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“Where Are You From?”: Using Critical Race Theory To Analyze Graphic Novel Counter-Stories Of The Racial Microaggressions Experienced By Two Angry Asian Girls, Talitha Angelica Acaylar Trazo, Woohee Kim Dec 2019

“Where Are You From?”: Using Critical Race Theory To Analyze Graphic Novel Counter-Stories Of The Racial Microaggressions Experienced By Two Angry Asian Girls, Talitha Angelica Acaylar Trazo, Woohee Kim

Intersections: Critical Issues in Education

This article uses critical race theory (CRT) to analyze two stories about racial microaggressions from Where Are You From?: Short stories about being Asian in America, the graphic novel written and illustrated by Talitha Angelica Acaylar Trazo in fulfillment of her undergraduate honors thesis. Where Are You From? visually historicizes the counter-stories of 48 Asian and Asian American students at a predominantly-white undergraduate institution. In this article, we examine these microaggressions in relation to institutional and structural racism and the intersections of race, gender, and power dynamics between white faculty and Asian female students. Furthermore, we propose …


Though This Be Madness, Yet There Is Method In’T: Using Graphic Shakespeare Texts To Create Meaningful Engagement In The High School Classroom, Eric Kallenborn Jul 2014

Though This Be Madness, Yet There Is Method In’T: Using Graphic Shakespeare Texts To Create Meaningful Engagement In The High School Classroom, Eric Kallenborn

All Student Theses

This thesis covers the attempt to successfully motivate and connect with high school students by giving them the option of reading a graphic form of Hamlet instead of the original text. This research was conducted to not only dispel the myth that comics and graphic novels are juvenile and adolescent but to also explain the benefits of such texts to educators and administrators.

For this research, 10th graders were assigned Hamlet and were allowed to select the graphic text over the traditional text, allowing for student buy-in from the selection. Students also took part in a project that …


A Picture Is Worth A Thousand Words: Integrating Sequential Narratives Into An English Language Learner's Curriculum, Cira Michelle Montoya Jan 2011

A Picture Is Worth A Thousand Words: Integrating Sequential Narratives Into An English Language Learner's Curriculum, Cira Michelle Montoya

Open Access Theses & Dissertations

The following thesis aims to explore the subject of using comics in the classroom, particularly with English Language Learner (ELL) students. Do the images, vocabulary, and contextual cues found within comics and graphic novels positively affect language comprehension and writing skills of ELL students when these texts are integrated into a tailored curriculum? Within my research I have composed an extensive literature review comprised of two major sections. The first section aims to highlight the use of comics to assist struggling readers, again focusing on ELL students. The second section compiles a list of comics and graphic novels I reviewed …


Going Graphic: Understanding What Graphic Novels Are -- And Aren't -- Can Help Teachers Make The Best Use Of This Literary Form, James Carter Feb 2009

Going Graphic: Understanding What Graphic Novels Are -- And Aren't -- Can Help Teachers Make The Best Use Of This Literary Form, James Carter

James B Carter

Best practice information for considering graphic novels in the k-12 classroom


Comics, The Canon, And The Classroom, James Carter Dec 2007

Comics, The Canon, And The Classroom, James Carter

James B Carter

This chapter, which explores what I call the canon-curriculum-culture connection in terms of comics and graphic novels, also offers definitions of the augmental and supplemental approaches to using graphic novels in the classroom. The link is to the "Google Books" version of the paper, which begins on page 47 of the book.


Die A Graphic Death:" Revisiting The Death Of Genre With Graphic Novels, James Carter Dec 2007

Die A Graphic Death:" Revisiting The Death Of Genre With Graphic Novels, James Carter

James B Carter

A revisitation of the concept of genre as it applies to graphica. I argue, as have others, that comics is a medium or art form rather than a genre. But, I also illustrate the concept for rhetoric's sake.


Transforming English With Graphic Novels: Moving Toward Our "Optimus Prime", James Carter Oct 2007

Transforming English With Graphic Novels: Moving Toward Our "Optimus Prime", James Carter

James B Carter

I argue for the transformative potential of graphic novels in the English classroom.


Building Literacy Connections With Graphic Novels: Page By Page, Panel By Panel, James Carter Dec 2006

Building Literacy Connections With Graphic Novels: Page By Page, Panel By Panel, James Carter

James B Carter

A book devoted to using graphic novels in the classroom for authentic literacy experiences, focusing upon pairing graphica with young adult or canonical texts. The URL is to the book's page at the publisher's.


Enchanting Readers With Revisionist Fairy Tales, James Carter Dec 2005

Enchanting Readers With Revisionist Fairy Tales, James Carter

James B Carter

"Students examine three examples of revisionist fairy tales in which female characters act in empowered roles rather than behaving helpless and submissive"


Alan Moore And The Graphic Novel: Confronting The Fourth Dimension, Mark Bernard, James Carter Dec 2003

Alan Moore And The Graphic Novel: Confronting The Fourth Dimension, Mark Bernard, James Carter

James B Carter

Comics, especially the works of Alan Moore, are examined as meeting the goals of modernist artists and writers due to their combination of image and text, succeedeing where neither form of expression could independently of one another.