Law Commons^™

Patenting New Uses For Old Inventions, Sean B. Seymore

Vanderbilt Law School Faculty Publications

A bedrock principle of patent law is that old inventions cannot be patented. And a new use for an old invention does not render the old invention patentable. This is because patent law requires novelty--an invention must be new. But while a new use for an old invention does not make the old invention patentable, the new use itself might be patentable. In fact, new-use patents comprise a significant part of the patent landscape-particularly in pharmaceuticals, when drug companies obtain new-use patents to repurpose old drugs. This trend has fueled debates over follow-on innovation and patent quality. But there is …

The Machine As Author, Daniel J. Gervais

Vanderbilt Law School Faculty Publications

Machines are increasingly good at emulating humans and laying siege to what has been a strictly human outpost: intellectual creativity.

At this juncture, we cannot know with certainty how high machines will reach on the creativity ladder when compared to, or measured against, their human counterparts, but we do know this. They are far enough already to force us to ask a genuinely hard and complex question, one that intellectual property (“IP”) scholars and courts will need to answer soon; namely, whether copyrights should be granted to productions made not by humans but by machines.

This Article’s specific objective is …

Tonal Concept And Feel, Joseph P. Fishman

Vanderbilt Law School Faculty Publications

This essay is part of the Cardozo Arts and Entertainment Law Journal’s symposium issue revisiting the Ninth Circuit's now fifty-year-old copyright decision in Roth Greeting Cards v. United Card Co. Roth famously pushed a holistic “total concept and feel” approach to assessing similarity between the parties’ works, as opposed to a dissective one that would analyze the works’ individual components. While Roth itself was a case about visual works, courts over the last two decades have imported its total concept and feel standard into music cases. That approach has become a common target for critics of today’s music-infringement litigation trends. …