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Social and Behavioral Sciences Commons™
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Articles 1 - 5 of 5
Full-Text Articles in Social and Behavioral Sciences
Disney's Postfeminist Follies: Disney’S Postfeminist Portrayal Of Women In The Age Of Fourth Wave Of Feminism, Morgan Crafton
Disney's Postfeminist Follies: Disney’S Postfeminist Portrayal Of Women In The Age Of Fourth Wave Of Feminism, Morgan Crafton
Honors Theses
In 2022, Disney CEO Bob Chepak spoke out against the "Don't Say Gay" bill signed by Florida Governor Ron DeSantis. DeSantis’ supporters derisively labeled Disney as “woke." However, the company does not warrant the label. Though Fourth Wave feminism has broadened Disney’s idea of a woman, the entertainment company largely operates with a postfeminist lens that prevents its heroines from being feminist representations of women. Audiences see this in "Frozen," (2013), "Moana" (2016), "Encanto" (2021), and "Turning Red" (2022). Disney’s postfeminist rhetoric allows it to portray supposedly progressive women without challenging societal notions of misogyny. Thus, Disney’s criticisms for “wokeness” …
Asserting Individuality In A Futuristic Dystopia: A Critical Analysis Of "Dirty Computer", Sam Spethman
Asserting Individuality In A Futuristic Dystopia: A Critical Analysis Of "Dirty Computer", Sam Spethman
Honors Theses
"Dirty Computer" is a groundbreaking science fiction film directed by visionary artist Janelle Monáe, which delves into the complexities of individuality in a dystopian future dominated by oppressive societal forces. Through intricate narrative construction and thematic depth, the film asserts the indomitable nature of human identity against the backdrop of advanced technology and mind control. This paper explores how "Dirty Computer" challenges traditional narratives of conformity and celebrates the power of self-expression and authenticity. By employing critical lenses such as feminist, queer, and racial critiques, along with narrative and visual analysis techniques, the analysis highlights Monáe's embrace of her Black …
Potential For United States Participation In The European Union’S Digital Services Act, Catherine Hatfield
Potential For United States Participation In The European Union’S Digital Services Act, Catherine Hatfield
Honors Theses
The regulation or lack thereof of social media has become a hot-button issue in the majority of the Western world. Although the United States has made several attempts to pass widespread regulation of misinformation online, they have seen little success. Contrastingly, the European Union's recently passed Digital Services Act has already seen some success and is shaping up to be an effective piece of legislation. As such, it is worth exploring the possibility of the United States adopting this legislation, and examining how a potential partnership could aid both the United States and the European Union in furthering their goals …
Far From First Kill: Sapphic Fan Campaigns + The Fight For Queer Television, Lake Best
Far From First Kill: Sapphic Fan Campaigns + The Fight For Queer Television, Lake Best
Honors Theses
Over the decades, LGBTQ+ media has had a long history of, despite getting better, more popular, more powerful each time, being canceled, delayed, even simply never seen again. This has led to justified anger, sorrow, + distress from the queer fandom communities, who, already inspired by the sense of activism that their community is founded on, have created over 8 years of online fan campaigning to fight back, maybe even bring the shows from the grave to a new life. This case study will examine 6 of those campaigns, ranging from the birth of modern queer fandom in We Deserve …
Telling A Story Through Posters: A Comparison Of Nazi And Soviet Propaganda Posters During World War Ii, Kolbe Bell
Telling A Story Through Posters: A Comparison Of Nazi And Soviet Propaganda Posters During World War Ii, Kolbe Bell
Honors Theses
The time around World War II saw an increase of countries using propaganda to spread their message, the result of which can be seen even today with modern advertising. During the war these countries had to convince their populations to support their militaries in both victories and defeats. Despite the differences between the fascism in Nazi Germany and the communism in the Soviet Union, many of these propaganda posters have some overarching similarities that can be connected. Some of which can be seen in their depictions of the enemy and with their call back to nationalism. To gain a better …