision: Disjuncture, Transgressions, And Imagination In Laila Marrakchi’S Film Rock The Casbah, Touria Khannous
Panoptic Vision: Disjuncture, Transgressions, And Imagination In Laila Marrakchi’S Film Rock The Casbah, Touria Khannous
Journal of Global Initiatives: Policy, Pedagogy, Perspective
This article focuses on Laila Marrakchi’s film Rock the Casbah (2013), which reflects the exchange between global and local cultural and sociopolitical ideologies of a new Morocco. The film highlights the contradictions of globalization as it occurs through disjuncture. Arjun Appadurai’s theory of the world in motion and “a world of flows” provides a relevant framework for this analysis. The article uses Appadurai’s notion of “disjuncture” as a theoretical framework to discuss the dynamics and interrelationships involved in the protagonist’s movement between Western mediascapes as a filmstar and her Moroccan family’s local context. Appadurai’s conceptualization of globalization is crucial for …
Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper
Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper
The Kennesaw Journal of Undergraduate Research
This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.
The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen
The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen
Oglethorpe Journal of Undergraduate Research
In this article, the question of whether or not video games could be considered art is explored, as well as what this means for video games as cultural products. Using an interdisciplinary approach, I suggest that there are some games we can consider “art”, and that these games are not only different aesthetically speaking, but are also different from a media-effects standpoint. The article consists of three main sections, an aesthetic review, a content analysis, and a pilot study. In the aesthetic review, I employ different perspectives from aesthetic philosophy in order to come up with criteria for what an …
A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel
A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel
Journal of Global Initiatives: Policy, Pedagogy, Perspective
This essay is an overview of the thematic and stylistic tendencies in Peruvian cinema starting with the work of Armando Robles Godoy. It also focuses on the effect of the Law 19327 of 1973 , which was responsible for the formation of a group of influential filmmakers led by Francisco Lombardi. At the beginning of the 21st century, female directors like Claudia Llosa and Rosario Garcia Montero achieved recognition for their cinematic visions of a traumatic Peruvian past. The Vega brothers and Gianfranco Quatrinni also contribute with their styles to an existential sntdy of the Peruvian identity. From the provinces …