Social and Behavioral Sciences Commons^™

There Are Ghosts In The Machine, Jonathan Green

Graduate Theses and Dissertations

There are ghosts in the machine is a body of paintings that dare to dissolve the boundaries between my physical body, intimate desires, and paintings. Utilizing the aesthetics of leather lifestyles, the paintings express the transformational potential of desire and transgression. Oriented within my experience as a queer, transgender male, I call upon influences that range from the body horror classics by director David Cronenberg or the transgressive attitude of Nine Inch Nails, to theoretical works on the power of eroticism by Audre Lorde and Georges Bataille.Modified by hardware such as chains, zippers, and grommets, the paintings express the transformational …

Representations Of Domestic Workers In Modern Arabic Fiction, Samaher Aldhamen

Graduate Theses and Dissertations

In this study, I have examined the representations of domestic workers in a number of Arabic mid-century and contemporary novels, using feminism and intersectionality as my overarching framework. I employed several scholarships of feminism such as Marxist and postcolonial feminism to examine the discourse on working-class women. The initial assumption of this study is that there is a noticeable invisibility of domestic workers in Arabic novels. If these characters manage to find their way into a text, they are typically ahistorical figures whose subjectivity is not centered.

Among the Arabic novels I have examined, I found that the tradition of …

Queer Arab Writing Across Borders: Sexual Citizenship And Acts Of Belonging, Nicole Fares

Graduate Theses and Dissertations

This study provides a comparative analysis of various representations of sexuality in seven transnational Arab cultural productions: Salim Haddad's Guapa (2016), Rabih Alameddine's The Angel of History (2016), Ahmed Dany Ramadan's The Clothesline Swing (2017), Hasan Namir's God in Pink (2015), Fadia Abboud's I Luv U But (2016), Alissar Gazal's Lesbanese (2008), and Ayse Toprak's Mr. Gay Syria (2017). These productions demonstrate a range of experiences of discrimination and trauma experienced by queer Arab immigrants and refugees in Europe, the U.S. and Canada, as their national identities continue to be regarded as obstacles preventing them from fully integrating into the …