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Social and Behavioral Sciences Commons™
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Articles 1 - 3 of 3
Full-Text Articles in Social and Behavioral Sciences
Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts
Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts
Media Studies Publications
This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …
In/Visibility, Sarah T. Roberts
In/Visibility, Sarah T. Roberts
Media Studies Publications
In online life there is a normative supposition that the information- and image-rich environment of the web and other platforms should provide unfettered access to the circulation of all types of content. Less attention is paid to what is not seen, to the invisible—be it actual content that is rescinded, altered or removed, or the opaque decision-making processes that maintain its flow. In/visibility online is central to the intertwined functions/mechanisms of user experience and platform control, further operationalized under globalized, technologically driven capitalism. A digital labour phenomenon that is both responsible for it and relies upon it: is …
Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott
Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott
FIMS Publications
Noting the resurgence of popular and academic interest in epics across disparate media, this essay proposes a theory of the epic genre that transcends particular media and cultures. It seeks to reconcile discussions of the epic in Aristotle, G.W.F. Hegel, Georg Lukács, Mikhail Bakhtin, Erich Auerbach, and Northrop Frye, arguing that traditional definitions of epic narrative are instead subsets of a greater generic structure. The epic is, following Gregory Nagy and Franco Moretti, among others, a literary “super-genre” that encompasses as many other kinds of narrative as possible. The essay explains how epic narrative, disembedded from earlier oral poetry, is …