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Full-Text Articles in Social and Behavioral Sciences

The African Origins Of International Law: Myth Or Reality?, Jeremy I. Levitt Dr. Jan 2015

The African Origins Of International Law: Myth Or Reality?, Jeremy I. Levitt Dr.

Jeremy I. Levitt Dr.

This Article reconsiders the prevalent ahistorical assumption that international law began with the Treaty of Westphalia. It gathers together considerable historical evidence to conclude that the ancient world, particularly the New Kingdom period in Egypt or Kemet from 1570-1070 BCE, deployed all three of what today we would call sources of international law. African states predating the modern European nation state by nearly 6000 years engaged in treaty relations (the Treaty of Kadesh), and applied rules of custom (the MA'AT) and general principles of law (as enumerated in the Egyptian Bill of Rights). While Egyptologists and a few international lawyers …


The African Origins Of International Law: Myth Or Reality?, Jeremy I. Levitt Dr. Jan 2015

The African Origins Of International Law: Myth Or Reality?, Jeremy I. Levitt Dr.

Jeremy I. Levitt Dr.

No abstract provided.


The Aesthetic Of Revolution In The Film And Literature Of Naguib Mahfouz, Nathaniel Greenberg Jul 2014

The Aesthetic Of Revolution In The Film And Literature Of Naguib Mahfouz, Nathaniel Greenberg

Nathaniel Greenberg

In the wake of the 1952 Revolution, Egypt’s future Nobel laureate in literature devoted himself exclusively to writing for film. The Aesthetic of Revolution in the Film and Literature of Naguib Mahfouz is the first full-length study in English to examine this critical period in the author’s career and to contextualize it within the scope of post-revolutionary Egyptian politics and culture. Before returning to literature in 1959 with his post-revolutionary masterpiece Children of the Alley, Mahfouz wrote or co-wrote some twenty odd scripts, many of them among the most successful in Egyptian history. He did so at a time when …


Mesa 2011: Expressive Culture Of The Egyptian Revolution, Roberta L. Dougherty Nov 2011

Mesa 2011: Expressive Culture Of The Egyptian Revolution, Roberta L. Dougherty

Roberta L. Dougherty

This paper will examine the expressive culture of the Egyptian "revolution"--an event that began 25 January 2011 and reached a climax on 11 February 2011 with the resignation of Egyptian president Husni Mubarak. The outcome of this event is at this writing still unknown, however it is possible even at this early stage to examine the role of songs, poetry, political slogans, photographs, and video in communicating the movement's goals and ultimately mobilizing the Egyptian people.

The movement completely blind-sided all academic experts and even international intelligence. While the Tunisian "jasmine revolution" of early 2011 is credited as providing an …


Changing Egypt’S Identity One Picture At A Time, Ethan Pullman Dec 2010

Changing Egypt’S Identity One Picture At A Time, Ethan Pullman

Ethan P Pullman

In the wake of Egypt's recent political revolution, an image circulated on social networks and the internet at large that spread like wild fire – “has gone viral,” as one Facebook user comments. What makes this image revolutionary, and somewhat ironic, is the interplay between image and language reconstructed meaning using the language of the dominant “orientalist” culture that originated it.


Prophets And Priests Of The Nation: Naguib Mahfouz’S Karnak Café And The 1967 Crisis In Egypt, Benjamin Geer Oct 2009

Prophets And Priests Of The Nation: Naguib Mahfouz’S Karnak Café And The 1967 Crisis In Egypt, Benjamin Geer

Benjamin Geer

Similarities between religion and nationalism are well known but not well understood. They can be explained by drawing on Pierre Bourdieu's sociological theory in order to consider symbolic interests and the strategies employed to advance them. In both religion and nationalism, the “strategy of the prophets” relies on charisma while the “strategy of the priests” relies on cultural capital. In 20th-century Egypt, nationalism permitted intellectuals whose cultural capital was mainly secular, such as Naguib Mahfouz, to become “priests of the nation” in order to compete with the ʿulamaʾ for prestige and influence. However, it severely limited their autonomy, particularly after …


Badi‘A Masabni, Artiste And Modernist: The Egyptian Print Media’S Carnival Of National Identity, Roberta Dougherty Apr 2000

Badi‘A Masabni, Artiste And Modernist: The Egyptian Print Media’S Carnival Of National Identity, Roberta Dougherty

Robin Dougherty

Badia Masabni, pioneering star of Egyptian cafe life, and satire of contemporary Egyptian politics and society in the 1930s publication "al-Ithnayn."

view in ebrary ProQuest Reader: http://site.ebrary.com/lib/yale/reader.action?ppg=257&docID=5003771&tm=1455221161924


In The Temple Of Dance, Roberta L. Dougherty Apr 1986

In The Temple Of Dance, Roberta L. Dougherty

Roberta L. Dougherty

On the early history of the Reda Troupe for Folkloric Arts (Egypt) and its founder, Mahmoud Reda. Includes a summary & translations from Reda's book Fī maʻbad al-raqs (Cairo: Dār al-Maʻārif, 1968).