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Full-Text Articles in Social and Behavioral Sciences
Heritage And Regional Development: An Indigenous Perspective, Robbie Collins, K. Mcmahon-Coleman
Heritage And Regional Development: An Indigenous Perspective, Robbie Collins, K. Mcmahon-Coleman
Senior Deputy Vice-Chancellor and Deputy Vice-Chancellor (Education) - Papers
Heritage is important to regional development in terms of promoting a sense of place and a sense of identity for those in the region. Heritage is often expressed through culture and the arts as a means of manifesting a community’s sense of what the community or region is about. For Indigenous communities this is particularly relevant given the lack of social capital as a result of colonialism and displacement. In these communities the value of the Indigenous way of viewing things and sense of place has been subjugated by hegemonic norms. There is a need for Indigenous peoples to find …
The Art Of Emptiness: Buddhist Nature In Picture Books Of Miyazawa Kenji's Donguri To Yamaneko (Wildcat And The Acorns), Helen Kilpatrick
The Art Of Emptiness: Buddhist Nature In Picture Books Of Miyazawa Kenji's Donguri To Yamaneko (Wildcat And The Acorns), Helen Kilpatrick
Faculty of Arts - Papers (Archive)
Miyazawa Kenji (1896-1933), the author of Donguri to Yamaneko [3], is recognised as one of "the most imaginative spinner[s] of children's stories, of twentieth-century Japan" (Satô xvii). Moreover, Kenji, as he is commonly known, is probably Japan's most renowned Buddhist writer and his work is now taught in schools and universities. [4]He was writing at a time when Japan was undergoing rapid modernisation and much of his work, including Donguri, was created as a protest against the spiritual desolation associated with rampant industrialisation, commodification and consumerism. Donguri should be considered in this context as the story ultimately foregrounds a communion …
The Necessity Of (Un) Australian Art History: Writing For The New World, Ian A. Mclean
The Necessity Of (Un) Australian Art History: Writing For The New World, Ian A. Mclean
Faculty of Creative Arts - Papers (Archive)
The Australian artworld has never looked better. There are more art journals, exhibition spaces and art graduates than ever. Even globalisation has been a boon to local artists, especially indigenous ones. But there is a catch. There may be plenty of interesting artists from Australia but few aspire to make Australian art. If Rex Butler is right, the desire now is for 'unAustralian' art.