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Abstracts (N° 95)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Françoise Naudillon

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Les Festivals Des Minorités En Europe, Une Passerelle Vers Le Mena, Émilie Wacogne

Présence Francophone: Revue internationale de langue et de littérature

We observe a proliferation of film festivals dedicated to Maghrebian and African cinemas in Europe. Several festivals include movies by directors from the Maghreb, the Near and Middle East, and Africa, as well as films by European filmmakers, descendants of immigrant parents. This phenomenon reflects the need for a visibility that continues to be lacking in European societies. It also shows the long process by which these guest workers settle in some European countries. We will mention the FameckArab Film Festival, the Arab Film Festival in Brussels and the Aflam Festival in Marseille. The link between the presence of festivals, …

La Réception Du Film De Mamady Sidibé, Lnspecteur Sori - Le Mamba, De L'Enquête Au Cliché, Franck Mbadinga

Présence Francophone: Revue internationale de langue et de littérature

This reflection shall use Mamady Sidibe's film lnspecteur Sori- Le mamba to question the characteristics of critical reception theories. It takes into account the orientation that the audience may assign to a broadcast film depending on how receptive it is to the film. By distinguishing two types of spectators (model and not), it also connects itself with Umberto Eco's reflections on the reader/spectator. From these reflections, it turns out that the horizons of expectations arising from a visual piece are consubstantial with hermeneutics that question the origins of the piece, not the piece itself. In other words, the film puts …

Présence Francophone, Numéro 95

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Watch Me If You Can! Un Cinéma Algérien En Quête De Diffusion Et De Réception, Salima Tenfiche

Présence Francophone: Revue internationale de langue et de littérature

After a civil war that left more than 200 000 dead in Algeria in the 1990s, the return to peace in 2003 and the rise in the price of oil allowed Algerian cinema to return to the international scene. The state has invested several billion Algerian dinars since 2005 to revive film production and start renovating the country's four hundred movie theaters that had been abandoned since the late 1980s. Today, fifty-three movie theaters are functional throughout Algeria, yet they do not open their doors to the public. These movie theaters are still perceived as shady places, and they struggle …

Parties Annexes (N° 95)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Front Matter And Table Of Contents (N° 95)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Le Cinéma Au Village : Les Beaux Jours Du Cinéma Ambulant Dans Les Années 1950, Odile Goerg

Présence Francophone: Revue internationale de langue et de littérature

Travelling by cart, but more often by train and later by automobile, films reached small towns and large villages alike. Travelling pictures were the first - and often the only - means of access to cinema for much of the African continent. They made it possible to reach the countryside, albeit randomly and sporadically.

To analyse the development of travelling pictures during the late colonial period, this article emphasises commercial, for-profit ventures rather than official, government-sponsored tours playing educational and propaganda films - though the line between the two was often blurred. Whether they functioned autonomously or were tied to …

La Distribution En France Des Films D'Afrique Sud Saharienne Francophone, Patricia Caillé, Claude Forest

Présence Francophone: Revue internationale de langue et de littérature

Since the first such productions of the post-independence era, films directed by African filmmakers from former sub-Saharan French colonies have enjoyed very limited broadcast in theatres in France. Indeed, with very few exceptions, they have hardly been seen by French audiences at all. The image of the "festival film" - a label they were assigned - has had a significant negative impact, reinforcing their status as niche films reserved exclusively for film buffs. The few film titles that come up over and over again have led critics astray, restricting their view of this cinema to the places and stories portrayed …

La Diffusion Des Films Tunisiens Postrévolutionnaires, Emna Mrabet

Présence Francophone: Revue internationale de langue et de littérature

After a long period of stagnation, Tunisian cinema is experiencing a new boom today. The postrevolutionary era is thus marked by an artistic proliferation which is reflected through a multiplication of cinematographic achievements. We witness a diversification of styles and aesthetics and the advent of trends that dare to question society on its taboos and the barriers it poses to the development of the individual. These new productions are often awarded prizes in international festivals and are supported by an essential event: The Carthage Film Festival. In light of these considerations, it is necessary in this article to observe in …

« Made In Rdc ». Nouvelles Productions Filmiques Et Distributions Locales, Silvia Riva

