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Social and Behavioral Sciences Commons

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Anthropology

Rhode Island College

Performing arts

Articles 1 - 3 of 3

Full-Text Articles in Social and Behavioral Sciences

Silent Subversions, Derek Dubois Dec 2009

Silent Subversions, Derek Dubois

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the concept of spectatorship in relation to gender in the earliest period of film history in the United States known as the silent era. Argues that a new mode of spectatorship emerges for women during the 1920s, which employs to advantage the extra-diegetic components of spectacle in theater design, new customized genres for female filmgoers, fandom, and exotic male film stars, such as Rudolph Valentino. Focuses primarily on feminist film theory and on cultural studies as methodological models.


Hiding Hiroshima, Adam T. Fernandes Apr 2009

Hiding Hiroshima, Adam T. Fernandes

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the representation of nuclear weapons in Japanese anime and US live action cinema in the 1980's, using methods from cultural studies. Examines, specifically, the silences and contradictions of the selected films to reveal the cultural ideologies of Japan and the United States during the time in which the films were produced. Analyzes the Japanese animated films, Barefoot Gen, Barefoot Gen 2, and Grave of the Fireflies, and the American live action films, The Day After, Testament, and Miracle Mile.


Slashing The Complacent Eye: Luis Bunuel And The Cinema Of The Surrealist Documentary, Caroline Francis Jan 2006

Slashing The Complacent Eye: Luis Bunuel And The Cinema Of The Surrealist Documentary, Caroline Francis

Honors Projects

Contextualizes Spanish surrealist filmmaker, Luis Bunuel's, 1933 surrealist documentary, Land without Bread, in its artistic, historical, and political foundations. Creates the first English language exploration of the term, "surrealist documentary," that is equally contextualized between the politics and methods of the surrealists and the beginnings of the ethnographic film tradition.