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Articles 91 - 111 of 111

Full-Text Articles in Law

Ween, Kembrew Mcleod Dec 1999

Ween, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Rap/Hip-Hop, Kembrew Mcleod Dec 1999

Rap/Hip-Hop, Kembrew Mcleod

Kembrew McLeod

Ranging from 3,000 to 500 words each. 35 entries in this five-volume set: ―Rap/Hip-Hop,‖ ―Funk,‖ ―Afrika Bambaataa,‖ ―Spice Girls‖ and others.


Mark Olson & The Original Harmony Ridge Creekdippers, Kembrew Mcleod Dec 1999

Mark Olson & The Original Harmony Ridge Creekdippers, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Gendered Patterns Of Discourse In Rock Criticism, Kembrew Mcleod Dec 1999

Gendered Patterns Of Discourse In Rock Criticism, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Howie B, Kembrew Mcleod Dec 1999

Howie B, Kembrew Mcleod

Kembrew McLeod

Entries included: ―Howie B,‖ ―Dr. Octagon‖ and others.


Genres, Sub-Genres, Sub-Sub-Genres, Etc.: Sub-Genre Naming In Electronic/Dance Music, Kembrew Mcleod Dec 1999

Genres, Sub-Genres, Sub-Sub-Genres, Etc.: Sub-Genre Naming In Electronic/Dance Music, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


From Zines To Websites: The Impact Of Intellectual Property Law On Alternative Forms Of Communication, Kembrew Mcleod Dec 1999

From Zines To Websites: The Impact Of Intellectual Property Law On Alternative Forms Of Communication, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Cultural Production, Articulation Theory And Intellectual Property Law, Kembrew Mcleod Dec 1999

Cultural Production, Articulation Theory And Intellectual Property Law, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Authenticity Within Hip-Hop And Other Cultures Threatened With Assimilation, Kembrew Mcleod Nov 1999

Authenticity Within Hip-Hop And Other Cultures Threatened With Assimilation, Kembrew Mcleod

Kembrew McLeod

This essay examines claims of authenticity within hip-hop, African American culture. In the mid- to late 1990s, authenticity claims have been pervasive within hip-hop music communities, which had previously existed on the margins of mainstream U.S. culture. By mapping the range of meanings associated with authenticity as they are invoked discursively, we can gain a better understanding of how a culture in danger of assimilation seeks to preserve its identity. The use of the conceptual apparatus of semantic dimensions highlights how that culture's most central and powerful symbols are organized and given meaning vis-á-vis authenticity within a discursive system.


Air, Kembrew Mcleod Oct 1999

Air, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Make The Music, Kembrew Mcleod Aug 1999

Make The Music, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Cybersex You Up, Kembrew Mcleod Mar 1999

Cybersex You Up, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


One And A Half Stars: A Critique Of Rock Criticism, Kembrew Mcleod Dec 1998

One And A Half Stars: A Critique Of Rock Criticism, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Dj Faust, Kembrew Mcleod Dec 1998

Dj Faust, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Keepin‘ It Real: Invocations Of Authenticity Within Hip-Hop And African-American Culture, Kembrew Mcleod Dec 1998

Keepin‘ It Real: Invocations Of Authenticity Within Hip-Hop And African-American Culture, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Exile In Criticville: Liz Phair, Rock Criticism And The Construction Of A ‗Do Me‘ Feminist Icon., Kembrew Mcleod Dec 1998

Exile In Criticville: Liz Phair, Rock Criticism And The Construction Of A ‗Do Me‘ Feminist Icon., Kembrew Mcleod

Kembrew McLeod

No abstract provided.


Liz Phair, Sexual Agency Feminism And Rock Criticism, Kembrew Mcleod Dec 1997

Liz Phair, Sexual Agency Feminism And Rock Criticism, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


―Happy Birthday, Screw You‖: The Collision Of Copyright Law, The Folk Song Tradition, And The World‘S Most Popular Birthday Song, Kembrew Mcleod Dec 1997

―Happy Birthday, Screw You‖: The Collision Of Copyright Law, The Folk Song Tradition, And The World‘S Most Popular Birthday Song, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


A Video Camera, A Television, An Audience, And Some Imagination: Four Ingredients For A Successful Interactive Classroom Exercise In Critical Pedagogy, Kembrew Mcleod Dec 1997

A Video Camera, A Television, An Audience, And Some Imagination: Four Ingredients For A Successful Interactive Classroom Exercise In Critical Pedagogy, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


The Sound Of (Rap) Music: Sampling, Copyright Law And The Production Of Cultural Change, Kembrew Mcleod Dec 1996

The Sound Of (Rap) Music: Sampling, Copyright Law And The Production Of Cultural Change, Kembrew Mcleod

Kembrew McLeod

No abstract provided.


The Private Ownership Of Culture: Cultural Production And Intellectual Property Law, Kembrew Mcleod Dec 1996

The Private Ownership Of Culture: Cultural Production And Intellectual Property Law, Kembrew Mcleod

Kembrew McLeod

No abstract provided.