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Social and Behavioral Sciences Commons

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Arts and Humanities

The University of Akron

Music

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Full-Text Articles in Social and Behavioral Sciences

Music On The Brain, Skyler Bortz Jan 2020

Music On The Brain, Skyler Bortz

Williams Honors College, Honors Research Projects

Music surrounds us in our daily lives through the radio, social media, and our own personal playlists. Taste in music varies across individuals and cultures, but it is a singular, uniting aspect of society. Music creates connections and meaning that would be lost if the first string of an instrument had not been heard. Creativity is sparked with music which adds to the artistry of cultures and other forms of art.

As music develops artistry, so does dance. Music led movement to begin as dance developed through the centuries. While movement can occur in silence, it becomes more impactful when …


“Windows” Of Time, Part Ii: Documenting Temporal And Embodied Epistemology In Musicians, Lynnsey K. Weissenberger Dec 2016

“Windows” Of Time, Part Ii: Documenting Temporal And Embodied Epistemology In Musicians, Lynnsey K. Weissenberger

Proceedings from the Document Academy

As an extension to the earlier paper “Windows” of Time: Memory, Metaphor, and Storytelling as Documents, this paper examines how those documents both inform and are informed by temporal epistemology and embodied knowledge. They serve to document both temporal and embodied epistemology in the ongoing process of musical knowledge building, in music performance, as well as in teaching and transmission contexts. To illustrate in greater depth how these documents are situated between temporal and embodied knowledge, Irish traditional music examples are drawn from five renowned musicians as a kind of case study. A model representing the documents’ situation and …


“Windows” Of Time: Memory, Metaphor, And Storytelling As Documents, Lynnsey K. Weissenberger Jun 2016

“Windows” Of Time: Memory, Metaphor, And Storytelling As Documents, Lynnsey K. Weissenberger

Proceedings from the Document Academy

This paper describes how alternative documents – memory, metaphor, and storytelling – negotiate musicians’ ongoing process of knowledge building. Examples are drawn from five music practitioners of different traditions around the world. In the contexts of teaching and learning, these documents provide evidence of changing epistemic perspectives in these music practitioners, and can be used to examine the complex relationships between time, knowledge building, and experience. Recent work in oral information and oral documents by Turner (2007; 2010), in addition to conceptual views of documents and documentation as early as Otlet (1934) and Briet (1951) and revisited by Buckland (1991; …