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Articles 1 - 5 of 5
Full-Text Articles in Social and Behavioral Sciences
The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam
The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam
Dissertations, Theses, and Capstone Projects
Nudist magazines and newsletters were among the first commercial, legal, and widely-available images of nudity which circulated in the late Comstock Era. To evade censorship, producers developed framing strategies that obscured the sexualized nature of these images, even as they also enabled the viewing practices their sales relied upon. This dissertation traces these framing strategies as they evolved through nudist still-imagery, camp films, and nudie cuties, and considers the evolution of spectatorial pleasures associated with Russ Meyer's early nudie cuties.
The Subject Of Jouissance: The Late Lacan And Gender And Queer Theories, Frederic C. Baitinger
The Subject Of Jouissance: The Late Lacan And Gender And Queer Theories, Frederic C. Baitinger
Dissertations, Theses, and Capstone Projects
The Subject of Jouissance argues that Lacan’s approach to psychoanalysis, far from being heteronormative, offers a notion of identity that deconstructs gender as a social norm, and opens onto a non-normative theory of the subject (of jouissance) that still remains to be fully explored by feminist, gender, and queer scholars. Drawing mostly on the later Lacan, The Subject of Jouissance shows that by locating the identity of the subject in the singularity of its bodily mode of enjoyment (that Lacan calls “jouissance”), and not in the Imaginary illusions of the ego, nor in the Symbolic social structures, Lacan fosters thinking …
Dreams And The Maternal Imaginary: From Nostalgic Intersubjectivity To Mourning, Julie Ackerman
Dreams And The Maternal Imaginary: From Nostalgic Intersubjectivity To Mourning, Julie Ackerman
Dissertations, Theses, and Capstone Projects
This dissertation concerns the history of psychoanalytic thinking about dreams. It is about both the psychic function of dreams and their theoretical function, or the function that they have served within psychoanalytic discourse. It begins with a consideration of the significance of the dream in classical thinking, where it was conceptualized as a psychic emergence in the context of maternal absence. It traces the way in which the rise of object relational paradigms led to the reconceptualization of the dream in relation to the presence of the maternal mind rather than the absence of the maternal body. It describes how …
Let Fall: Hysteria And The Psychoanalytic Act, Matthew W. Oyer
Let Fall: Hysteria And The Psychoanalytic Act, Matthew W. Oyer
Dissertations, Theses, and Capstone Projects
This text proposes to examine the contemporary crisis of psychoanalysis by taking seriously feminist critiques of the theory’s phallocentrism, but arguing that the phallus cannot be metaphorically or metonymically replaced by any substitutive term, as most revisionist theories of psychoanalysis have sought to do. Castration is the central psychoanalytic concept, though the theory always seeks to cover it over. In order to develop a psychoanalysis that can confront this castration that is always repressed and yet, in its persistent return, continuously disrupts the continuity of psychoanalytic theory, a detour is proposed, returning to the origins of psychoanalysis and taking hysteria …
A Psychoanalytic Exploration Into The Memory And Aesthetics Of Everyday Life: Photographs, Recollections, And Encounters With Loss, Dimitrios Mellos
A Psychoanalytic Exploration Into The Memory And Aesthetics Of Everyday Life: Photographs, Recollections, And Encounters With Loss, Dimitrios Mellos
Dissertations, Theses, and Capstone Projects
The project at hand explores some of the psychological functions of photography as both an everyday and an artistic cultural practice from a psychoanalytic perspective. It is proposed that, contrary to commonsensical opinion, photographs are not accurate depositories of memory, but rather function as a functional equivalent of screen memories, thus channeling the subject's memory in ways that are objectively distorted and distorting, but psychologically meaningful and important; moreover, they are a special kind of screen memory in that they are often created pre-emptively and are physically instantiated.
Additionally, it is suggested that, by dint of their materiality, photographs achieve …