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Full-Text Articles in Social and Behavioral Sciences
Interpreting, Stephanie Jo Kent
Interpreting, Stephanie Jo Kent
Doctoral Dissertations
What do community interpreting for the Deaf in western societies, conference interpreting for the European Parliament, and language brokering in international management have in common? Academic research and professional training have historically emphasized the linguistic and cognitive challenges of interpreting, neglecting or ignoring the social aspects that structure communication. All forms of interpreting are inherently social; they involve relationships among at least three people and two languages. The contexts explored here, American Sign Language/English interpreting and spoken language interpreting within the European Parliament, show that simultaneous interpreting involves attitudes, norms and values about intercultural communication that overemphasize information and discount …
"Beirut Speaks": New Graffiti Sub-Cultures Of Beirut, Lebanon, Jaime Alyss Holland
"Beirut Speaks": New Graffiti Sub-Cultures Of Beirut, Lebanon, Jaime Alyss Holland
Graduate Theses and Dissertations
Modern graffiti is an ever-present part of urban space. It has become globalized and has adapted to different environments and social contexts. Today in Beirut, Lebanon a phenomenal street art movement is infiltrating public space. This particular movement questions the common understandings that have constructed Western graffiti artists and graffiti culture for so long. A new group of street artists is working to make the art form more inclusive of Beirut's many communities by writing messages that speak to the whole of Lebanon. They are making their work known in the presence of law enforcement, different sects, and generations. How …
Lean In Or Lean Back: Reproducing Sustainable Livelihoods In The Transnational Indigenous Art Market, Blaire Gagnon
Lean In Or Lean Back: Reproducing Sustainable Livelihoods In The Transnational Indigenous Art Market, Blaire Gagnon
Blaire Gagnon
No abstract provided.
Kentucky River Folklife Project (Fa 654), Manuscripts & Folklife Archives
Kentucky River Folklife Project (Fa 654), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folkllife Archives Project 654. Chiefly interviews, photographs, slides, and tape logs for a summer 1989 project conducted by the Kentucky Folklife Program, in conjunction with other supporting agencies and institutions, about folklife and folklore along the Kentucky River. Project results were presented to the public in two formats: a traveling exhibit and narrative stage presentations.
The Art Of Remembering: Iranian Political Prisoners, Resistance And Community, Bethany Osborne
The Art Of Remembering: Iranian Political Prisoners, Resistance And Community, Bethany Osborne
Publications and Scholarship
Over the last three decades, many women and men who were political prisoners in the Middle East have come to Canada as immigrants and refugees. In their countries of origin, they resisted oppressive social policies, ideologies, and various forms of state violence. Their journeys of forced migration/exile took them away from their country, families, and friends, but they arrived in Canada with memories of violence, resistance and survival. These former political prisoners did not want the sacrifices that they and their colleagues had made to be forgotten. They needed to find effective ways to communicate these stories. This research was …
Neuroscience And Hindu Aesthetics: A Critical Analysis Of V.S. Ramachandran’S “Science Of Art”, Logan R. Beitmen
Neuroscience And Hindu Aesthetics: A Critical Analysis Of V.S. Ramachandran’S “Science Of Art”, Logan R. Beitmen
FIU Electronic Theses and Dissertations
Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated forms hyperactivate neurons in viewers’ brains, which in turn produce specific, “universal” responses. Ramachandran identifies a precursor for his theory in the concept of rasa (literally “juice”) from classical Hindu aesthetics, which he associates with “exaggeration.” The canonical Sanskrit texts of Bharata Muni’s Natya Shastra and Abhinavagupta’s Abhinavabharati, however, do not support Ramachandran’s conclusions. They present audiences as dynamic co-creators, not passive recipients. I believe we could more accurately model the neurology of Hindu aesthetic experiences …