Entertainment, Arts, and Sports Law Commons^™

In Memoriam: Judge Terence T. Evans

Marquette Sports Law Review

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The Wiaa As A State Actor: A Decade Later, Brentwood Academy's Potential Effect On Wisconsin Interscholastic Sports, Joseph P. Trevino

Marquette Sports Law Review

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Unconstitutional Hosting Of The Super Bowl: Anti-Ambush Marketing Clean Zones' Violation Of The First Amendment, Ari J. Sliffman

Marquette Sports Law Review

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Topps Gets Exclusive License, Leaving Upper Deck On The Bench: An Analysis Of Major League Baseball's Antitrust Exemption In The Modern Era, Sarah A. Padove

Marquette Sports Law Review

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Table Of Contents

Marquette Sports Law Review

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Inside The Huddle: Analyzing The Mediation Efforts In The Nfl's Brady Settlement And Its Effectiveness For Future Professional Sports Disputes, Timothy J. Bucher

Marquette Sports Law Review

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Cross-Checking: An Overview Of The International Tax Issues For Professional Hockey Players, Alan Pogroszewski, Kari Smoker

Marquette Sports Law Review

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The Biological Passport: Closing The Net On Doping, Peter Charlish

Marquette Sports Law Review

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When The Numbers Don't Add Up: Oversigning In College Football, Jonathan D. Bateman

Marquette Sports Law Review

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Book Review: Sports Justice: The Law And Business Of Sports, Elise M. Harris

Marquette Sports Law Review

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A New Solution For Salary Disputes: Implementing Salary Arbitration In The National Basketball Association, Scott Bukstein

Marquette Sports Law Review

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The New Resident Evil? State Regulation Of Violent Video Games And The First Amendment, James Dunkelberger

BYU Law Review

No abstract provided.

Ncaa Transgender Student-Athlete 'Policy': Analysis, Shawn Crincoli

Scholarly Works

No abstract provided.

Shutting The Black Door: Using American Needle To Cure The Problem Of Improper Product Definition, Daniel A. Schwartz

Michigan Law Review

Section 1 of the Sherman Act is designed to protect competition by making illegal any agreement that has the effect of limiting consumer choice. To make this determination, courts first define the product at issue and then consider the challenged restraint's impact on the market in which that product competes. When considering § 1 allegations against sports leagues, courts have tended to define products according to the structure of the leagues. The result of this tendency is that harm to competition between the leagues' teams is not properly accounted for in the courts' analyses. This, in turn, grants leagues a …

How To Play Your Hand: Lessons For Negotiators From Poker, John Valery White, Joseph Asher, Russell Korobkin, Jack Binion, Howard Lederer, Annie Duke

UNLV Gaming Law Journal

A panel discussion on the topic of conflict resolution and negotiation strategies among internationally acclaimed poker players Annie Duke and her brother, Howard Lederer, UCLA professor Russell Korobkin, and leading Las Vegas gaming executive Jack Binion. The following transcript reflects the speakers' discussion.

Making Sense Of "Moral Rights" In Intellectual Property, Brian A. Lee

Faculty Scholarship

No abstract provided.

Using Public Disclosure As The Vesting Point For Moral Rights Under The Visual Artists Rights Act, Elizabeth M. Bock

Michigan Law Review

In 2010, the Court of Appeals for the First Circuit confronted the novel question of when moral rights protections vest under the Visual Artists Rights Act. In Massachusetts Museum of Contemporary Art Foundation, Inc. v. Bichel, the First Circuit determined that the protections of the Visual Artists Rights Act begin when a work is "created" under the Copyright Act. This Note argues that this decision harms moral rights conceptually and is likely to result in unpredictable and inconsistent decisions. This Note proposes instead that these statutory protections should vest when an artist determines that his work is complete and presents …

The Impact Of Technology On Pre-Digital Recording Agreements: An Examination Of F.B. T. Productions, Llc V. Aftermath Records, Lauren K. Turner

West Virginia Law Review

No abstract provided.

Sampling, Looping, And Mashing . . . Oh My!: How Hip Hop Music Is Scratching More Than The Surface Of Copyright Law, Tonya M. Evans

Fordham Intellectual Property, Media and Entertainment Law Journal

This article examines the deleterious impact of copyright law on music creation. It highlights hip hop music as an example of a genre significantly and negatively impacted by 1) the per se infringement rule applied in some instances to cases involving unauthorized sampling of sound recordings; and 2) traditional (and arguably erroneous) assumptions in copyright law and policy of independent creation and Romantic authorship. For decades hip hop producers have relied on the innovative use of existing recordings (most of which are protected by copyright), to create completely new works. Specifically, cuttin’ and scratchin’, digital sampling, looping and (most recently) …

"A Simple, Human Measure Of Privacy": Public Disclosure Of Private Facts In The World Of Tiger Woods, Patricia S. Abril

Articles

No abstract provided.

Indecency, A La Carte, And The Fcc's Approval Of The Sirius Xm Satellite Radio Merger: How The Fcc Indirectly Regulated Indecent Content On Satellite Radio At The Expense Of The "Public Interest", Elizabeth A. Pike

University of Miami Business Law Review

No abstract provided.

Digital Copyright And Confuzzling Rhetoric, Peter K. Yu

Faculty Scholarship

The entertainment industry tells people they shouldn’t steal music because they wouldn’t steal a car, but has anybody ever downloaded a car? Music fans praise Napster and other file-sharing services for helping to free artists from the stranglehold of the music industry, but how many of these services actually have shared profits with songwriters and performing artists? Industry representatives claim that people use YouTube primarily to listen to or watch copyrighted contents, but are they missing a big piece of the user-generated content picture? Artists are encouraged to forget about copyright and hold live concerts instead, but can all artists …

Stolen Art, Looted Antiquities, And The Insurable Interest Requirement, Robert L. Tucker

Akron Law Faculty Publications

Trafficking in stolen art and looted antiquities is a multi-billion dollar enterprise. Stolen art and looted antiquities are ultimately sold to museums or private collectors. Sometimes the purchasers acquire them in good faith. But other times, the purchasers know, suspect, or willfully blind themselves to the possibility that the piece was stolen or illegally excavated and exported up the chain of title.

This problem is compounded by customs and course of dealing in the art and antiquities trade. Dealers generally decline to provide meaningful information to prospective purchasers about the provenance of a piece, and sophisticated purchasers customarily acquiesce in …

1991 Arbitration Hearings Chart, Edmund P. Edmonds

Annual Hearings Charts

No abstract provided.

Valtin, Rolf Arbitration Chart, Edmund P. Edmonds

Arbitrator Charts

No abstract provided.

1992 Arbitration Hearings Chart, Edmund P. Edmonds

Annual Hearings Charts

No abstract provided.

1993 Arbitration Hearings Chart, Edmund P. Edmonds

Annual Hearings Charts

No abstract provided.

1994 Arbitration Hearings Chart, Edmund P. Edmonds

Annual Hearings Charts

No abstract provided.

1995 Arbitration Hearings Chart, Edmund P. Edmonds

Annual Hearings Charts

No abstract provided.

1996 Arbitration Hearings Chart, Edmund P. Edmonds

Annual Hearings Charts

No abstract provided.