Présence Francophone: Revue internationale de langue et de littérature

Compared to other African countries and despite the potential size of its audience, until the beginning of the new millennium, Congo DRC seemed to be lagging behind in its local film production. Guido Convents' work on Congolese cinema from the earliest times to the present shows a portrait of cinematography around the Congo, which takes into account cinema "for Congolese, by Congolese or with Congolese actors" for lack of an indigenous productive centrality, if not limited to feature films directed by Mwezé Ngangura and recognized authors of the diaspora (Balufu Bakupa Kanyinda, among others). With the success of the feature …

Index (N° 95)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Ousmane Sembène : Un Paradoxe Postcolonial Du Cinema Africain?, Mbaye Diouf, Edoardo Cagnan

Présence Francophone: Revue internationale de langue et de littérature

How can we quantify the success of an African film in a postcolonial context? This article aims to answer this question by analyzing the case of Mooladé (2004), Ousmane Sembène's last full-length feature. The issues and the conditions of its circulation show the militant intention of the film-director, and we can notice a subtle competitive relation between the artistic value of the film and its pedagogical content, which is seen as politically acceptable in Africa. Budget and circulation issues put the spotlight on the tight situation of Francophone film industry: the imbalance of power relationships often forces the African film-director …

Fatou Diome: Une Création Entre Les Arts, Sada Niang

Présence Francophone: Revue internationale de langue et de littérature

As she began her career in the 1980s, Fatou Diome inherited a rich tradition of literary texts and media productions, African cinema among them. Since she also hailed from a country known as "francophone", it is hardly surprising that her novels resonate with the style and narratives of African, French and other European writers. In this article, we propose to unveil a few of these artistic threads which may have informed and inspired Fatou Diome.

Qui Est Done « L'Homme De Barbès » ? Le Probleme Du « Nègre » De L'Écriture Migrante Dans Le Ventre De L'Atlantique De Fatou Diome, El Hadji Moustapha Diop

Présence Francophone: Revue internationale de langue et de littérature

This paper attempts to revisit the figure of "l'homme de Barbes" as a new form of invisible subalternity deeply inscribed within the texture of Fatou Diome's Le ventre de l'At/lntique, this landmark novel said to usher in a new era in migrant literature, at the intersection between the postcolonial and the transnational. In this respect, Diome's novel is indeed seminal, but from a geocritical perspective. Thus, I argue that the man of/from Barbès must be read as a figure greater than the sum of his narrative and discursive parts. Unlike the Parisian "black bazaar" tagged onto his persona, the "multiplicity …

La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau

Présence Francophone: Revue internationale de langue et de littérature

The different North African cinemas, which appeared after the independences and were the work of film directors trained in Europe, were, as a principle, an art-house cinema at odds with the classical cinema type. Presented at festivals very often, they were not really embraced by the national audiences, who were mainly consumers of popular productions, either western or Egyptian. But the production of genre films (especially comedies) which were very rare until the 1990s is increasing today, at least in Morocco. Their arrival at the top of the Moroccan box-office where they compete with the American blockbusters prove that the …

La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.

Présence Francophone, Numéro 90

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade, Vincent Bouchard

Présence Francophone: Revue internationale de langue et de littérature

Cinomade is an association that tries to sensitize the populations about the HIV pandemic in Burkina Faso. Télé Vaka, literally the "Neighborhood Television" in more language, was an itinerant local television around Koudougou in Burkina Faso. By comparing the reception of screenings organized in rural areas by Télé Vaka and Cinomade, this article describes a popular form of consumption of audio-visual images in West Africa. By causing the debate inside the communities using a heterogeneous device connecting endogenous (the chief's words, those of the elders, etc.) and exogenous (video projection and public testimony), ways of communication, this experiment modifies our …

Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo

Présence Francophone: Revue internationale de langue et de littérature

The first television pictures appeared in Cameroon thirty years ago, proposing series for public consumption. These imported products later on suffered a singular competition from local artists, whose works were mostly broadcast on private channels, besides what was proposed by the single public media of Cameroon Television (CW). In this article, we intend to carry an ecocritical analysis on the aesthetic aspects of ten credit titles; we also bring out the formal process of producing movies; this is how we can identify hybridity through costumes, languages and scenery because they go beyond the local environment which they reveal to present …

Seeing Witchcraft, Bernhard Udelhoven

Journal of Global Catholicism

When Christians in Zambia struggle with witchcraft, they also struggle with African cultural and religious concepts that deal with life’s ambiguities and that require discernment. It is not by working against the cultural and religious heritage, but by working with it, as far as possible, that the pastor can identify the broken relationships towards which many witchcraft discourses point. However, before we place the concepts of witchcraft into the realm of superstition (as are the trends of mission Christianity) or the demonic (as are the trends of charismatic Christianity), the Church has the duty to look at the concepts, stay …

Allocutio: Articulating The Task For The Future Of African Catholicism, Mary Sylvia Nwachukwu

Journal of Global Catholicism

This essay charts how Catholicism can become more indigenously African and respond better to African needs and concerns.

