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Conference papers

Onset detection

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Onset Detection Using Comb Filters, Mikel Gainza, Bob Lawlor, Eugene Coyle Jan 2005

Onset Detection Using Comb Filters, Mikel Gainza, Bob Lawlor, Eugene Coyle

Conference papers

A technique for detecting note onsets using FIR comb filters which have different filter delays is presented. The proposed onset detector focuses on the inharmonic characteristics of the onset component and the energy increases of the signal. Both properties are combined by utilising FIR comb filters on a frame by frame basis in order to obtain an onset detection functions, which is suitable for detecting slow onsets. The proposed approach improves upon existing methods in terms of the percentage of correct detections in signal processing.


Onset Detection And Music Transcription For The Irish Tin Whistle, Mikel Gainza, Robert Lawlor, Eugene Coyle, Aileen Kelleher Jan 2004

Onset Detection And Music Transcription For The Irish Tin Whistle, Mikel Gainza, Robert Lawlor, Eugene Coyle, Aileen Kelleher

Conference papers

A technique for detecting tin whistle note onsets and transcribing the corresponding pitches is presented. This method focuses on the characteristics of the tin whistle within Irish traditional music, customising a time-frequency based representation for extracting the instant when a note starts and the music notation. Results show that the presented approach improves upon the existing energy based approaches in terms of the percentage of correct detections.


Single Note Ornaments Transcription For The Irish Tin Whistle Based On Onset Detection, Mikel Gainza, Eugene Coyle, Robert Lawlor Jan 2004

Single Note Ornaments Transcription For The Irish Tin Whistle Based On Onset Detection, Mikel Gainza, Eugene Coyle, Robert Lawlor

Conference papers

Oranamentation plays a very important role in Irish traditional music giving more expression to the music by altering or embellishing small pieces of a melody. Single-note ornamentation, such as cuts and strikes, are the most common type in Irish traditional music and are played by articulating the note pitch during the onset stage. A technique for transcribing single note ornamentation for the tin whistle is based on onset detection is presented. This method focuses on the characteristics of the tin whistle within Irish traditional music, customising a time-frequency based representation for detecting the instant when new notes played using single …