The Devil Of The Missionary Church: The White Fathers And Catholic Evangelization In Zambia, Bernhard Udelhoven

Journal of Global Catholicism

This article examines how Western Catholic missionaries in Zambia dealt with claims of witchcraft and Satanism. Within an analytic frame that draws upon cultural history, theology, and anthropology the article also considers how African Christians appropriated missionary notions of the devil.

Learning Religion In The Presence Of The Other: Mission And Dialogue In World Catholicism, Matthias Scharer

Journal of Global Catholicism

Based on selected texts of the Second Vatican Council and related to the process of the Council and Church experiences thereafter, this article offers a brief insight into the theological method known as communicative theology (CT). One of the factors most challenging to mission and dialogue in world Catholicism is the perpetual presence of the “other” as a stranger. This learning religion in the presence of the “other” is not the exception; this article argues that it is, in fact, very typical of mission and dialogue in Africa as well as in Europe

Relationships Between Religious Denomination, Quality Of Life, Motivation And Meaning In Abeokuta, Nigeria, Mary Gloria Njoku, Babajide Gideon Adeyinka

Journal of Global Catholicism

Inter-disciplinary research that combines methods in psychology of the impact of religious change in Africa and theological approaches has been very scant in Nigeria. This study examines the relationship among religious denominations, quality of life, motivation and meaning in life in Abeokuta metropolis in Ogun State, Nigeria using psychological and religious tools. The study hypothesizes that members of the Roman Catholic denomination would differ from members of the Redeemed Christian Church of God and the Living Faith Church in motivational factors and meaning making.

The Ecclesiology Of Pope Francis And The Future Of The Church In Africa, Bradford E. Hinze

Journal of Global Catholicism

A consideration of the future of African Catholicism in light of the ecclesiology of Pope Francis. The article explores how themes in Francis's ecclesiology work together to challenge centralization, clericalism, and triumphalism in the church by promoting practices of synodality and how these elements support the church’s mission to work against forms of colonialism, neo-colonialism, and the most fundamental matrix of colonial power by advancing radical democracy in society

Editor's Introduction, Mathew Schmalz

Journal of Global Catholicism

An overview of African Catholicism. Part Two: Retrospect and Prospect, third issue of the Journal of Global Catholicism. A summary of the work of Bradford Hinze, Mary Gloria Njoku, Matthias Scharer, Mary Sylvia Nwachukwu, and Bernhard Udelhoven. Among the topics considered: African ecclesiology, African wellness and quality of life in Africa, interreligious dialogue in Africa, African Biblical scholarship, witchcraft and the Catholic Church.

Mutations Dans L’Écriture Théâtrale Au Burkina Faso De 1980 À Nos Jours, Hamadou Mandé

Présence Francophone: Revue internationale de langue et de littérature

This article takes an analytical look at the evolution of drama writing in Burkina Faso from 1980 to the present. Based mainly on a corpus of five dramatic texts of five renowned authors, it shows how in form as in content, the theatrical text has undergone important changes that respond to a socio-cultural rooting need but also a determination to stick to current realities. The study is based on methodological resources of the theatrical text analyses resulting from mixed approaches combining the work of Anne Ubersfeld, Patrice Pavis and Sylvie Chalaye.

Théâtre Burkinabè Contemporain Et Dramaturgie De L’Entre-Deux : Aristide Tarnagda Et Sophie Kam, Christophe Konkobo

Présence Francophone: Revue internationale de langue et de littérature

What do contours of contemporary Burkinabe drama look like? By attempting to answer such a question, we analyzed a number of plays written by both Aristide Tarnagda and Sophie Heidi Kam, two young playwrights from Burkina Faso. The works examined in this article show first and foremost aesthetic approaches and thematic concerns not often seen in previous dramatic writings. The contemporary plays are always set in symbolically defined “empty spaces” where characters seek to define their identity against internal and external pressures.